Articles tagged with: ArtIndustria+

  • Industrial Niagara, a new exhibition at Rodman Hall Arts Centre

    (image: Shawn Serfas)

    EDITOR’S NOTE: This exhibition is unavailable for viewing until further notice. It is closed as part of Brock University’s ongoing efforts to protect the health and safety of students, faculty, staff and the community in light of the ongoing COVID-19 pandemic. Please check here again.

    Industrial Niagara
    March 7-22, 2020, Rodman Hall Art Centre, Brock University
    Saturday, March 14, 2-4 p.m. Speaker Series

    Industrial Niagara, an exhibition, brings together key works by members of the Research Centre, Studies in Arts and Culture, Brock University.

    Visual artists Candace Couse, Catherine Parayre, Shawn Serfas, Donna Szőke, and ARTIndustria share their insights by responding to the natural environs and the features that distinguish the presence, loss or history of industry in Niagara’s landscape. A combination of hinterland, cataract and escarpment, waterways and canals, hydro-electric generators and high tension wires, manufacturing facilities, factories, subdivisions and farmland, this is the first of a series of reflections or aesthetic interpretations on the meaning of locale (genius loci).

    download poster

    Curated by Derek J.J. Knight, with a speaker series programmed by Catherine Parayre, on Saturday, March 14.

    Visit the Industrial Niagara Virtual Gallery.

    See the video produced by YourTV Niagara, on March 16, 2020.

    EDITOR’S NOTE: The below event has been cancelled as part of Brock University’s ongoing efforts to protect the health and safety of students, faculty, staff and the community in light of the ongoing COVID-19 pandemic.

    Rodman Hall Art Centre will host a cultural event on Saturday, March 14, 2-4 p.m. featuring readings by award-winning authors Natalee Caple and Adam Dickinson as well as short reflections by Niagara residents on their observations, research or experience, from the impact of the Welland Canal to the generation of hydro-electric power: Clark Bernat, Derek Knight, Reinhard Reitzenstein, David Sharron, Penelope Stewart, and David Vivian.

    Open to members of the public this event is organized as part of the Research Centre’s outreach and to encourage future partnerships in an ongoing series of thematic projects.

    download the program for Industrial Niagara

    The Research Centre in Interdisciplinary Arts and Creative Culture acknowledges the support of Brock University: Centre for Studies in Arts and Cultures, Marilyn I. Walker School of Fine and Performing Arts, Studies in Comparative Literature and Arts, Dean’s Office in Humanities, Research Services, and Rodman Hall Art Centre.

    New research centre fosters interdisciplinary approach to arts and culture
    [brocknews, alison innes. MONDAY, MARCH 02, 2020]

    The Research Centre in Interdisciplinary Arts and Creative Culture (RCIACC) establishes a network of researchers and creators across Faculties at Brock and beyond the University. The research centre is part of the Centre for Studies in Arts and Culture (STAC).

    “STAC has an established reputation as an interdisciplinary academic centre and it was therefore logical to home an interdisciplinary research centre in the unit,” says Associate Professor Catherine Parayre, who led the initiative with Associate Professor Derek Knight and is the Centre’s new director.

    The Centre will engage with a broad range of creative expression, including visual arts, dramatic arts, music, creative writing and translation, book and graphic design, cultural heritage, and photography.The Centre includes faculty from Arts and Culture, Visual Arts, Dramatic Arts, Music, Curatorial Studies, French Studies, English Literature, Digital Humanities, and Education.

    The centre will be doing outreach at Rodman Hall Art Centre through exhibitions and talks and in collaboration with the Willow Arts Community.

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  • Post-Industrial Ephemera: Soundings, Gestures and Poetics exhibition catalogue published

    CATHERINE PARAYRE, BROCK UNIVERSITY /
    REINHARD REITZENSTEIN, SUNY-BUFFALO, CURATORS

    The exhibition Post-Industrial Ephemera: Soundings, Gestures and Poetics took place in 2017 at Silo-City, Buffalo, NY as a joint project funded by the Agreement for Scholarly Exchange and Collaboration between the State University of New York at Buffalo and Brock University, St. Catharines, Ontario.

    The exhibition catalogue is now available for download.

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  • Post-Industrial Ephemera: Soundings, Gestures and Poetics

    Photo credit: Derek Knight

    Post-Industrial Ephemera: Soundings, Gestures and Poetics
    Silo-City welcomes you to an exhibition featuring artists on both sides of the Niagara River

    April 22 – 29, 2017
    105 Silo-City Row, Buffalo, NY 14203, U.S.
    Opening Reception: Saturday, April 22 from 2 – 5 pm
    http://www.silo.city
    Click here for directions
    Free community event

     

    Buffalo, New York and St. Catharines, Ontario are neighboring cities separated by a river and a border, but they also nurture a strong sense of regional togetherness and cultural kinship. Colleagues in Sculpture, Arts, Comparative Literature, English Studies, Visual Arts, Studies in Arts and Culture, and French Studies at SUNY on the U.S. side and Brock University on the Canadian side will share a common space at Silo-City, Buffalo between April 22 – 29. Coming from different places and practices, we wish to foster interdisciplinarity.

    Together, we want to reflect on the notion of dispersal. A concrete monument, an overwhelming structure, Silo-City is also a crucible of ephemeralities – sounds dissipating as they echo up the walls, the wind blowing through hollow buildings, the decay of objects deposited in the empty halls, the temporary presence of others, productive resonances of creative experiences. Is Silo-City a memorial? Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced. Silo-City, despite its imposing constructions, invites visitors to become more perceptive to the transience of human endeavours.

    We will plant colourful seedpods, install a neon sign in tribute to the Buffalo river that flows by Silo-City, crush words out of their discourse, scatter mourning songs for long gone lives, bring images, noise and stories from other places. We will capture the brilliance of a moment.

    A follow-up one-day symposium at Rodman Hall Art Centre, St. Catharines will document and revive the exhibition on September 16, 2017.

    The opening will include performances by Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins 

    Curators: Catherine Parayre, Reinhard Reitzenstein

    Click here to download the performance program.

    For more images and information, please visit the exhibition website.

     


    Participating artists: 

    ArtIndustria+
    Untitled (neon sign)

    ArtIndustria+ was formed in 1995 by Derek Knight and Franc Petric, two Canadian artists who reside in the Niagara region. Motivated by the desire to work collaboratively, they have developed projects over the years with a focus on art, research and technology. Underlining their concerns with the dialectical relationship between ecology and industry, their conceptual models combine installation techniques and situational aesthetics to further examine the artist’s role in post-industrial society.

    Continuous Monument
    Silo Sessions at the American (noise/drone performance)

    Continuous Monument is an affiliation of interdisciplinary culture-makers working among design, text, architecture and sound fields. Born from the ashes of a contaminated political landscape, Continuous Monument gathers to spatialize sound and signal in temporary, site specific soundscape improvisations. Monument will perform at The American in Silo City as an acoustic inhabitation; live ghosts active in remnant industrial anatomy.

    Akasya Crosier
    Likeness (typeface study)

    Akasya Crosier is a multifaceted artist based in Western New York. She is currently a senior at UB studying Studio Art and Communication. In her artwork, she focuses on effective communication skills, idealized spaces, and bright imagery.

    Catherine Parayre (assisted by Josh Dawson, SUNY and Paul Savoie, Brock U)
    Ingrained Words (14 posters: assembled fragments from texts by 33 writers)

    Catherine works in Arts and Culture, and in Modern Languages, Literatures and Cultures at Brock University. She is particularly interested in contemporary Occitan literature, as well as the co-presence of literatures and visual arts. She includes her four languages in her creative work.

    Catherine Parayre and Jim Watkins
    The Silo-Minder (recording, reading)

    Jim Watkins lives in Silo-City and is our silo-minder/keeper. His passion for the arts and for Silo-City is central to our cross-border project.

    Lauren Regier
    Where I stand is fair and square (performance/grass seed & dirt)

    Lauren Regier is Honours graduate from Brock University’s Visual Arts program, and is an emerging artist based in the Niagara Region. Much of her work is inspired by the notion of functionality and relationships between the industrial world and the natural realm. Interested in the experiential nature of contemporary art, her practice includes photography, installation, performance, drawing and video.

    Reinhard Reitzenstein
    ArbreTreeBaum (vocal piece in 5 languages)

    Reitzenstein has held over 100 solo exhibitions and over 300 group exhibitions globally, and has completed over 25 public and private art commissions. His work is represented in more than 50 public and corporate collections internationally. Reitzenstein has been Director of the Sculpture Program at, SUNY, Buffalo since 2000. He is represented by the Olga Korper Gallery in Toronto.

    Casey Ridings
    Untitled Emotion (acrylic paint)

    Casey Ridings is currently a Graphic Design student at the University at Buffalo. She is intrigued by the geometric nature of organic patterns; through a spontaneous and intuitive process she creates intricate paintings and drawings inspired by the exploration of her experiences and emotions.

    Cody Schriever
    Vanity Case / Skeletons of Perception (painting/sculpture)

    Cody Schriever is a student in the University at Buffalo art department. His paintings and sculptures deal with human nature, and the structures of its self-perception. By combining various styles of painting and modes of expression he creates a complex narrative of the global condition.

    Shawn Serfas
    Alloyed (acrylic)

    Shawn is an Assistant Professor in the Visual Arts Department, Marilyn I. Walker School of Fine and Performing Arts at Brock University. His research interests include contemporary painting, drawing and printmaking practices concerning relational abstraction, environmental aesthetics, religion, the landscape as well as issues bordering abstraction and representation.

    Lucas Veraldi
    2mp (inkjet prints)

    Lucas is an artist currently residing in Buffalo, NY. His practice examines the different methods of representation that exist within the realm of photography and explores the truth value that a photograph holds as a piece data that showcases life.

    Sophia Yung
    Voyage Voyage 

    Sophia Yung is a Chinese American graphic designer and artist from Brooklyn, NY. Her most recent work involves the analysis of Asian American culture shock, language barriers, mixed martial arts and the role of financial capital in the precarious 21st century.

    Jean Zhu
    bacteria (video)

    Jean Zhu is currently a Media Study student at the University at Buffalo. She is both a photographer and a filmmaker. Her experimental films and straightforward photographs of everyday objects and scenes are noted for their color combination, explicit composition and rich content.

     


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