Articles from:September 2011

  • Rotary Club makes donation to Brock’s downtown arts project

    Thursday, September 29, 2011 | By

    The effort to move Brock University’s Marilyn I. Walker School of Fine and Performing Arts into downtown St. Catharines received a major boost today when the Rotary Club of St Catharines donated $100,000 to the project, the largest single gift in the club’s 91-year history.

    The announcement came at a ceremony at the vacant textile mill that will be extensively renovated and expanded to house the new school. The project is a key piece of one of the most important redevelopment initiatives ever to take place in downtown St. Catharines.

    Rotary Club President John Crossingham said his colleagues realize the Brock downtown project is a critical opportunity to invest in the city’s future.

    “Our members come from all across the community,” said Crossingham. “We’re here today to show that Brock’s project is something the community can get behind, and we hope Rotary’s decision prompts others to step up and help make this opportunity a reality.”

    Crossingham said gifts like this are possible because of the support Rotary receives for fundraising efforts such as Ribfest or the annual Rotary TV Auction, which takes place this year Nov. 24-26.

    The contribution was warmly welcomed by University officials, who see Rotary’s decision as an important public endorsement of the plan to relocate more than 500 students and faculty into the city centre, revitalizing a downtown that has been in decline for many years.

    “I can tell you that Brock is ecstatic today,” said Douglas Kneale, Dean of Humanities and a member of the team overseeing the project. “This shows the power of partnership. We recognize that this is a huge commitment for Rotary to make, and we are thrilled they are helping to make this project come true for the benefit of the entire community.”

    Due to be open in 2014, the Brock project is half of a major collaboration that will see the Walker School situated adjacent to a public Performing Arts Centre being built by the City of St. Catharines.

    For the University, moving Walker School downtown will enrich the student experience, free up much-needed space on Brock’s main campus and help spark economic and cultural renaissance across the Niagara community.

    Alongside other support, the Brock project is made possible because of $26.2 million provided by the Ontario government’s Open Ontario program to create new jobs and growth.

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    Categories: Announcements, News

  • Special performance: Which Way to the Bastille? at Rodman Hall

    Thursday, September 29, 2011 | By

    Image: Milutin Gubash, The Hotel Tito, 2010. Lambda color print (24" x 50"). Image courtesy of the artist.

    Image: Milutin Gubash, The Hotel Tito, 2010. Lambda color print (24″ x 50″). Image courtesy of the artist.

     

    MILUTIN GUBASH
    The Hotel Tito
    September 16 – December 30, 2011
    Opening Reception: September 15, 2011, 7 -9 pm
    Curated by Shirley Madill

    In collaboration with Musee d’art de Joliette

    Special performance:  Which Way to the Bastille?
    Following the premier on September 15 the second of eight short performances by students of the Department of Dramatic Arts (DART) occurs September 23, 2011 after 12 noon. Tanisha Minson and Dylan Mawson, senior students in the DART program have collaborated with the artist and faculty of DART to create a brief interpretation of the text during the course of the exhibition.  The performance will function as a dramatic evocation of the principal tenets of the artist’s and the curatorial program.

     

    Performance are scheduled for:
    Thursday, September 15, evening, at the opening reception.
    Friday, September 23, 12 noon, last day of the artist’s residency
    Thursday, September 29, 6:30 pm
    Saturday, October 15, 2:30 pm
    Thursday, October 27, 8 pm
    Sunday, November 6, 2:30 pm
    Friday, November 18, 11:30 am
    Saturday, December 3, 2:30 pm

    The exhibit in brief:
    Milutin Gubash has pursued a multidisciplinary practice revolving around video, photography and performance since 2002. This ten-year survey of work by Milutin Gubash includes a residency project with the Department of Dramatic Arts and the Marilyn I. Walker School of Fine and Performing Arts at Brock University. Beginning with the work titled, Re-Enacting Tragedies While My Parents Look On, the exhibition includes various works that focus on daily-life occurrences with historical and philosophical narratives. Gubash is interested in exploring how individuals and ideas can overwrite commonly held perceptions of landscape, politics and expectations of representation.
    www.milutingubash.com
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    The exhibit in detail:
    Milutin Gubash has pursued a multidisciplinary art practice revolving around video, photography and performance since 2002. He first made a name for himself in 2003 with the webcast project Re-Enacting Tragedies While My Parents Look On, in which he “re-created,” with his parents, various tragic news stories reported in the Calgary Herald. Gubash plays the part of the victim, dressed in a dark suit that now has become a signature for the artist.

    By layering daily-life occurrences with historical and philosophical narratives, Gubash is interested in exploring how individuals and ideas can overwrite commonly held perceptions of landscape, politics and expectations of representation. His imagery portrays the same individuals (family and friends) living absurd situations or experiencing actual moments of psychological reflection. Together, the Gubash family and friends create a dreamscape of funny and sincere gestures while experimenting with their own relational identities. Gubash often insists on creating multiple contexts within which to engage his series of mini- narratives. By locating his own performative gestures at the scenes of such events, Gubash dares to heighten his personal psychological inquiry and that of his collaborators.

    This exhibition includes a selection of works produced over the past ten years with emphasis on the recent interconnected projects: Which Way to the Bastille?, These Paintings, and Hotel Tito.

    During a residency with the Department of Dramatic Arts, Brock University, Gubash worked with Associate Professor David Vivian, Associate Professor Dr. Natalie Alvarez, and a company of selected students to develop a “live animation” of Which Way to the Bastille? Situated as an ongoing and regular interpretation of the text during the course of the exhibition, the performance will function as a dramatic evocation of the principal tenets of the artist’s and the curatorial program. Associate Professor Catherine Parayre (Modern Languages, Literatures, and Cultures) of Brock University will lead an upper-level course in text and image based around this exhibition under the auspices of the Centre for Studies in Arts and Culture of the Marilyn I. Walker School of Fine and Performing Arts.

    A version of this exhibition will also be seen at the Carleton University Art Gallery, Ottawa; Southern Alberta Art Gallery, Lethbridge; and the Musée d’art de Joliette, Quebec.

    Milutin Gubash was born in Novi Sad (Serbia) and has been living in Montreal since 2005.

    Shirley Madill
    Exhibition Curator

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  • Brock appoints new director/curator of Rodman Hall Art Centre

    Wednesday, September 28, 2011 | By

    Stuart Reid

    An internationally recognized art curator and writer with extensive experience in arts administration in Canada is the new director/curator of Brock University’s Rodman Hall Art Centre.

    After two and a half years as executive director of the MacKenzie Art Gallery in Regina, Sask., Stuart Reid will assume his new position in January 2012.

    “We are pleased to have someone of Stuart’s calibre join our team at Rodman Hall,” says Douglas Kneale, Dean, Faculty of Humanities, Brock University. “His experience and leadership will help to foster our region’s vibrant arts scene, and his expertise will be an asset in the development of opportunities for Brock to engage our communities.”

    “The post of director/curator at Rodman Hall Art Centre holds a lot of interest for me,” says Reid in a press released issued by the MacKenzie Art Gallery. “I’m eager to continue my curatorial work and writing. I’ll also have teaching opportunities at Brock University. This move also takes me back to Ontario and my family.”

    Reid is a Past President of the Board of Directors of the Ontario Association of Art Galleries. He has served as director and curator of the Tom Thomson Memorial Art Gallery in Owen Sound, Ont., is an alumnus of the J. Paul Getty Trust’s Museum Leadership Institute at the University of California at Berkeley, and is also an elected member of the International Curators of Contemporary Art Network based in Luxembourg.

    Born in Dundee, Scotland, Reid immigrated to Canada in 1967. He studied art and art history at York University (BFA 1986) in Toronto. From 1990 to 1992, Reid was an associate curator at The Craft Gallery of the Ontario Crafts Council in Toronto. From 1992 to 2001, he was curator at the Art Gallery of Mississauga. In 1997, he was a guest of the British Council on a study tour of contemporary art in Northern Ireland.

    Brock University assumed ownership of Rodman Hall, the Walker Botanical Gardens and the Centre’s permanent art collection in 2003.

    Rodman Hall Art Centre is committed to excellence in visual arts programming and education, providing services and resources to students and faculty of Brock University and the Niagara region. Nationally, the Centre supports the development of artists and cultural workers in southern Ontario through the dissemination of contemporary art.

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