Faculty & Instructors

  • Director of the MIWSFPA to deliver lecture at Alliance Française

    Associate Professor of Art History & Studio and Director of the Marilyn I. Walker School of Fine and Performing Arts Derek Knight will be delivering a lecture on the work of Le Corbusier at the Alliance française de Toronto. For more information on this lecture click HERE.

    Wednesday, March 16
    7:00 pm
    Spadina Theatre
    24 spadina road
    M5R 2S7 Toronto, ON
    Canada

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    Categories: Faculty & Instructors, News

  • Brock Professor is the new theatre critic for the Toronto Star

    (Source: The Brock NewsThursday, March 3, 2016 | by )

    Professor Karen Fricker has spent the last three years training Brock University students to critique theatre.

    She will soon be practising what she teaches after landing the role of theatre critic for the Toronto Star, Canada’s largest, most-read newspaper.

    The Brock University Dramatic Arts assistant professor isn’t new to the theatre beat – her resume includes 25 years of experience for outlets including The Guardian and Variety. She was also the founding editor-in-chief of Irish Theatre Magazine, a publication that operated from 1998-2014.

    At the Star, Fricker will be reviewing major show openings in the Greater Toronto and Hamilton Areas as well as writing feature articles.

    “It just feels like an un-dreamed-of privilege to get to have a platform like this at this point in my career,” she says. “Toronto is a really exciting and mature theatre market.”

    The theatre scene in the GTHA is rich with plenty of interesting things happening – from major musicals to performance art to original Canadian plays in storefront theatres.

    Fricker can’t wait to see them all and share her observations and critiques with Canadians.

    And, she’s looking forward to sharing her excitement with students, whose critiques are published  on Brock’s DARTcritics.com blog. She started the blog in 2013 to offer students an avenue to be published and edited.

    She plans to make sure her students benefit from the work she’s doing for the Star.

    “Students will gain a strong sense of connection and understanding of how professional arts criticism works,” she says.
    “They will have the opportunity to see their professor go through the same exercises they do and maybe even give her some feedback.”

    Fricker says she’s grateful to be working at Brock both because it’s an exciting time in the arts with the opening of the Marilyn I. Walker School of Fine and Performing Arts and because it’s a university that encourages professors to pursue their creative interests.

    “Being a creator, being an artist, has equal standing to being a scholar and producing peer-reviewed research,” she says.

    Fricker says the Star opportunity fits her creative and research interests of questioning arts criticism in the digital age.

    “I consider this a part of my research,” she says. “It’s a time of extraordinary possibility and growth for criticism.”

    DARTcritics.com is a response to that research interest and the question of how to turn an earnest blog into trusted criticism. The site has grown from a space for outstanding reviews by third-year students as part of their coursework to include reviews and features by students and recent graduates who are paid for their work. Fricker hopes that the site will continue to blossom into a year-round source of quality arts criticism in Niagara.

    Fricker’s role with the Star was announced Thursday. She’s looking forward to reviewing her first production for the paper this month.

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    Categories: Faculty & Instructors, In the Media, News

  • Brock instructor’s work one of Time’s top 10 magazine covers of the year

    (Source: The Brock NewsThursday, December 10, 2015 | by )

    Time Magazine has recognized the photographic work of Brock University visual arts instructor Amy Friend. A photograph created by Friend for the cover of The California Sunday Magazine’s April 5 edition is one of Time’s Top 10 covers of the year.

    “Our selection of the top 10 covers of 2015 displays an exquisite use of photography,” writes Kira Pollack in Time’s online article announcing the best covers. “With this unranked selection, we’ve witnessed that the cover still holds the power to be iconic and, at the very least, move and delight us.”

    Other covers on the list include the Vanity Fair image of Caitlyn Jenner shot by famous photographer Annie Leibovitz, New York Magazine’s issue featuring black and white images of 35 women who claim to be victims of Bill Cosby and a Harper’s Bazaar photo of singer Rihanna in the mouth of a shark.

    Friend said she is thrilled her work is included in a collection of so many amazing images.

    “It gives a boost to the aspects I really believe in regarding photography and its ability to reach a certain and specific sentiment with people,” she said. “When you are struck by an image, it remains with you.”

    As a fine arts photographer, Friend works with light.

    In her photographic series Dare alla Luce, she uses light to re-make vintage photographs.

    “We loved the work of Canadian artist Amy Friend, specifically her series Dare alla Luce, in which she manipulates archival photographs with a needle and then projects light through the images,” said the magazine’s creative director Leo Jung.

    More and more, artists are being approached to work with mainstream media.

    The California Sunday Magazine cover is inspired by that series and shows the silhouette of a woman with spots of light shining through, giving it a poignant quality. John von Pamer took the picture of the woman and Friend applied her technique on it and then re-photographed it. It goes with the story Death, Re-Designed.

    “The resulting image has an otherworldly, ethereal quality – a perfect metaphor for this story,” said Jacqueline Bates, photography director.

    Friend said it’s not unusual for artists to work in editorial realms.

    “More and more, artists are being approached to work with mainstream media,” she said, noting that’s opening even more doors for her students at the Marilyn I. Walker School of Fine and Performing Arts.

    “There’s fertile ground between the fine arts stream and with editorial based work,” she said.

    Friend said Brock visual arts students are exposed to both digital and analogue photography thanks to the MIWSFPA’s brand new darkroom.

    “It’s what really sets us apart from many other universities, which are mainly concentrating on digital,” she said.

    As a photographer, she knows the value of a well-rounded education in the art form.

    “Every time a student develops a photo in the darkroom, it’s a completely magical experience,” she said.

    In her photography, Friend said she concentrates on elements of history, time, memory and impermanence.

    “Despite photography’s traditional connection with the real, I am less concerned with capturing a ‘concrete’ reality, and instead aim to use and explore photography as a medium yet focus on what lies beyond its immediate visual representations,” she said.

    In much of her work, Friend uses found images and vintage pictures.

    Dare Alla Luce has been published in book form by photolucida.org and one of the images featured hangs in the new FirstOntario Performing Arts Centre in St. Catharines.

    Friend’s recent work will be on display at Rodman Hall from Jan. 29-May 1 in a show called Assorted Boxes of Ordinary Life, curated by Marcie Bronson.

    An opening reception will be held Jan. 28 at 7 p.m.

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    Categories: Faculty & Instructors, In the Media, News

  • Marilyn I. Walker School of Fine & Performing Arts Alumni Homecoming

    Event date: September 18, 2015, 5 pm – 11 pm

    ***PLEASE SEE THIS NEWS UPDATE ABOUT PARKING ON SEPTEMBER 18TH***

    Alumni of the Arts and Culture, Dramatic Arts, Music and Visual Arts programs and our friends and guests from the Niagara Region and GTA are cordially invited to the Marilyn I. Walker School of Fine and Performing Arts Alumni Homecoming and Grand Opening!

    Please join us for an evening of captivating artwork, exciting performances and beautiful music. Grab a glass of wine, take yourself on a tour of the incredible new MIWSFPA facility and spend some time reconnecting with classmates, professors and friends from the Departments of Dramatic Arts, Music, and Visual Arts, and our Centre for Studies in Arts and Culture.

    Official opening ceremonies begin at 3:00; Open house begins at 5:00 pm; VISA Art Gallery Alumni exhibition opens at 5:00 pm; VISA Alumni Dinner, 6:30 – 8 pm at Gord’s Place, 84 James Street; MUSI programming across the evening in multiple venues at 15 Artists’ Common; Cabaret in the DART Theatre at 7:30 pm.

    Affiliated events also include:

    Tale of a Town St. Catharines
    Addressing the Void

    and

    Confluence Field Trip #1, a fifteen minute walk from Rodman Hall to MWSFPA along the Merritt Trail and McGuire St.. for more information see: confluencefieldtrips.ca

    Hope to see you there!

    See the Facebook event by clicking here.

    GET YOUR TICKETS HERE to reserve a seat at the VISA Alumni dinner!

    GET YOUR TICKETS HERE for the DART theatre CABARET!

    For more information about the Homecoming Weekend program at Brock University, to register for events and to learn about shuttle bus service to the region be sure to visit
    https://brocku.ca/alumni/celebrate-homecoming-2
    ***Please note this event will take place at our new address at 15 Artists’ Common, also known as the former Canada Haircloth Building, in downtown St. Catharines. ***not at 500 Glenridge Avenue ***

    Here is a link to a Google street view from June, when our address was known to be IceDogs Way, and here is a Google map for directions to the facilities.

    Please see the Brock University Campus Map here: https://brocku.ca/blogs/campus-map/miwsfpa/

    We are adjacent to the First Ontario Performing Arts Centre and the Meridian Centre.

    ***PLEASE SEE THIS NEWS UPDATE ABOUT PARKING ON SEPTEMBER 18TH***

    *****

    Hear ye! Hear ye! the excellent program for our event on September 18th!

    VISA Painting Studio 
    location: MW 416
    4:00-9:00 pm
    Open house Exhibition
    and
    Musical performances in the VISA Painting Studio by:
    Brock Jazz Band
    Carly Manley
    Danny Lamb Trio
    Grace Notes String Ensemble
    Brock Beatles Band

    VISA Drawing Studio 
    location: MW 406
    4:00 – 9:00 pm
    Open house Exhibition
    and
    Musical performances in the VISA Drawing Studio by:
    Sabrina Xin Liu, piano
    Leanne Vida, piano/vocal
    Andrea Nolan, piano/vocal
    Neva Tesolin, piano/vocal
    Leland, piano/vocal
    Melissa-Marie Shriner, piano/vocal
    H. Campbell, piano/vocal

    VISA Gallery
    First floor at the Main Entrance, 15 Artists’ Common
    MW 159
    5:00-7:00 pm
    Opening Reception for the Alumni exhibition
    and
    Musical performances in the VISA Gallery by:
    Grace Snippe, cello
    Brody Smith, guitar
    Allison Scholtens, violin
    Tyler Merza, guitar

    Classical Recital in the MUSI Vocal Studio 
    location: MW 104
    6:00 – 9:00 pm
    Christina Lerose, piano
    Leanne Vida, soprano
    Jorgo Kalo, piano
    Victoria Hoshowsky, soprano
    Negin Rezaei Asl, piano
    Caroline Nicole Corkum, soprano and Alexandre Soulodre, piano
    Serena Atallah, piano
    Erika Versluis, soprano and Tyler Versluis, piano
    Sabrina Xin Liu, piano
    Leanne Vida, soprano and Jorgo Kalo, piano

    DART Theatre Cabaret!  
    Location: DART Theatre
    MW 262
    7:30 pm – 11:00 pm
    Hosted by Cass Van Wyck and Rox Chwaluk
    Guests are welcome to come and go.
    In order of performance:

    Arms Up Comedy: Caitlin English, Jacqueline Costa, Eric Frank, Chris Boyle
    Attic Window Theatre, In Real Life: Collin Glavac, Colin B. Anthes, Eduardo DiMartino, Nicola Franco, Hayley Rose Malouin
    Piano and Vocal: Lee Stewart
    Brock Improv Alumni: Richard Varty, Rox Chwaluk, Brandon Pachan, Alana Perri.
    Piano and Vocal: Melissa-Marie Shriner and Grace Snippe
    One Four One Collective, Stuck in Horse- Send Help! : Evan Mulrooney and Kevin Chew
    Piano and Vocal: Neva Tesolin
    MOVE! : Alex Kazam, Adrien Hurst, Jerry Prom, Mitchell Peebles, Caleb Fast, Mikey Henley
    Music by Alejandro Del Pino
    The Labour of Forrest Nympho: A Drag Birthing: Geoffrey Heaney
    Piano and Vocal: Andrea Nolan
    Empty Box Theatre, Waiting for Alonzo:  Hayley Rose Malouin, Victoria Cutler, Sean Rintoul
    Piano and Vocal: Holly Campbell
    Garden City Improv: Collin Glavac, Ross Mosher, Jamie Roboz, David Bernard, Hayley Malouin, Jonas McLean
    Guitar and Vocal: Aaron Berger
    Open Mic!
    FOX TRAIL: Iain Lidstone, Marcus Schwan, Brent Cairns, Adam Wood, Alannah Garrett
    ~the end~

    Special events not to be missed!:

    New Work in Progress: Addressing the Void 
    by Maggie Hunter and performed by Abby Rollo, Gemma Bordonaro and Jacqui Noel. (DART)
    location: Studio D MW 256.
    6:00 pm, 6:30 pm and 7:00 pm

    Special Installation of Tale of a Town St. Catharines. Listening Booths by FIXT POINT and Suitcase in Point Theatre Company.
    Various locations in the MIWSFPA.

    Confluence Field Trip #1, a fifteen minute walk from Rodman Hall to the MIWSFPA along the Merritt Trail and McGuire St.
    Artist: Elizabeth Chitty. Participants are invited to participate in this self-guided tour of a section of the Twelve Mile Creek valley. For more information see: http://confluencefieldtrips.ca/

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    Categories: Alumni, Announcements, Current Students, Department/Centre News, Events, Faculty & Instructors, Future Students, News

  • DART, MUSI and MARS present in Toronto at PLS (Poculi Ludique Societas) Festival of Medieval Theatre

    vsCOLLEAGUES, STUDENTS, FRIENDS & FAMILY, If you were in Toronto in early June you were fortunate to see a performance of:

    Visitatio Sepulchri
    (the Visit to the Sepulchre)

    A 12th-CENTURY EASTER MUSIC DRAMA
    acting version transcribed and translated
    by W. L. Smoldon from the ‘Fleury Playbook’

    A collaboration between:
    Centre for Medieval and Renaissance Studies,
    Department of Dramatic Arts, Department of Music

    Part of the PLS (Poculi Ludique Societas) Festival of Medieval Theatre.

    When: Saturday, June 6, 7 p.m.
    Sunday, June 7, 2:30 p.m.
    Where: Trinity College Chapel University of Toronto,  6 Hoskin Avenue

    Music Director: Dr. Brian Power, Department of Music
    Stage Director: Professor Virginia Reh, Department of Dramatic Arts

    img_1284cr_400px

    The company of Visitatio Sepulchri in the Trinity College Chapel. Photograph by Mrs. Chin Tso.

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    Categories: Department/Centre News, Faculty & Instructors, News

  • Visual Arts Instructor wins teaching excellence award

    (Source: The Brock News, Friday, April 24, 2015)

    Visual Arts Instructor Amy Friend has been awarded with the Clarke Thomson Award for Excellence in Sessional Teaching.

    The award is presented annually to an instructor who is on contract or a limited term appointment and has been teaching undergraduate classes for two or more years.

    Friend was ‘elated’ to hear that she won the award. She was particularly excited to have her work validated and recognized.

    “I work at establishing an environment that empowers students to be thinkers who actively seek creative solutions in their research,” she says. “I stress the importance of experimentation and exploration to build a climate of openness and possibility, which I believe is paramount to their success.”

    Friend was also quick to credit the support of her Visual Arts colleagues, as well as the faculty of Humanities and the greater Brock community, with making her job easier.

    Having taught in numerous grades prior to achieving her MFA, Friend credits the culture in one of her master’s level courses at the University of Windsor with shaping her approach to teaching.

    “I learned to look closely at what each student was aiming to accomplish within the perimeters of the course and I learned to set aside my own expectations,” she says.

    With this student-centred teaching focus, Friend has secured the respect and admiration of students, faculty, alumni and staff at the University.

    The Clarke Thomson Award for Excellence in Sessional Teaching will be presented April 28, at the Spring Perspectives event. The award will be presented at 2:30 p.m. and will be accepted on her behalf by Duncan MacDonald.

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    Categories: Faculty & Instructors, In the Media, News

  • The passing of the late Poet, Terrance Cox

    cox1We are very saddened to learn of the passing of our dear colleague and friend, the late poet Terrance Cox. Terrance taught for almost thirty years in Music and Dramatic Arts and helmed the first year course DART 1F93 for many, many years. Though he had not been well for a few years and was no longer teaching for the Department and the University we have always kept a very big place in our hearts for him.

    Our colleague Gyllian Raby remembers that “Terrance was special and his larger than life persona was a gift. I feel a big Terrance shaped hole in the air of St. Catharines.”

    There will be a memorial event at the NAC on Sunday Feb. 8th at 2pm.

    Niagara Artists Centre
    354 St.Paul Street
    St. Catharines, ON L2R 3N2

    Phone: 905 641 0331 | Fax: 905 641 4970 | Email: artists@nac.org

    There is an event page on Facebook for this wake.

    Please see the obituary in the Globe and Mail here.

    We are sharing our memories below. If you have any memories you’d like to contribute, please share with us.


    Pictures:

    Terrance performed on the stage of the then-named Thistle Theatre in Troilus and Cressida in 1975 and Henry IV in 1976, both directed by Professor Emerita Dr. Mary-Jane Miller. He also played the policeman in Peter Feldman’s production of The Good Woman of Setzuan by Brecht and produced in the mid-70s. He played the lawyer in Peter’s production of Blood Relations by Sharon Pollock and he recorded a voice-over for Peter’s production of The Trial adapted from Kafka. Most recently at DART he played Adam in the play Adam and Eve produced in the Studio Theatre and directed by Danielle Wilson.

     


    from Terrance’s page at Poets.ca:

    “Terrance Cox writes poems and non-fiction in St Catharines, Ontario, where he also teaches at Brock University as a “general practitioner” in the arts and humanities. His teaching career features stints in secondary, college and university classrooms, in Canada and overseas. Among Cox’s research interests are popular music and locality. Published since 1973 as a journalist, he contributes erudite and amusing columns and articles to regional newspapers and magazines, where appears as well his work as an editor.

    Cox has published over 200 poems in Canadian literary journals and anthologies, running the gamut from Antigonish Review to Zygote, stopping en route at most of our lit mags of name and repute. The latest of his published collections is a second “spoken word with music” CD, Simultaneous Translation (2005). It joins in the canon his prize-winning book Radio & Other Miracles (Signature Editions, 2001) and an acclaimed earlier CD, Local Scores (Cyclops Press, 2000). Works-in-progress include the manuscripts West Bank Poems and Civics, Botany & Such.

    He is an experienced reader, performing at many and various art gallery, bookstore, cabaret, café, concert, festival, nightclub, pub, radio, shopping mall, television, theatre, university and winery venues in Calgary, Hamilton, Lethbridge, Medicine Hat, Montreal, Ottawa, Peterborough, Saskatoon, St Catharines/Niagara, Toronto, and Winnipeg, 1978-2005. Through Ontario Arts Council programmes, and independently, he has presented a diverse series of poetry workshops in elementary and secondary schools in St Catharines/Niagara, 1982-2005.

    Cox’s poems express his experiences. They come from his time of work and travel in Africa and the Middle East; from childhood and family’s past; from over the airwaves and out of recorded grooves. They are of the present in their local particulars; they grow in his own backyard. (author photo by Stephen Dominick)

    Awards:
    2002 Niagara Book Prize sponsored by three Niagara daily newspapers & Chapters/Indigo.
    2nd Prize, This Magazine’s “Great Canadian Literary Hunt,” 2000.
    2nd Prize, Canadian Author’s Association (Niagara Branch) Annual Poetry Contest, 2000.
    Co-recipient of Floyd S. Chalmers Creative Award,1982.
    (Others as journalist and as academic)

    Selected Publications:
    Simultaneous Translation (TMC, distributed by Signature Editions, 2005) ISBN: 0-9738216-0-4, CD recording.
    Radio & Other Miracles (Signature Editions, 2001) ISBN: 0-921833-82-2.
    Local Scores (Cyclops Press, 2000) ISBN: 1-89417708-8, CD recording.

    Books in Print:
    Simultaneous Translation Poetry/Spoken Word & Music (TMC, 2005, distributed by Signature Editions) ISBN: 0-9738216-0-4, CD recording, $14.95.
    Radio & Other Miracles Poetry (Signature Editions, 2001) ISBN: 0-921833-82-2, $12.95.
    Local Scores Poetry/Spoken Word & Music (Cyclops Press, 2000) ISBN: 1-89417708-8, CD recording, $16.95.


    Selected Comments From our Community

    name: Gail B
    location: St. Catharines
    when and how did you know Terrance?: Brock literature course
    your comments: I was one of two ‘mature students’ who took Terrance’s Shakespeare course many years ago. He was charismatic, demanding, soinformed. Everything I have ever learned about theatre stagecraft I learned from him, and it has stayed with me all these years. Every time I see a theatre production in Canada, the U.S., the U. K. I remember Terrance and what he taught us about blocking, design, focus. I think of him every time I attend the theatre, which is a lot. What a legacy he has left so many of us, his students.

    name: Peter Smith
    location: TO
    when and how did you know Terrance?: taught me in 1978
    your comments: I spent one glorious year at Brock in 1978. Terry taught a theatre history class back then that was informative, ranging, political, and a lot of fun.
    He smoked Player’s Lights in class – it was allowed – and periodically over the year he switched to a pipe in an attempt to quit smoking. It was ludicrous really but somehow made T Cox sense. He reefed on that pipe with the same intensity he smoked the Players Lights. Over the course of the year Terry and I fell in with one another. Things would start innocently enough at the Mansion and devolve from there. More often than not a bunch of us would wind up at Terry’s pad – an apt. a two minute stagger from the Mansion. We’d listen to Firesign Theatre records, Pete Seeger, Bob Dylan, Neil Young and we’d laugh a lot, tell stories about the experience of being here. Always engaging, filled with spirit and an enormous side of get up and go. The night before the final exam for Terry’s course I was at his place with a small group of others – we carried on – stayed up til dawn – smoking and talking and howling into the light. After bacon and eggs at the Lancer we made our way up the mountain to the Brock gym where the exam was going down. Along with a whole bunch of other students in geology and god knows what we cracked our papers. Terry was one of the watchers that morning. He passed my desk soon after things got started. I looked up and said, I’m not going to write your exam Terry, I’m going to write a play in these three hours. He said after a moments pause – it better be good. It wasn’t. It was terrible – a scrawl of god knows what. I passed the course and hope this note doesn’t get Terry into trouble posthumously or have the credit removed from my transcript. He was a hale fellow well met – a true aim with a good heart. He brought his entire self to this world. I close with a poem Terry wrote late one howling night… Saskatchewan: skunks, poplar trees, and drive in movies, high point of the universe. RIP Terry Cox and thanks for the joy. You were a mould breaker.

    name: Jess Falcioni
    location: Thunder Bay
    when and how did you know Terrance?: Professor of 1F93
    your comments: The DART Department has lost a legend. A man whose lectures will be spoken of forever by his students. Thank you for teaching us about the heart of the play and page to stage. For challenging us to think bigger, while encouraging us. For making us laugh (I’ll never forget the day you jumped on the desk while dramatically reading a monologue, or the day you tripped over the seam in the floor and played it off so well!) And for sharing with us your passion for theatre. You’ve inspired legions of students. Ive kept all the notes from your lectures and use them when I teach workshops. I’ll also never forget your compassion when my Nonno passed away right before exams. You were so kind, caring and understanding. So, thank you. For everything. You are missed.
    RIP TCox.

    name: Matthew Craggs
    location: Welland
    when and how did you know Terrance?: 2002-2003 MUSI1F00
    your comments: I hadn’t listened to much more than the radio by the time I attended Brock and took Music and Pop Culture with Terrance Cox. He opened my eyes to a whole world of music with the kind of passion that… well if you’re reading this page, you know the kind of passion he brought to the class. It’s been over 10 years but I often think back fondly of that experience and how it shaped the way I approach not only music, but all culture.

    name: Hayley Malouin
    location: St. Catharines
    when and how did you know Terrance?: Student at Brock University
    your comments: Still my absolute favourite day of university ever is from first year, when someone asked TCox if he would be coming to the BMT musical. He just smiled and said “I don’t much care for musicals… Anyway.” Ouch! So sassy! What a wonderful, lively and intelligent person.

    name: Nick Carney
    location: Toronto
    when and how did you know Terrance?: DART grad, 2011
    your comments: My deepest condolences go out to his family and friends, and of course including his Brock family. He was for many, a portal into the DART community teaching within our first years – with his unforgettable tone, respected presence, and passion for the arts. He will be missed and never forgotten.
    Terrance Cox, may your spirit soar.

    name: Murray Kropf
    location: Brock University
    when and how did you know Terrance?: Niagara Artists Company and Brock University
    your comments: Terrence was one of the first people I met upon moving to St Catharines. He was the President of NAC and I a board member and later VP. Working closely with him I was impressed with his ability to cut through obstructions to deal with issues in a polite yet forceful way. He was a mentor in his ability to deal with serious concerns and have a heartfelt belly laugh in the next moment. A wonderful poet, performer .. and of course that voice!

    A truly good man! I’ll miss him.

    mk

    name: Gregory Armacinski
    location: Brock University (Concurrent Education- Biology/Math) int/senior
    when and how did you know Terrance?: 2011 Fall-Winter Drama (first year)
    your comments: Professor Cox will always be remembered for his vibrant lectures….his lectures demonstrated a true passion for what he felt/believed in. He was one of the most knowledgeable Professors, and his knowledge of every subject was truly shown when he lectured! Thank you for inspiring us all with your knowledge, passion and spirt Professor Cox. Rest in Peace

    name: Matthew Royal
    location: St Catharines
    when and how did you know Terrance?: He was a colleague in the music dept
    your comments: I miss Terrance’s sense of humour (sometimes somewhat gruff) and his eloquent, precise and concise use of the English language. The following quotation from the “Assessment of Grade” section of his notes for MUSI 1F00 illustrates these traits:
    “An “F” paper wastes the opportunity presented by the task; through lack of effort, understanding of basic principles and/or skills in their application; it wastes the time of writer, reader and the life of trees felled for it.”

    Of course, these same notes, all 217 pages of them, also exemplify something else about Terrance: the work he put in to provide his students with the best possible materials for success; in short, they show how much he cared.

    name: Michael Onley
    location: Canada
    when and how did you know Terrance?: First Year Drama
    your comments: I’ll never forget in my first year, first term – I had Professor Cox. He had an incredible ability to captivate the audience by always beginning with his classic one liner, “I’ve got a notion…” It was that one line that would “set the stage” so to speak, toward his reciting and explanations of dramatic theory. I’m thankful for his teaching(s) but more importantly his passion and attitude for life – He will be missed.

    name: Kimberley Reich
    location: Burlington Ontario
    when and how did you know Terrance?: 2004 student of music and pop culture
    your comments: Professor Cox was by far the most passionate teacher I’ve ever had. As a huge music lover, I was so excited to see such a class (music and popular culture) was an option. His lectures were a performance every time. The way in which he would stomp across the stage, wave hours arms, drum his fingers, stomp his feet or close his eyes telling us to do the same to truly get lost in a song was impactful. He opened my mind and soul to different genres of music and culture. I never missed a class! I’ve gone on to speak of him since and the impact that he truly had on me and my love for music. He will be remembered fondly, and when I hear certain songs (especially Muddy Waters Mannish Boy-one lecture I will never forget) I will always think of him.

    name: Collin Glavac
    location: St. Catharines
    when and how did you know Terrance?: First Year University, Professor
    your comments: Professor Terrance Cox fulfilled that image I always had of big university lectures taught by wise sage-like professors. He taught dramatic arts fundamentals to myself and many of my colleagues, initiating our foundations of the subject in first-year. Because of this, his teachings help form the building blocks for our work in the field today. He will be sorely missed.

    name: Jonathan van Ekelenburg
    location: St. Catharines
    when and how did you know Terrance?: First Year DART Class, 2003
    your comments: Terrance’s first-year class still holds a dear spot in my memories.

    Terrance’s bombast and charisma made me excited to attend his class every week, and I learned so much about understanding the workings of a play that still are with me, 12 years later. I remember once he built a small fort out of chairs at the front of the lecture hall… can’t for the life of me remember what the POINT was, but I certainly paid attention. Terrance helped forge the way that I thought about drama, and I will forever be indebted to his memory. Thank you, Terrance. You’ll be missed.

    name: Lauren Kennedy
    location: Toronto
    when and how did you know Terrance?: 2002
    your comments: I was a TA for his DART1F93 class. He empowered me. He took the ego out of academia. He taught students how to appreciate plays, words, and ideas. He was soft as mouse and resonated like a lion. I am grateful to have learned from him and his lessons.

    name: Nerese Richter
    location: Toronto
    when and how did you know Terrance?: 2004-2007, Professor
    your comments: I’m deeply saddened to hear of this loss. I remember sitting in my first music course with Prof Cox and thinking “wow, now THAT’S passion.” Every week, I would wait anxiously until I could go to his class again to hear original recordings, learn about music history, and stare in awe at his incredible presentation techniques. He was so engaging, so inspiring that he truly motivated me to pursue music journalism as a career. Thank you, Prof Cox, for being that teacher that all students desire but so few have the honor of encountering. Thank you for your passion.

    name: Duncan Hopkins
    location: Mons, Belgium
    when and how did you know Terrance?: Brock, circa 1987 – B.B.E. 1989
    your comments: I had the privilege of being in Terry’s music appreciation class c. 1987. We continued our meetings on a regular basis as he would continually come out to hear my progress as a musician. He then interviewed me for a book about Kenny Wheeler to which he was contributing. We went to a pub in Toronto and had a drink or two and enjoyed our time very much. I was surprised to read his essay later as it included a paragraph about me. He was always very supportive.
    Terrance also wrote lyrics to some music I wrote in honour of our mutual friend Terry O’Reilly. I still have his angry and yet poignant words to my otherwise sad song. I have never recorded the two together but in my mind, they go hand in hand.
    So sorry to hear of his passing. My deepest sympathy to his family and all those who mourn him.
    ‘dh

    name: Vicki
    location: Toronto
    when and how did you know Terrance?: Professor & Seminar lead.
    your comments: When I attended Brock University, I was lucky enough to have TCox as my TA/seminar lead, as well as my professor. He gave me a learning experience I will never forget. I still remember how intimidated I was to see my professor at my first seminar, I was basically shaking in my seat. Yet somehow by the end of that first seminar, I saw him as a completely different character. TCox had become a person I was excited to see every week from that day on. He was one of the most memorable professors I’ve ever had, and I’m sure I’m not the only one who thinks so.

    name: Mallory Muehmer
    location: St. Catharines
    when and how did you know Terrance?: Professor
    your comments: I had the absolute honour of being taught by the memorable, Terrance Cox.
    I truly believe that it is one thing to teach, but it is entirely different to engage and inspire students. Terrance, thank you for showing us what it means to dedicate your life to making your community a happier and brighter place. Your motivation, engagement and larger than life stories will be a pillar in the Dramatic Arts department at Brock forever.
    My condolences to your loved ones.
    Thank you for all of your life lessons, both in and outside of the classroom.

    name: Danielle Wilson
    location: St. Catharines
    when and how did you know Terrance?: We both taught in the Dramatic Arts Department at Brock. 2006 to present.
    your comments: I first met Terrance when I moved to St. Catharines to teach in the Dramatic Arts Department in 2006. I would see him in the hallway when we were on our way to or from teaching a class and he would always take a few moments to ask me how I was doing. I didn’t know him very well, but in 2009, some of his former students and I decided to stage The Diaries of Adam and Eve by Mark Twain and we asked Terrance if he would play the older version of Adam, with Virginia Reh as Eve. We figured he would probably say no, but to our delight, he accepted and seemed quite excited to get up on the boards. We were a little intimidated at first to give him any acting notes, but it soon became apparent that our fears were unwarranted as he took every note with great care, grace and humility. After the show had finished, we had our cast party around a fire in the back yard and we were discussing the show and acting in general. At one point he said, in his deep, booming voice, something like, “I didn’t do this show because I think I’m any good, or that I should be held up as any sort of example of how to act, I simply did it to challenge myself and put my money where my mouth is.” He had this larger than life presence and energy, and his humility always caught me off guard.

    name: Kristopher Kitson
    location: Hamilton, Ontario
    when and how did you know Terrance?: He was my First year literature Professor.
    your comments: I’m at a loss for words to hear of the passing of a great Professor at Brock university, and part of the DART family. Terrance Cox was an amazing Professor, lecturer and person. His passion for theatre, the arts and his students as a whole inspired and will continue to inspire feature drama students of Brock University. My heart goes out to his loved ones! May he rest in peace.

    name: Anna MacAlpine
    location: Calgary, Alberta
    when and how did you know Terrance?: DART/MUSI graduate, class of 2012
    your comments: Very saddened to hear of the loss of Terrance Cox. He gave so much to the Brock community and will be greatly missed. I will always remember my first term at Brock, where in the midst of a lecture on medieval theatre, Professor Cox said: “I love speaking Chaucer. It’s like Scottish with a few beers.”

    name: Will Webster
    location: Victoria BC
    when and how did you know Terrance?: Mid 90s, The Club, St. Catharines Ontario
    your comments: Terrance was instrumental in helping many young writers in the Niagara Region find their voice. Back in the mid 90s he a major force in helping us blend live poetry with the burgeoning live music scene in the Niagara Region.
    I still remember his rumble, his precise love of words, and his nonchalant delivery.
    He would just sit there in front of the room and without speaking a word command the respect of everyone listening. We were always happy when his large frame filled the entry way. It meant we were going to have an exceptional night.
    Thanks for sharing Terrance.

    name: Ashley Giorno
    location: Brampton
    when and how did you know Terrance?: first year music professor 2009-2010
    your comments: I had the honour of having this gentleman as my professor for music back in my first year of university at Brock and he made me look at music in a totally different way than I already did and for that I am grateful. I may not have known him personally but he was very good at what he did and very passionate about what he taught to the next generations. One thing I’ll never forget was him explaining the song “Every Breath You Take” by The Police/Sting was actually a stalker song and how much he cringed every time he would go to weddings and hear it being played. His dance moves are another thing I’ll never forget. Cheers Professor Cox and thank you.

    name: Salena
    location: St. Catharines
    when and how did you know Terrance?: Brock University, 2003-2007/and he lived on my street
    your comments: I can remember in my first year theatre course being so blown away by his passion for teaching. His intensity was unmatched! I can remember one time, to make a dramatic point, he leapt from the floor up onto a chair very suddenly with total confidence he’d land it! He inspired everyone with his tenacity!

    name: Brandon Cox
    location: Toronto
    when and how did you know Terrance?: 2005-06
    your comments: Terrance Cox remains one of my most favourite teachers of my life so far. His kindness, intelligence, and passion for his work was infectious and full of an honest energy that is rarely found in todays modern classrooms. I often found myself caring less about what mark I would receive on a paper, and more about whether or not Terrance would be happy with my work, or if my work would hold any meaning to him. His opinion mattered to me, which often happens when you truly respect the intelligence and opinions of anyone in your life. Above all, Terrance had an amazing sense of humour, and was a rare fireball of energy and emotion that one can only be pleased they were lucky enough to be around at the time.

    I will truly miss you Mr. Terrance Cox.

    name: Richard Varty
    location: Barrie
    when and how did you know Terrance?: He was my professor in first year (1F93).
    your comments: I found myself writing less and less in my notebook about plot points and history but more of his personal views. His passion for the written word and the power it held was and remains to be an inspiration. One of the quotes that keeps coming back into my life from his class: “Comic thought is radical thought, laughter is infectious, we eventually become subversives and have the power to bring down society.”

    name: Karen Elizabeth McMichael
    location: Toronto, Ontario
    when and how did you know Terrance?: First year dramatic literature
    your comments: I still have the first essay I ever wrote for Terrence’s class: a defense of the argument that Hamlet was not, in fact, a tragedy, as it is traditionally taught (and as he was teaching it). It was one of the only times in my academic career that directly disagreeing with the instructor was treated as serious academic discourse rather than petulant contrariness (which I am, admittedly, prone to; I do love playing devil’s advocate). I kept the final copy of that essay because Terrence had written his commentary across every page, and the backs of most of the pages — it must have taken him hours to grade that single paper. What impressed me most was that even though he disagreed with me, he took my writing seriously, and spoke as though I was a peer, not just a somewhat pretentious first year student with delusions of academic grandeur. Over the years since, I have found out just how rare that ability — to teach without preaching or condescension — is, and Terrence Cox was the master of it. His big heart was capable of forging a connection with every one of the hundreds of students who passed through his classes every year, and I know that even people who didn’t stay with the dramatic arts program held on to and told their “Terrence Cox stories” for years afterwards.

    name: JF Amprimoz
    location: St Catharines
    when and how did you know Terrance?: My seminar lead for ENGL 1F00
    your comments: I unfortunately only had one course where I interacted with Terry, when he ran my seminar for a Great Books course required by the accounting department, I’d presume for weeding purposes. Through his kind and brilliantly insightful discussion and comments, I learned much of the language analysis and use skills I apply today.

    name: Stephanie Jones
    location: Niagara/New York
    when and how did you know Terrance?: Brock/early 90’s to present
    your comments: While studying at Brock in the early 90’s the perfromance theatre students mouted a production of Peer Gynt. As it was directed by Glenys, and her wonderful imagination, I played helf of the Troll Queen (The Queen had two heads), Terrance played the voice of the Great Boyg (the shapeless, unconquerable troll, representing the riddle of existence). He was the Boyg, and showed us all how to command a role with simplicity and truth. For
    Terrance had a mellifuous voice, a generous spirit, a commanding presence, a sharp mind and he was, really, a over-all great man. I will miss him, the artistic community will miss him.

    name: Caitlin Popek
    location: Hamilton
    when and how did you know Terrance?: 2006-2011
    your comments: Terrance not only helped me dig into scripts and really discover them, he helped me teach others to do so too. He truly wanted his students to succeed and he was so much fun to listen to in lectures, he brought the plays to life! I had a wonderful time learning from him as a student and a TA. He will be missed!

    name: Christine Dief
    location: Niagara
    when and how did you know Terrance?: 2002-2006, 2009-2010
    your comments: Like many, I’ve also had the pleasure to be taught by this wonderful man. He was so passionate in his lectures and his love for literature was contagious.

    I have also had the pleasure to work along side him in a Teaching Assistant role, and I am truly grateful for such a wonderful experience. His brilliance and his passion will truly be missed.

    RIP Terrance Cox, and my condolences to your loved ones. Thank you for all you have done.

    name: Amanda McDonnell
    location: St. Catharines
    when and how did you know Terrance?: Professor DART 1F93
    your comments: T.Cox was one of the coolest Profs in DART. He can in that lecture/seminar and would always have great stories and incites about the plays we studied.
    He helped me, and probably many more DART students, make that transition from a high schooler to a University Student a smooth and exciting one. I will always think of him fondly. My thoughts and prayers are with him and his family.

    name: Jordan Pereira
    location: st. catharines
    when and how did you know Terrance?: First Year professor
    your comments: He set the stage for Drama and poetic articulation. I had been meaning to visit him at some point, I guess now I’ll never get the chance. What an impact he has had. May he rest in peace, discussing verbosities with Aristophanes and the like. Condolences and warm sentiments to his family and close friends.

    name: Michelle
    location: Fergus, Ontario
    when and how did you know Terrance?: Professor at Brock
    your comments: TCox, as he was fondly called by many, was one of my first professors at Brock University. It was in his class that I met my first “uni friend”! We remain friends to this day after spending a legendary semester in Professor Cox’s first-year drama course. After this, I also took his music and popular culture course, which led me to have a much deeper appreciation for early jazz and Elvis music in particular. My fondest memory of TCox was knowing that he cared about his students; he remembered my name in a lecture hall of hundreds and always took time to say hello and ask me how I was doing.
    Terrence went the extra mile for his students and was influential in the lives of so many. He will be greatly missed.

    name: Marcel Stewart, class of 2007
    location: Toronto
    when and how did you know Terrance?: Brock University – 2003-2007
    your comments: The first time I met Terrence I was wearing a Liverpool soccer jersey.
    Unbeknownst to me, Terrence was a huge Manchester United fan. When he saw me, he stopped what he was doing and said, “Is that a fashion statement or do you actually support them?” To which I responded, “Oh, I am a big L’Pool fan” and he followed up with, “I’m truly sorry for you…”
    I’ll never forget that.


    If you have memories you would like to share about Terrance, please get in touch with us.

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    Categories: Alumni, Department/Centre News, Faculty & Instructors, News

  • VISA Instructor’s exhibition reviewed in current issue of Canadian Art

    f-holes2Associate Professor Duncan MacDonald’s recent group exhibition in Cambridge, Ontario entitled ‘5 over 4’ has recently been reviewed in Canadian Art’s 30th year edition. The exhibition featured artworks by artists working with sound in a variety of mediums. Artists included: Eleanor King, Christof Migone, Marla Hlady, Duncan MacDonald and Ursula Nistrup.

    For more info click HERE.

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    Categories: Department/Centre News, Faculty & Instructors, News

  • Teaching Opportunity: Assistant Professor – Drama in Education/Applied Theatre & Performance

    miwsfpa-icon-220Full-time Teaching Opportunity in the Department of Dramatic Arts:
    Assistant Professor – Drama in Education/Applied Theatre and Performance

    The Department of Dramatic Arts in the Marilyn I. Walker School of Fine and Performing Arts at Brock University invites applications for a tenure-track appointment in Drama in Education/Applied Theatre and Performance at the rank of Assistant Professor starting July 1st, 2014. The position is subject to final budgetary approval.

    Qualifications

    The successful candidate must hold a PhD with an emphasis on process drama/participatory theatre and exhibit exemplary practice in the profession. Teaching experience in elementary/secondary schools is an asset. Applicants should be able to teach courses with mixed studio/lecture components as well as larger-scale survey courses and studio performance intensives.

    The successful candidate will teach a range of courses in drama in education, applied theatre, performance, movement, and praxis. The preferred individual will bring knowledge of a spectrum of teaching methodologies in diverse pedagogical situations and critical performance theory, as well as expertise in synthesizing these modes of knowledge. The individual will engage energetically with departmental production activity, specifically the conceptualization and realization of departmental main-stage events and/or outreach educational outcomes. Skills in a secondary area featuring interdisciplinary research and practice may also be of value. Administrative skills are a definite asset.

    The salary is competitive and commensurate with qualifications.

    Notes

    The Department of Dramatic Arts offers a BA Honours in Dramatic Arts. For Honours students, Concentrations are available in Drama in Education/Applied Theatre, Performance, Production and Design, and Theatre Praxis. The Department also offers a four-year (20 credit) BA with Major Dramatic Arts degree and a three-year BA Pass degree, as well as two concurrent BA (Honours)/BEd programs over five years. For more information, see  www.brocku.ca/dramatic_arts/

    Located at the center of Canada’s beautiful Niagara peninsula in St. Catharines, Ontario, we are a community of learners and researchers with a strong and expanding regional base, with excellent resources in cultural, social, and athletic enrichment. Canadian and American metropolitan centres are within easy distance.

    In the summer of 2015 the Marilyn I. Walker School of Fine and Performing Arts, including the Department of Dramatic Arts, will move to its new comprehensive facility in downtown St. Catharines, adjacent to a new regional performing arts centre built by the City of St. Catharines.

    Applications will include a brief covering letter, a letter of intent (1200 words max.) and a current curriculum vitae including a teaching dossier and/or artistic/academic portfolio in a theatrical field (mask, movement, directing, publications etc.). A five-year research plan should indicate directions for the future. In addition, candidates will provide the names of three referees who will be contacted in the event of a short listing. Please address applications to:

    Professor David Vivian
    Chair, Department of Dramatic Arts
    Brock University
    St. Catharines ON L2S 3A1
    dvivian@brocku.ca

    The application deadline is December 10th, 2013. This position is subject to budgetary approval. More information on Brock University may be found on the University’s website: brocku.ca. Brock University is actively committed to diversity and the principles of Employment Equity and invites applications from all qualified candidates. Women, Aboriginal peoples, members of visible minorities, and people with disabilities are especially encouraged to apply and to voluntarily self identify as a member of a designated group as part of their application. Candidates who wish to have their application considered as a member of one or more designated groups should fill out the Self-Identification Form available at https://brocku.ca/hr-ehs/career-opportunities-2 and include the completed form with their application. All qualified candidates are encouraged to apply; however, Canadians and permanent residents will be given priority.

    This posting can be found at
    www.brocku.ca/hr/careers/position_detail.php?id=1370

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    Categories: Department/Centre News, Faculty & Instructors, News

  • DART Professor’s book wins Outstanding Book Award

    Professor Joe Norris with Kakali Bhattacharya, Chair of the Outstanding Book Award Committee of the Qualitative Research SIG of the American Educational Research Association.

    Professor Joe Norris with Kakali Bhattacharya, Chair of the Outstanding Book Award Committee of the Qualitative Research SIG of the American Educational Research Association.

    Joe Norris’ book, “Playbuilding as Qualitative Research: A Participatory Arts-based Approach” was selected as the winner of the American Educational Research Association’s Qualitative Research SIG’s 2011 Outstanding Book Award. This book not only met all the criteria for the award, it exceeded every criteria. Norris bridges arts-based research, qualitative inquiry, and playbuilding grounded in rich theories and created dialogue for various social justice issues. The committee members (Linda Evans, Allison Anders and Kakali Bhattacharya – see in the photo with Joe Norris) exclaimed not only about the accessibility, utility of this book, but the ways in which this book challenged their thinking, made them imagine how the audience participation might look like at the end of the scenes, and created the fertile ground for much needed dialoguing. The committee was honored and privileged to review the works of such great thinkers as Valerie Janesick, Kathryn Roulston and Norman Denzin, change agents, and activists in qualitative research and are delighted to present Joe Norris with this years’ Outstanding Book Award.
    Congratulations, Joe.

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    Categories: Faculty & Instructors, News