News

  • Active attacker info sessions to be held at MIWSFPA Nov. 8 & Nov. 14

    (From The Brock News, Tuesday, Nov. 6, 2018)

    Would you know what to do if there was an active threat or shooter on campus?

    It’s a scenario most people could never imagine happening at Brock University, but one that Campus Security wants to ensure the community is prepared for.

    Campus Security at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) will be holding two information sessions for staff, instructors, faculty and students of the School this month to discuss emergency preparedness in an active attacker situation.

    Rick Fraser, Brock’s Manager, Emergency Management and Life Safety, will be presenting material on the active attacker protocol that has been adopted at the University during these sessions.

    The information and training sessions will take place in MWS 156 on:

    • Thursday, Nov. 8 from 8 to 9 a.m.
    • Friday, Nov. 16 from 11 a.m. to noon

    No registration is required, but the sessions are currently limited to those who study or work at the Marilyn I. Walker School of Fine and Performing Arts, due to space limitations.

    For more information on the MIWSFPA sessions, contact Rick Tollar, Supervisor, Campus Security Services, at 905-688-5550 x 6399.

    Information on the active attacker protocol adopted at Brock University is available on the Campus Security website.

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    Categories: Announcements, Current Students, Faculty & Instructors, News

  • DART prof wins national award for theatre criticism

    (From The Brock News, Tuesday Oct.30, 2018 | By: )

    Karen Fricker is getting rave reviews from a respected national audience.

    The associate professor in Brock’s Department of Dramatic Arts is being honoured with the 2018 Nathan Cohen Award for excellence in critical writing by the Canadian Theatre Critics Association.

    Fricker won the award’s short category for her 2016 Toronto Star review of Michel Tremblay’s classic Hosanna, as revived by Toronto’s Soulpepper Theatre.

    Fricker, whose research areas include Quebec theatre, said the play is a complicated touchstone of Quebecois culture.

    “A big challenge of writing this review was trying to use the research-based knowledge I had about the play without being overwhelmed by it,” she said. “It was a really hard review to write, so it’s gratifying that it’s being recognized.”

    Fricker has a long history with theatre criticism, having written for outlets including The Guardian and Varietyas well as being the founding editor-in-chief of Irish Theatre Magazine, a publication that operated from 1998 to 2014. She has written for the Toronto Star since March 2016.

    Fricker joined Brock’s Department of Dramatic Arts in 2013. Her research interests include contemporary theatre and globalization, popular performances of nation and cultural identities, and theatre criticism. Recent projects have included work on circus performance.

    “The benefits between my work at Brock and at the Toronto Star flow both ways,” Fricker said.

    “I try to connect students in my courses to what’s happening in GTA theatre, and we learn from each other’s responses to the work. When we publish their edited reviews on the DARTcritics website, their voices enter the broader dialogue.”

    As part of her interest in arts criticism in the digital age, Fricker established the blog DARTcritics.com to provide students with an opportunity to publish their work. The site grew from a space for student coursework to a year-round source of quality arts criticism in Niagara. The site now includes reviews and features by students and graduates who are paid for their work.

    The Nathan Cohen Awards were established in 1981 and are given out every two years to honour outstanding critical writing about theatre and performance in print or electronic media. The awards are named after legendary Toronto Star and CBC critic Nathan Cohen.

    A history of the awards and past recipients may be found on the CTCA website.

    Fricker will receive her award in December at a special luncheon in Toronto.

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    Categories: Announcements, Faculty & Instructors, News

  • Guitarist to conclude faculty Music@Noon performances

    Guitarist Tim Phelan will perform as part of the RBC Foundation Music@Noon series on Nov. 6.


    (From The Brock News | Friday, Nov. 2)

    Fans of Queen are in for a treat during the next RBC Foundation Music@Noon concert.

    Guitarist Tim Phelan will take the stage of the Cairns Recital Hall on Tuesday, Nov. 6 with an arrangement of Bohemian Rhapsody by Niagara composter Floyd Turner.

    The performance will also include Turner’s Twelve Preludes as well as solo guitar works by Tárrega, Villa-Lobos and Bach.

    Phelan is a classical guitarist, conductor, composer, arranger and educator currently teaching at Brock University and Mohawk College. At the age of 18, he made his CBC recording debut as concerto soloist with Orchestre Symphonique de Québec. Since then, he has been heard in solo, concerto and chamber music performances over CBC Radio and Television, Radio France, Radio Caribbean and Cuban National Television and Radio.

    The Department of Music invites faculty, staff, students and the community to come and experience his performance. The Music@Noon Series features free, one-hour concerts that occur most Tuesdays at noon during the academic year at the FirstOntario Performing Arts Centre.

    For more information about upcoming performances, please visit the Department of Music website.

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  • DART Faculty co-direct a Play in Four Hours at Curriculum and Pedagogy conference in New Orleans

    Classroom Territoriality (Left to Right) Joe Norris, Rich Edmonson, Sharon Gile, Rick Breault, Janis McTeer


    A Play in Four Hours

    Using the playbuilding research process, Dramatic Arts Chair Joe Norris and graduate student Kevin Hobbs co-directed delegates at the Curriculum and Pedagogy conference in New Orleans, Oct. 17 and 18.

    After two, one and one-half hour devising sessions, and a one-hour rehearsal, they performed their series of nine vignettes, entitled: The Shape of School, at the closing conference event. The emergent themes included territoriality of classroom spaces, the pervasiveness of heteronormativity in the school yard, forms of administrative control of students and teachers, perceived status of particular schools and competing educational philosophies. It was concluded that these and other issues are strong undercurrents that contribute to the ethos of school experiences.

    Audience members participated in workshopping the scenes through body sculpting and discussions, with one conference delegate claiming that the images and issues would haunt her for some time to come.

     In addition to Norris and Hobbs, the participating playwrights were Rick Breault, Ashland University; Sharon Gile, Claflin University; Janis McTeer, Kent State University; Karen Morris, RJ Reynold High School, North Carolina; Sam Tanner, Penn State University; and Miryam Espinosa-Dulanto, Rich Edmonson, and Zulema Williams all from University of Texas, Rio Grande Valley.

     

    The Shape of Schools (Left to Right) Kevin Hobbs, Sam Tanner, Sharon Gile, Janis McTeer

    Leave it at the Door (Left to Right) Sharon Gile, Janis McTeer, Kevin Hobbs and Rick Breault

     

     

     

     

     

     

     

     

     

     

     

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    Categories: Department/Centre News, Events, Faculty & Instructors, News

  • Brock Music students to take the stage for first time this season

    (From The Brock News, Friday Oct. 26, 2018)

    For the first time this season, students in Brock’s Department of Music are set to perform on the same stage that their instructors did just weeks before.

    The RBC Foundation Music@Noon Recital Series continues on Tuesday, Oct. 30 at the FirstOntario Performing Arts Centre in downtown St. Catharines.

    Students have the opportunity to perform in the Cairns Recital Hall in front of staff, faculty, fellow students and the community. Performers will include piano, vocal and instrumental students.

    Music@Noon is a free recital series that takes place most Tuesdays at noon during the academic year.

    For more information about the series, please visit the Music@Noon webpage.

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    Categories: Current Students, Department/Centre News, Events, News

  • Public roundtable to explore Antigone’s relevance to modern society

    Students in Brock’s Department of Dramatic Arts have been working for months to bring the classic Greek tragedy Antigone to the mainstage this weekend. The production will have a six-show run at the Marilyn I. Walker Theatre in downtown St. Catharines, opening on Friday, Oct. 26. Seen during last week’s media call are actors Catherine Tait (Antigone), left, and Alexandra Chubaty Boychuk (Ismene).


    (From The Brock News, Thursday Oct. 25, 2018 | By Jaquelyn Bezaire)

    Gender inequality, corruption and the conflict between personal beliefs and the laws of society are all at the centre of Brock’s new mainstage production, Antigone.

    And although the classic Greek tragedy is more than 2,500 years old, a roundtable discussion will be held at the University next week to discuss its relevance to today.

    Elizabeth Vlossak, History Professor and Director of the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), hopes to delve into the reasons why Antigone is one of the most read, performed and adapted plays in all of dramatic literature.

    On Wednesday, Oct. 31, she will moderate the roundtable that will include a panel of professors from Brock’s departments of Classics, Political Science, Philosophy and Dramatic Arts.

    Faculty, staff, students and the community are invited to join the panellists in the conversation, which begins at 3 p.m. in the Scotiabank Atrium of the Cairns Family Health and Bioscience Research Complex.

    The informative and lively discussion will highlight the importance of Antigone and the connections that can be made across academic disciplines.

    The panellists will explain why Antigone is not only studied in courses about Ancient Greece but is also used to explore political theory, gender dynamics and various religious and moral problems.

    Panellists include professors Roberto Nickel (Classics), Adam Rappold (Classics), Athena Colman (Philosophy), Stefan Dolgert (Political Science) and Mike Griffin (Dramatic Arts).

    Vlossak organized the event in part to promote the upcoming production of Antigone, which opens Friday, Oct 26. The play is presented by Brock’s Department of Dramatic Arts.

    “One of my goals as Director of the MIWSFPA has been to increase student, faculty and public awareness, interest and participation in our programming at the school,” said Vlossak. “But this interdisciplinary panel discussion is also about bridging the two campuses. It’s bringing faculty from different departments together to share their expertise with students and the public, and it’s showcasing how the fine and performing arts can be incorporated into all of our teaching, learning and research, as well as our everyday lives, in meaningful ways.”

    The roundtable will begin by exploring the world of Sophocles and Antigone’s significance in ancient drama and performance.

    Other topics of discussion include the legacy of Antigone in the fields of politics and philosophy, the continued pedagogical value of studying Antigone, and the play’s relevance in the current political climate.

    “Antigone still inspires political rebels today, who find in her obstinate resistance a role model for action in the present,” said Dolgert. “Antigone is for those who refuse to accept the tired cliché that politics is ‘the art of the possible,’ as it is her seemingly irrational affirmation of the impossible that ultimately prevails.”

    Griffin, a Dramatic Arts lecturer and the production’s Director, will join the panel and explain why he chose the play for Brock’s mainstage performance.

    He hopes to “paint Antigone as a strong woman,” and aims to show how themes of the #MeToo movement are reflected throughout the production.

    Antigone runs Oct. 26 and 27 at 7:30 p.m., Oct. 28 at 2 p.m. and Nov. 2 and 3 at 7:30 p.m. There will also be a high school matinee on Nov. 2 at 11:30 a.m.

    The production will be held in MIWSFPA’s Marilyn I. Walker Theatre in downtown St. Catharines. Tickets are available through the FirstOntario Performing Arts Centre box office at 905-688-0722 or on the PAC website.

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    Categories: Current Students, Department/Centre News, Events, Faculty & Instructors, News

  • Sounds of clarinet and piano to fill Music@Noon stage

    Clarinetist Zoltan Kalman will perform Tuesday, Oct. 23 as part of the RBC Foundation Music@Noon Recital Series.


    (From The Brock News, Friday Oct. 19)

    Headshot of Gary Forbes

    Pianist Gary Forbes.

    Clarinetist Zoltan Kalman and pianist Gary Forbes will combine their sounds for the next RBC Foundation Music@Noon Recital Series performance on Tuesday, Oct. 23.

    The show, which include works by composers Aaron Copland, Johannes Brahms and Luigi Bassi, is part of the free weekly concert series hosted by the Department of Music and generously sponsored by the RBC Foundation.

    Kalman performs as principal clarinetist for both the Niagara Symphony and Symphony Hamilton, and also acts as the conductor for the University Wind Ensemble at Brock University.

    Along with his work at Brock University as Staff Accompanist, Forbes is a freelance collaborative pianist, Director of Music at St. Cuthbert’s Anglican Church and founder of the Reverberations Concert Series.

    Kalman and Forbes are among many talented musicians who will grace the Music@Noon stage throughout the academic year. Performances in the concert series take place most Tuesdays at noon in Cairns Recital Hall of the FirstOntario Performing Arts Centre in downtown St. Catharines.

    For more information about upcoming performances please visit the Music@Noon web page.

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  • Antigone explores modern ideas through classic Greek tragedy

    Students in the DART undergraduate program have been rehearsing for months to bring the classic Greek tragedy Antigone to life on stage with a run beginning Oct. 26


    (From The Brock News, Friday Oct. 15, 2018 | By Sarah Moore)

    Sophocles’ Antigone may be more than 2,500 years old, but its relevance to the #MeToo and civil rights movements of today makes it resonate as strongly now as when it was first written.

    The new mainstage production from Brock University’s Department of Dramatic Arts (DART) tells the story of a woman rebelling against patriarchy and the establishment — a woman who is willing to sacrifice everything to stand up for what she believes is right.

    Antigone’s tragic protest against King Creon’s prohibition of mourning her dead brother makes the audience question what choice we have when our personal beliefs conflict with the laws of the state. The play also examines the effects that gender inequality and unbridled power have on society.

    DART faculty member Mike Griffin, who adapted and directs the production that will run at the Marilyn I. Walker Theatre, said the classic Greek tragedy was the perfect fit for the first mainstage performance of the 2018-19 season.

    “Antigone is one of the oldest examples of a powerful, independent female character in theatre and literature,” he said. “It is eerily unfortunate that this ancient world, in which she was born, has many similarities to the one we currently live in, and through that I think the play really speaks to today.

    “I also think it’s a fantastic challenge for my students to dive into a story that is really valued as such an influential, classical text.”

    Adam Rappold, Assistant Professor in the Department of Classics, worked with Griffin and the cast to dissect the Greek text and highlight major themes of the play pertinent to today’s audiences.

    “It is a work which manages to be, at once, both bewitchingly alien while still also familiar enough that it could have been ripped from today’s headlines,” Rappold said. “More pressingly for our current moment, it is likely the voice and personality of Antigone herself who continues to speak to audiences — a powerful and decidedly female scream of rage against iniquity and oppression, which, even after more than two centuries, refuses to be silenced.”

    With a contemporary approach to an ancient story, this production blends classical text with movement and image-based storytelling and explores a rich score of ensemble choral voices. The adaptation explores a shattered world touched by both contemporary and ancient times through a collage of poetry and physical theatre.

    “My vision is to paint Antigone as a strong woman, with the caveat that a strong woman should not be a stereotype but a norm that we are very familiar with,” Griffin said. “Hopefully her presence in standing up for what she believes in is something that can potentially propel audiences forward to feel confident in thinking that ‘when injustice happens to me, I will stand up for what’s right.’”

    The set and costumes for Antigone were designed by Brock Dramatic Arts Instructor Kelly Wolf, lighting was designed by Chris Malkowski and sound designed by Visual Arts Media Resource Co-ordinator Max Holten-Anderson (BMus ’10).

    The production showcases the talents of students in the DART undergraduate program. Student performers include Catherine Tait, Tristan Holmes, Alexandra Chubaty Boychuk, Matt Burt, Taj-Alexander Crozier, Tyler Simpson, Colin Williams, Mae Smith, Grace Martins, Samantha Rideout, Katie Cole, Diego Blanco, Heather Janser and James Dengate.

    Other student crew members include: Avery Delaney (Dresser), Peter Herbert (Stage Carpenter), Molly Lacey (Dresser), Sid Malcolm (Sound Operator), Heidi Nickel (Lighting Operator) and Jackson Wagner (Props Runner).

    Antigone runs Oct. 26 and Oct. 27 at 7:30 p.m., Oct. 28 at 2 p.m., and Nov. 2 and 3 at 7:30 p.m. There will be a high school matinee on Nov. 2 at 11:30 a.m. The evening performance on Nov. 2 will include an American Sign Language interpreter for members of the deaf and hard-of-hearing community.

    The production will run at the Marilyn I. Walker Theatre at Brock’s Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines.

    Tickets for the show are $18 for adults and $15 for students and seniors. There’s also a $10 group rate and a $5 eyeGo high school program rate available. Tickets are available through the FirstOntario Performing Arts Centre box office at 905-688-0722 or on the PAC website.

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    Categories: Alumni, Announcements, Current Students, Faculty & Instructors, News

  • Brock cello instructor to take stage for Music@Noon

    Cellist Gordon Cleland will perform on stage for the RBC Foundation Music@Noon series on Oct. 16 at the Cairns Recital Hall of the FirstOntario Performing Arts Centre.


    (From The Brock News, Monday, Oct. 15)

    The 2018-19 RBC Foundation Music@Noon series continues with its second performance of the season on Tuesday, Oct. 16.

    Generously sponsored by the RBC Foundation and hosted by the Department of Music, the free concert series performance will feature Brock cello instructor Gordon Cleland. All are invited to attend the recital, taking place in the Cairns Recital Hall of the FirstOntario Performing Arts Centre in downtown St. Catharines.

    Currently performing with the Niagara Symphony as the principal cellist, Cleland has also performed as a soloist for the Debut Series in Montreal as well as across North America.

    Music@Noon takes place at the FirstOntario Performing Arts Centre most Tuesdays at noon during the academic year.

    For more information on upcoming performances, please visit ExperienceBU.

     

     

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  • Brock mourning the death of Peter Partridge Sr.

    (From The Brock News, Friday, Oct. 5, 2018 | by )

    One of the longest-standing supporters of Brock University has passed away.

    Peter Partridge Sr., a former Brock Board of Trustees member and the longtime Chair of the Rodman Hall Advisory Committee, died suddenly Thursday night.

    Partridge’s ties to Brock go back to the late 1960s when he was asked by then-President James Gibson to run a new University choir. A talented musician who studied at the Royal Academy of Music in London, Partridge’s support for the arts at Brock and across Niagara was unwavering. He was a generous contributor to the Marilyn I. Walker School of Fine and Performing Arts. The Partridge Family Music Suite at the downtown arts school is named in his honour. At the nearby FirstOntario Performing Arts Centre, one of the main halls — frequently used for music classes by Brock University students — also bears his name.

    “Peter provided outstanding leadership and support to Brock and the Niagara community,” said Pamela Shanks, Executive Director, Development and Alumni Relations. “Peter’s passion for music and art, and his generous philanthropy, have created a lasting legacy that will not be forgotten.”

    Partridge served on many boards and committees over the years at Brock, including serving on the Board of Trustees from 2004 to 2010. When Rodman Hall was taken over by Brock University in 2003, Partridge was named Chair of the Advisory Committee, a role he was still serving in at the time of his death.

    “Peter was asked by President David Atkinson at the time to take on that role and he was honoured to do it,” said Rodman Hall Director Tom Arkell. “During his 15 years as chair, Peter offered leadership, guidance, encouragement and support. He will be missed dearly by all of us who had the chance to work with him.”

    Partridge was also an ardent supporter of Brock athletics, and was a devout fan of the Badgers men’s basketball team. Partridge and his son, Peter Jr., were regular faces at Brock home games, and the pair travelled to Halifax earlier this year to watch the team compete in the U SPORTS National Championships. The men’s basketball team dressing room was renamed the Partridge Family Locker Room after a contribution in 2016 allowed it to be completely renovated.

    “Every university program should be able to experience the type of support, passion, commitment and dedication someone like Peter Sr. and his family provided,” said former Badgers men’s basketball coach Charles Kissi, who is on a one-year leave to coach with the Raptors 905 development team. “I learned a lot from him in terms of my coaching and the way he was always smiling and vibrant and how he engaged with others.

    “It’s a tremendous loss to his family and to the community and I would say to the world.”

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