The Hotel Tito
September 16 – December 30, 2011
Opening Reception: September 15, 2011, 7 -9 pm
Curated by Shirley Madill
In collaboration with Musee d’art de Joliette
Special performance: Which Way to the Bastille?
Following the premier on September 15 the second of eight short performances by students of the Department of Dramatic Arts (DART) occurs September 23, 2011 after 12 noon. Tanisha Minson and Dylan Mawson, senior students in the DART program have collaborated with the artist and faculty of DART to create a brief interpretation of the text during the course of the exhibition. The performance will function as a dramatic evocation of the principal tenets of the artist’s and the curatorial program.
Performance are scheduled for:
Thursday, September 15, evening, at the opening reception.
Friday, September 23, 12 noon, last day of the artist’s residency
Thursday, September 29, 6:30 pm
Saturday, October 15, 2:30 pm
Thursday, October 27, 8 pm
Sunday, November 6, 2:30 pm
Friday, November 18, 11:30 am
Saturday, December 3, 2:30 pm
The exhibit in brief:
Milutin Gubash has pursued a multidisciplinary practice revolving around video, photography and performance since 2002. This ten-year survey of work by Milutin Gubash includes a residency project with the Department of Dramatic Arts and the Marilyn I. Walker School of Fine and Performing Arts at Brock University. Beginning with the work titled, Re-Enacting Tragedies While My Parents Look On, the exhibition includes various works that focus on daily-life occurrences with historical and philosophical narratives. Gubash is interested in exploring how individuals and ideas can overwrite commonly held perceptions of landscape, politics and expectations of representation.
The exhibit in detail:
Milutin Gubash has pursued a multidisciplinary art practice revolving around video, photography and performance since 2002. He first made a name for himself in 2003 with the webcast project Re-Enacting Tragedies While My Parents Look On, in which he “re-created,” with his parents, various tragic news stories reported in the Calgary Herald. Gubash plays the part of the victim, dressed in a dark suit that now has become a signature for the artist.
By layering daily-life occurrences with historical and philosophical narratives, Gubash is interested in exploring how individuals and ideas can overwrite commonly held perceptions of landscape, politics and expectations of representation. His imagery portrays the same individuals (family and friends) living absurd situations or experiencing actual moments of psychological reflection. Together, the Gubash family and friends create a dreamscape of funny and sincere gestures while experimenting with their own relational identities. Gubash often insists on creating multiple contexts within which to engage his series of mini- narratives. By locating his own performative gestures at the scenes of such events, Gubash dares to heighten his personal psychological inquiry and that of his collaborators.
This exhibition includes a selection of works produced over the past ten years with emphasis on the recent interconnected projects: Which Way to the Bastille?, These Paintings, and Hotel Tito.
During a residency with the Department of Dramatic Arts, Brock University, Gubash worked with Associate Professor David Vivian, Associate Professor Dr. Natalie Alvarez, and a company of selected students to develop a “live animation” of Which Way to the Bastille? Situated as an ongoing and regular interpretation of the text during the course of the exhibition, the performance will function as a dramatic evocation of the principal tenets of the artist’s and the curatorial program. Associate Professor Catherine Parayre (Modern Languages, Literatures, and Cultures) of Brock University will lead an upper-level course in text and image based around this exhibition under the auspices of the Centre for Studies in Arts and Culture of the Marilyn I. Walker School of Fine and Performing Arts.
A version of this exhibition will also be seen at the Carleton University Art Gallery, Ottawa; Southern Alberta Art Gallery, Lethbridge; and the Musée d’art de Joliette, Quebec.
Milutin Gubash was born in Novi Sad (Serbia) and has been living in Montreal since 2005.