Faculty & Instructors

  • City reveals nominees for St. Catharines Arts Awards

    Tuesday, April 18, 2017 | By

    (Source: Brock University Humanities, via Facebook)

    The list of St. Catharines Arts Awards nominees was released Monday and our faculty is very well represented! Congratulations to our staff, faculty, and alumni who have been nominated for an award!

    Rodman Hall Art Centre has been nominated for the Arts in Education award and is described as a “leading centre for visual arts education and creative expression in St. Catharines, with talented staff who connect the community with contemporary art through exhibits, special events and classes.”

    Nominees for the Emerging Artist award include a number of graduates and faculty from Brock’s visual arts, dramatic arts and music programs:

    • Jo Pacinda, Brock University Dramatic Arts graduate, works as a costume designer with local theatre companies.
    • Lauren Regier, a visual arts graduate, explores the relationships between plants and machines through her photography. (Brock University Humanities featured her on their blog and in Brock News earlier this year.)
    • Twitches & Itches Theatre features a number of Brock dramatic arts graduates and is a “multi-disciplinary artist ensemble devoted to creating new theatre works through a collaborative process.” (Their production of The Bacchae with director Colin B. Anthes was featured in Brock News.)
    • Gordon Cleland teaches cello with Brock University Music, plays principle cello with the Niagara Symphony, and works with the Niagara Youth Orchestra.
    • Danielle Wilson, a professor with Brock University Dramatic Arts, is co-founder and co-artistic director of Stolen Theatre Collective.
    • Gregory Betts, a professor with the Department of English Language and Literature and The Centre for Canadian Studies, has been nominated for the “Making a Difference” award. Betts is a poet and advocate for literature. He is the artistic director and founder of St. Catharine’s Festival of Readers.
    • Marcie Bronson, acting director and curator of Rodman Hall Art Centre, has also been nominated for the “Making a Difference” award for “playing a central role in the transformation of Rodman Hall into a nationally recognized institution of excellence that promotes local artists.”

    Read more about the nominees and the St. Catharines Arts Awards at stcatharines.ca

    Congratulations and good luck to all!

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    Categories: Alumni, Announcements, Department/Centre News, Faculty & Instructors, In the Media, News

  • Post-Industrial Ephemera: Soundings, Gestures and Poetics

    Tuesday, April 04, 2017 | By

    Photo credit: Derek Knight

    Post-Industrial Ephemera: Soundings, Gestures and Poetics
    Silo-City welcomes you to an exhibition featuring artists on both sides of the Niagara River

    April 22 – 29, 2017
    105 Silo-City Row, Buffalo, NY 14203, U.S.
    Opening Reception: Saturday, April 22 from 2 – 5 pm
    http://www.silo.city
    Click here for directions
    Free community event

     

    Buffalo, New York and St. Catharines, Ontario are neighboring cities separated by a river and a border, but they also nurture a strong sense of regional togetherness and cultural kinship. Colleagues in Sculpture, Arts, Comparative Literature, English Studies, Visual Arts, Studies in Arts and Culture, and French Studies at SUNY on the U.S. side and Brock University on the Canadian side will share a common space at Silo-City, Buffalo between April 22 – 29. Coming from different places and practices, we wish to foster interdisciplinarity.

    Together, we want to reflect on the notion of dispersal. A concrete monument, an overwhelming structure, Silo-City is also a crucible of ephemeralities – sounds dissipating as they echo up the walls, the wind blowing through hollow buildings, the decay of objects deposited in the empty halls, the temporary presence of others, productive resonances of creative experiences. Is Silo-City a memorial? Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced. Silo-City, despite its imposing constructions, invites visitors to become more perceptive to the transience of human endeavours.

    We will plant colourful seedpods, install a neon sign in tribute to the Buffalo river that flows by Silo-City, crush words out of their discourse, scatter mourning songs for long gone lives, bring images, noise and stories from other places. We will capture the brilliance of a moment.

    A follow-up one-day symposium at Rodman Hall Art Centre, St. Catharines will document and revive the exhibition on September 16, 2017.

    The opening will include performances by Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins 

    Curators: Catherine Parayre, Reinhard Reitzenstein

    Click here to download the performance program.

    For more images and information, please visit the exhibition website.

     

    Participating artists: 

    ArtIndustria+
    Untitled (neon sign)

    ArtIndustria+ was formed in 1995 by Derek Knight and Franc Petric, two Canadian artists who reside in the Niagara region. Motivated by the desire to work collaboratively, they have developed projects over the years with a focus on art, research and technology. Underlining their concerns with the dialectical relationship between ecology and industry, their conceptual models combine installation techniques and situational aesthetics to further examine the artist’s role in post-industrial society.

    Continuous Monument
    Silo Sessions at the American (noise/drone performance)

    Continuous Monument is an affiliation of interdisciplinary culture-makers working among design, text, architecture and sound fields. Born from the ashes of a contaminated political landscape, Continuous Monument gathers to spatialize sound and signal in temporary, site specific soundscape improvisations. Monument will perform at The American in Silo City as an acoustic inhabitation; live ghosts active in remnant industrial anatomy.

    Akasya Crosier
    Likeness (typeface study)

    Akasya Crosier is a multifaceted artist based in Western New York. She is currently a senior at UB studying Studio Art and Communication. In her artwork, she focuses on effective communication skills, idealized spaces, and bright imagery.

    Catherine Parayre (assisted by Josh Dawson, SUNY and Paul Savoie, Brock U)
    Ingrained Words (14 posters: assembled fragments from texts by 33 writers)

    Catherine works in Arts and Culture, and in Modern Languages, Literatures and Cultures at Brock University. She is particularly interested in contemporary Occitan literature, as well as the co-presence of literatures and visual arts. She includes her four languages in her creative work.

    Catherine Parayre and Jim Watkins
    The Silo-Minder (recording, reading)

    Jim Watkins lives in Silo-City and is our silo-minder/keeper. His passion for the arts and for Silo-City is central to our cross-border project.

    Lauren Regier
    Where I stand is fair and square (performance/grass seed & dirt)

    Lauren Regier is Honours graduate from Brock University’s Visual Arts program, and is an emerging artist based in the Niagara Region. Much of her work is inspired by the notion of functionality and relationships between the industrial world and the natural realm. Interested in the experiential nature of contemporary art, her practice includes photography, installation, performance, drawing and video.

    Reinhard Reitzenstein
    ArbreTreeBaum (vocal piece in 5 languages)

    Reitzenstein has held over 100 solo exhibitions and over 300 group exhibitions globally, and has completed over 25 public and private art commissions. His work is represented in more than 50 public and corporate collections internationally. Reitzenstein has been Director of the Sculpture Program at, SUNY, Buffalo since 2000. He is represented by the Olga Korper Gallery in Toronto.

    Casey Ridings
    Untitled Emotion (acrylic paint)

    Casey Ridings is currently a Graphic Design student at the University at Buffalo. She is intrigued by the geometric nature of organic patterns; through a spontaneous and intuitive process she creates intricate paintings and drawings inspired by the exploration of her experiences and emotions.

    Cody Schriever
    Vanity Case / Skeletons of Perception (painting/sculpture)

    Cody Schriever is a student in the University at Buffalo art department. His paintings and sculptures deal with human nature, and the structures of its self-perception. By combining various styles of painting and modes of expression he creates a complex narrative of the global condition.

    Shawn Serfas
    Alloyed (acrylic)

    Shawn is an Assistant Professor in the Visual Arts Department, Marilyn I. Walker School of Fine and Performing Arts at Brock University. His research interests include contemporary painting, drawing and printmaking practices concerning relational abstraction, environmental aesthetics, religion, the landscape as well as issues bordering abstraction and representation.

    Lucas Veraldi
    2mp (inkjet prints)

    Lucas is an artist currently residing in Buffalo, NY. His practice examines the different methods of representation that exist within the realm of photography and explores the truth value that a photograph holds as a piece data that showcases life.

    Sophia Yung
    Voyage Voyage 

    Sophia Yung is a Chinese American graphic designer and artist from Brooklyn, NY. Her most recent work involves the analysis of Asian American culture shock, language barriers, mixed martial arts and the role of financial capital in the precarious 21st century.

    Jean Zhu
    bacteria (video)

    Jean Zhu is currently a Media Study student at the University at Buffalo. She is both a photographer and a filmmaker. Her experimental films and straightforward photographs of everyday objects and scenes are noted for their color combination, explicit composition and rich content.

     

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    Categories: Alumni, Announcements, Faculty & Instructors, News

  • Arts, Archives & Affinities III

    Friday, January 27, 2017 | By

    Art, Archives and affinities III poster

    Join us on Friday, January 27 for an evening of film, photography, drama, dance, and discussion at the Social Justice Research Institute’s third annual Arts, Archives and Affinities event, held at the Marilyn I. Walker School of fine and Performing Arts. Dr. David Fancy of the Department of Dramatic Arts will be speaking about “Growing Together,” his collaborative theatre production with migrant labourers.

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  • Wellness Wednesdays at MIWSFPA!

    Wednesday, January 25, 2017 | By

    Sleeping puppy in arms of a woman in a purple knit sweater

    The Marilyn I. Walker School will be participating in the university’s wellness initiatives of offering massage therapy and therapy dogs to our students. We will be hosting a series of “Wellness Wednesdays” for our students and have booked space for this initiative on the following dates at the Marilyn I. Walker School:

    • Wednesday, February 8, 2017, 12:30 – 3 pm: PUPPY ROOM in MW151
    • Wednesday, March 15, 2017, 1 – 3 pm: FREE MASSAGES in MW151 or Lobby
    • Wednesday, March 29, 2017, 12:30 – 3 pm: PUPPY ROOM in MW151

     

    We hope our students will take advantage of this free offering!! Be well!

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    Categories: Announcements, Current Students, Faculty & Instructors, News

  • VISA instructor Amy Friend featured on MoMA Instagram

    Tuesday, January 24, 2017 | By

    childs hand on top of an open adult hand that is filled with lighted orbs

    VISA instructor Amy Friend’s piece, “Hands on Water”, is featured today on the Instagram page of the Museum of Modern Art as part of their MoMA R&D Salon 19: Modern Death. Have a look! Congratulations, Amy!

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  • Federal board now led by Brock faculty member

    Thursday, January 12, 2017 | By

    Sharilyn J. Ingram, Assistant Professor in the Brock University’s Centre for Studies in Arts and Culture

    (Source: The Brock News, Wednesday, January 11, 2017. Photo: Sharilyn J. Ingram, Assistant Professor in the Brock University’s Centre for Studies in Arts and Culture and former director of the Marilyn I. Walker School of Fine and Performing Arts, was recently appointed Chair of the Canadian Cultural Property Export Review Board.)

    The Canadian Cultural Property Export Review Board is now being led by a Brock University faculty member.

    Sharilyn J. Ingram, Assistant Professor in the Centre for Studies in Arts and Culture and former director of the Marilyn I. Walker School of Fine and Performing Arts, was recently appointed Chair of the federal board for a three-year term.

    The independent administrative tribunal, which reports to Parliament through the Minister of Canadian Heritage, determines whether cultural property is of outstanding significance and national importance.

    The board aims to protect and preserve significant examples of Canada’s artistic, historic and scientific heritage.

    Ingram’s appointment was announced Jan. 7 by Canadian Heritage Minister Mélanie Joly.

    Congratulations, Sharilyn!

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    Categories: Faculty & Instructors, In the Media, News

  • Mahtay Cafe opens at the MIWSFPA

    Thursday, September 15, 2016 | By

    The brand new Mahtay café is now open on the third floor student lounge area! Hours of operation are:

    Mon – Fri from 8:30 am to 2pm.

    Please note that the permanency of this café will be based on its success here at the Marilyn I. Walker School. So take some time on your breaks to get up there and enjoy reasonable prices and excellent food and drinks!

    The location is 3rd floor at the south end of the building (lobby), take that elevator to the 3rd floor (not connected to the 3rd floor at the other end) or take stairwell “D”.

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    Categories: Announcements, Current Students, Faculty & Instructors, News

  • Amy Friend featured in Donggang International Photo Festival

    Sunday, May 15, 2016 | By

    web_01-amyfriend_01amyfriend_march-28_42-17-years_0Brock University Visual Arts assistant professor Amy Friend’s work is featured in the Main Exhibition at the Donggang International Photo Festival in South Korea.

    Exhibition Overview:
    A total of 14 photographers around the world are participating in this exhibition, which will revolve around the theme of ‘Heaven on Earth’.

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  • Le Corbusier and the Dynamics of Space, Colour and Design: Art and the Rehabilitation of the Unité d’Habitation

    Wednesday, March 16, 2016 | By

    Professor Derek Knight

    (Source: alliance-francaise.ca)

    Alliance française de Toronto invites you to the lecture of Professor Derek Knight, dedicated to Le Corbusier’s work. On Wednesday, March 16, at 7 pm in the Spadina Theatre. Free entrance.

    Le Corbusier worked particularly in the town planning and the design. He is known to be the inventor of the “Unité d’habitation” (house unit), concept on which he began to work in the 1920s, expression of a theoretical reflection on the collective accommodation. His conception envisages in the same building every community facilities necessities in life: day nursery, laundry, swimming pool, school, businesses, library, places of meeting.

    Derek Knight is an Associate Professor in the Department of Visual Arts at Brock University. He teaches 20th century European and North American art history, Contemporary Art and theory, and contributes to the MA program in Studies in Comparative Literatures and Arts. He is Director of the Marilyn I. Walker School of Fine and Performing Arts, in St Catherine.

    The lecture will be held in English.

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  • Brock prof gets funding for project profiling women animal rights activists

    Monday, March 07, 2016 | By

    human hands wearing bracelets holding the hand of a chimpanzee

    (Source: The Brock News, Monday, March 7, 2016 | by )

    While researching the history of animal rights, Brock visual arts professor Keri Cronin realized that women did much of the advocacy work in the 19th and early 20th centuries.

    She also noticed that, quite often, there was little information about these women. For example, it was common for a woman’s first name to be omitted from the record, with only her married name – Mrs. Smith, for example – being listed.

    That got Cronin and her friend, award-winning photographer Jo-Anne McArthur, thinking.

    “What we’ve noticed again and again is that it’s always women on the ground, raising the money, holding the bake sales, protesting, and it’s usually men at the head of the organizations,” says Cronin. “This is true today and obviously in the 19th century, too.”

    “We thought, ‘all these women are doing amazing work and they’re not getting credit, they’re not being celebrated.’ We want to change that.”

    So Cronin and McArthur created The Unbound Project: Women on the Front Lines of Animal Advocacy, to “recognize and celebrate women at the forefront of animal advocacy, in both a contemporary and historical context.”

    To help make it happen, the UK-based cosmetics company Lush recently granted the pair $20,000 from the company’s North American Charitable Giving Program. Cronin and McArthur have also received funding from the New England Anti-Vivisection Society, the Culture & Animals Foundation, and A Well-Fed World.

    To put together the multi-media and book project, Cronin and McArthur are travelling around the world interviewing, photographing and filming some 200 women in a wide range of professions and walks of life.

    We want to talk about how people in all kinds of careers are making a difference and that activism doesn’t just take one form.

    British primatologist Dr. Jane Goodall, with a long history of conducting pioneering chimpanzee research in Tanzania, is among the higher-profile women being featured.

    But Cronin and McArthur’s main focus is on “local grassroots women, unsung heroes who make the world a kinder, gentler place for animals,” says Cronin.

    “When people think of activism, they imagine a certain thing: they imagine someone out there protesting or chaining themselves to a fence,” says Cronin. “We actually want to change a bit of that story. We want to talk about how people in all kinds of careers are making a difference and that activism doesn’t just take one form.”

    Unbound has its roots in a long-term project, We Animals, that McArthur created to expose animal abuses around the world. As she did this, McArthur came across women working passionately and unceasingly to end such cruelty.

    “Sharing stories of inspiration and change not only gets people excited about taking part but gives them hope, something to hold onto, whereas my work on the brutal treatment of animals and factory farming can leave someone with a sense of paralysis,” says McArthur.

    “This project about women is going to do the opposite: it’s going to say, ‘here’s the problem, here are the wonderful people working on this problem, here’s how you can do this kind of thing as well.’”

    The duo is into the second year of their project, having already traveled to several continents and connecting with networks in North America and abroad.

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