Articles tagged with: humanities

  • Spring course offers a fresh look at an image-driven world

    Image caption: The Department of Visual Arts is inviting students to engage with the history of culture through Spring course HAVC 1Q99: Contemporary Issues in the History of Western Art.

    Wednesday, April 01, 2026 | by 

    Brock students can broaden their perspectives on art and its impact on society this spring.

    Welcoming students from all academic backgrounds and disciplines, HAVC 1Q99: Contemporary Issues in the History of Western Art explores different ways of looking at the visual past and present from prehistory through the early 20th century. The course is offered online and no art experience is required.

    Instead of approaching art history chronologically, the course explores themes and issues in the history of European and North American art and connects them to today’s world.

    “Students will learn the important skills of visual analysis. These skills are more important than ever as we navigate a world populated with images designed to manipulate us through deep fakes, propaganda and influencer videos,” says Linda Steer, Associate Professor of History of Art and Visual Culture.

    One of the concepts taught in the course is the skill of “close looking.” According to Steer, learning to look closely at historical and contemporary works of art helps students develop critical observation and thinking skills that are necessary in a number of jobs, such as nursing.

    “Past students have noted that the course has helped them learn how to pay more attention to their environment. It’s never been more important to learn how to critically evaluate all images, including art,” she says.

    Also central to the course is understanding how marginalized people have been depicted or overlooked in European and North American art, and how contemporary artists have challenged those representations in interesting ways.

    “We consider historical and contemporary depictions of Indigeneity, race, gender and disability. Operating from the premise that art is not neutral, we examine how art makes meaning in cultures and in historical moments,” Steer says.

    The course will explore how monarchs throughout history used painted portraits to assert their power, for example, and how present-day rulers use similar symbolism to assert their status.

    Students can expect to gain knowledge through in-class exercises, discussions, readings, videos and non-traditional assignments.

    “We consider why 17th century Dutch art collectors desired still life paintings that depicted luxury objects and compare that to how wealth is depicted today. Students will have the opportunity to create their own still life using their phone cameras,” Steer says.

    For more information on Brock’s Spring/Summer courses or to register, visit brocku.ca/springsummer.

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    Categories: Current Students, Faculty & Instructors, News

  • Exhibit explores cultural significance of Brock’s art collection

    Image caption: Third-year Visual Arts student Amber Cairns reflected on a silkscreen by Carl Beam, entitled Observer, while visiting the Intentional Futures exhibition at Brock’s Marilyn I. Walker School of Fine and Performing Arts. The exhibition, which runs until Saturday, Oct. 11, features pieces from the Brock University Art Collection.

    Monday, September 08, 2025 | by 

    A new art exhibition is looking to the past to reimagine the future of art on campus.

    Presented by the Brock University Art Collection and Brock University Library, Intentional Futures is now on show at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) in downtown St. Catharines until Oct. 11.

    Curated by Mandy Salter, Brock University Library Art Collections and Engagement Manager, and Sonya de Lazzer, Gallery Coordinator for MIWSFPA Visual Arts Gallery, the exhibition showcases a carefully selected group of artworks from the Brock University Art Collection, many of which are being exhibited at the University for the first time.

    Salter said the exhibition invites audiences to consider whose stories have been historically represented in the collection — and whose have been overlooked, by engaging with themes of land, representation and identity.

    “We have curated works into this exhibition that prompt questions about how land is represented in the collection, and how it considers Indigenous and environmental history given Brock sits on the traditional lands of the Haudenosaunee and Anishinaabe people in a very important ecosystem with the Niagara Escarpment and between Lake Ontario and Lake Erie,” she said.

    For Salter and de Lazzer, who primarily selected works that were in storage, the exhibit is a unique opportunity to share the collection with viewers in a different way.

    “Audiences and community members will be invited to provide feedback and written notes that will be incorporated into the exhibition. It’s all about caring for this work with intention, and with community, through inclusive conversations,” Salter said.

    de Lazzer added that care, dialogue and shared responsibility are the foundations of their curatorial approach.

    “Art collections thrive through the questions that we ask, the care that supports them and, in this case, the futures that we can imagine together. We also want to extend our thanks to the Brock University Art Collection Committee whose support has been vital in shaping this initiative,” she said.

    Nicole Nolan, University Librarian, said the exhibition marks a meaningful opportunity to raise awareness of the University’s collection by positioning certain works as conduits for discussion.

    “I’m thrilled this exhibition is taking place in partnership with the Department of Visual Arts. Through careful curation and thoughtful discussion, we can begin to address representational gaps within this dynamic collection. Together, we can imagine how the future collection will echo and represent the rich and diverse fabric of our Brock community,” Nolan said.

    The Brock and Niagara communities are invited to an exhibition reception on Thursday, Sept. 11 from 5 to 7 p.m. at the MIWSFPA gallery. On Friday, Sept. 26, Salter and de Lazzer will host a Curator’s Talk at 12 p.m. Both events are free to attend.

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    Categories: Events, Exhibitions, News

  • Art student draws on family history to gift Dalai Lama painting

    Image caption: Fifth-year Visual Arts student Cho Sherpa (centre) traveled from Toronto to Dharamshala, India, earlier this month to gift the Dalai Lama a portrait in honour of the spiritual leader’s 90th birthday.

    Monday, July 28, 2025 | by 

    When Cho Sherpa decided to travel across the world to celebrate the Dalai Lama’s 90th birthday, he was inspired to arrive with gift in hand.

    After working tirelessly to capture his vision, the fifth-year Brock University Visual Arts (VISA) Studio Art student personally delivered a portrait he’d painted of the spiritual leader.

    The once-in-a-lifetime encounter took place in Dharamshala, India, earlier this month.

    Sherpa’s gift was inspired by his family history.

    Fifty years ago, his grandfather built a gate at the entrance to his homestead in a remote Indian village to honour the Dalai Lama when the leader visited the area and passed by homes offering blessings.

    Using rocks and organic materials he painted with care, Sherpa’s grandfather added to his gate every night following a busy day’s work as a merchant. The ornate gate caught the Dalai Lama’s attention during his visit, marking a momentous day for the village.

    Student poses in Brock Badgers wrestling uniform.

    Fifth-year Visual Arts student Cho Sherpa is part of the Brock men’s wrestling team. Being a part of the Brock Badgers community has played a major role in Sherpa’s life. The athlete credits his staff coaches and teammates for uplifting him and teaching him work ethic, discipline and grit — key elements he also applies to his career in the arts.

    “Hearing this story from my mother inspired me beyond words. As we planned to make the trip for His Holiness’ birthday, I knew I had to find my own way to honour him,” he said.

    Painting a portrait was a spontaneous idea for Sherpa, deciding less than a week before leaving that art would be his offering.

    During his studies at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), Sherpa — also a proud member of the Brock men’s wrestling team — developed his artistic practice rooted in charcoal drawing, so painting a realistic portrait was a sizable step out of his comfort zone.

    Reflecting on the humble tools his grandfather used, swapping rocks for a blank canvas and acrylic paint with only water for blending, Sherpa let his instincts guide him as he set to work.

    “I started painting, and it was a journey with ups and downs. I was thrilled with the likeness, but as the creative process goes, I experienced some bumps midway through completion I had to overcome,” he said.

    As Sherpa worked through “over painting” areas on his piece, helped along by his VISA community and professors who provided feedback and guidance, he drew on his minor in Philosophy while immersing himself in podcasts and readings about the Dalai Lama’s teachings.

    The previous two years had been tough for Sherpa, recovering from injuries from a car accident and dealing with mental health challenges.

    “I felt like I was disappearing, so I started searching for connection. The Dalai Lama represents love and peace, and those lessons resonated with me,” he said. “The more I painted, the more I found meaning.”

    By its completion, Sherpa clocked more than 40 hours on the piece, often painting straight through the night.

    In Dharamshala, well-wishers brought offerings for the Dalai Lama, including Tibetan Buddhist prayer scarves known as “khatas,” but Sherpa stood out from the crowd with his canvas under his arm.

    He found people watching him with kind curiosity as he gave the Dalai Lama the painting and shook his hand. While he was always taught the Dalai Lama is a powerful spiritual leader, Sherpa was struck by his humanity.

    “Because I had overpainted some of the portrait, it had interesting texture. He ran his hands over those areas over and over as he smiled, as if my winding creative journey was his favourite part of the painting.”

    Sherpa wanted the portrait to be the best work he had ever done.

    “In the end, I think it was.”

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    Categories: Current Students, In the Media, News

  • Weaving histories into new creative works

    Image caption: Fourth-year Visual Arts students Karen Guichelaar (left) and Sabrina Luckasavitch have created new bodies of artwork as part of their Honours Thesis exhibition, entitled Off the Factor Floor, on show at the Marilyn I. Walker School of Fine and Performing Arts.

    Thursday, April 10, 2025 | by 

    Every time fourth-year Visual Arts (VISA) student Kearah Holmes touches one of the intricate, hand-sewn items made by her great-grandmother, her connection to her ancestry — and artistry — deepens.

    Gwen Revill, Holmes’ great-grandmother, worked as a seamstress at the historical Spirella Corset Company in Niagara Falls.

    “Textile work has been handed down in my family through generations through dressmaking and sewing. My artwork is inspired by my roots and the creative energy of connecting physically with materials,” she said.

    Holmes’ textile artwork is part of Off the Factory Floor, a new exhibition showcasing the Honours Thesis work of VISA Studio Art majors on show at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSPFA) and the Niagara Artists Centre.

    The exhibition title was inspired by the late Marilyn I. Walker, a renowned fibre artist and philanthropist, and the MIWSPFA’s location in the former Canada Hair Cloth Building.

    Walker’s gift to Brock of $15 million in 2008 transformed the historic downtown St. Catharines textile factory into a state-of-the-art learning facility, which will celebrate the 10th anniversary of its opening in September.

    “There was something so beautiful about creating art in a building that used to be a textile factory transformed into a place creativity and learning through the arts; the VISA 4F06 group wanted to honour the vision of Marilyn I. Walker,” Holmes said.

    The experience motivated fourth-year student Karen Guichelaar, a process-based artist who generally works with paint and sculpture, to step out of her comfort zone during the year-long capstone course.

    “Our professors encouraged us to explore new mediums, and the creative freedom was exhilarating and inspiring; I never thought of myself as a textile artist, but I gave it a try,” she said.

    Guichelaar’s body of work, comprised of five pieces that use fabric, embroidery thread and safety pins, each capture a different human facial expression reflecting the complexity of dealing with loss, and finding hope.

    “What stands out most was speaking with people at the opening reception who were impacted by my work and took time to share their own stories. Exhibiting work in a gallery setting was a valuable experience,” she said.

    Amanda Burk, Chair of the Department of Visual Arts, said the Honours Studio exhibition is always an exciting event and important milestone for students.

    “Our fourth-year students, guided by two of our excellent faculty members, have invested a full year into developing a substantial body of creative work that will help them launch their careers and presence in the art world. This exhibition is an enormous accomplishment, and we are very proud of everything they have achieved,” she said.

    The exhibition also includes diverse bodies of artwork created by fourth-year students Daniella Alexander, Anthony Clarkson, Cleah Fast, Sabrina Luckasavitch and Christie Hoang. Pieces range from painting and photography to sculpture and digital media installations.

    In reflecting on the process of creating art over the past year alongside their peers, Holmes and Guichelaar were moved by working in the dedicated studio space on the bright fifth floor of MIWSFPA overlooking downtown.

    “We would all take the time to help each other out and give critiques and share ideas. Having the dedicated, safe space to experiment and create while sharing our ideas was a truly impactful experience for all of us,” Holmes said.

    Off the Factory Floor runs until Saturday, April 26 at MIWSFPA’s Visual Arts Gallery at 15 Artists’ Common and the Niagara Artists Common in St. Catharines. The gallery is open to the public and free of charge Tuesday to Saturday, 1 to 5 p.m.

    More information about the artists and work can be found in the exhibition catalogue.

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    Categories: 4F06 Honours Exhibition, Current Students, Events, Exhibitions, News

  • Students step back in time through new Brock Library exhibit

    Image caption: Second-year Visual Arts student Madeline Corbier recently helped with the installation of a new Brock University Library exhibit, “Made of the Mist: Life in Niagara During the Long 19th Century,” which will run until Wednesday, March 26.

    Tuesday, March 11, 2025 | by 

    In the hustle and bustle of present-day campus life, the Brock community is being invited to pause and explore Niagara’s past.

    Presented by Visual Arts students in partnership with the Brock University Library’s Archives and Special Collections team, “Made of the Mist: Life in Niagara During the Long 19th Century” explores life in the region from the late 1700s to the early decades of the 1900s.

    “The historical term ‘the long 19th century’ reflects the idea that styles, trends, artistic approaches, technologies and politics don’t abruptly change when the calendars change,” said Keri Cronin, Professor of Art and Visual Culture.

    The exhibit’s title, “Made of the Mist,” also highlights the influence of geographical location to culture, social life and economics.

    Led by Cronin, VISA 2P90: 19th Century Visual Culture students visited Brock’s archival collections where they learned about how to work with the resources and each selected one item to feature.

    A range of materials are on display, including a sketch commemorating an 1880s curling match in Niagara, a tintype studio portrait photograph from the Rick Bell Family Fonds and an advertisement for a Niagara-on-the-Lake hotel.

    Second-year Visual Arts student Madeline Corbier chose a glass stereograph —a set of two images can be viewed in 3D using a stereoscope — that shows four Indigenous people looking at the American Falls from Luna Island, N.Y.

    “It caught my attention because it was an image of Indigenous people that was not stereotyped. Through my research of photography during that time, photos of Indigenous people were largely staged with sets and props; but this image was a candid image of tourists at the falls — a rare and important image to showcase,” she said.

    Second-year Studio Art student Aaron Rose and third-year Concurrent Education student Brooke Nolan both worked on the same object, a friendship album.

    Rose and Nolan each took a very different approach. While Rose chose to focus on three pencil drawings of birds found within the album, Nolan selected a floral textile piece and an accompanying letter.

    As the album was so delicate, they had to carefully think about how to present their selections and worked with David Sharron, Head of Archives and Special Collections, to determine the best plan.

    Nolan said she stumbled upon Ann Eliza Hepburne Rooth’s friendship album in the Brock Archives digital collection before going to see it in person.

    “The poems and textiles stood out to me, and I selected pages that included both. I looked into the archives in the St. Catharine’s library to find out more about Anne Eliza Hepburne Rooth and her family who lived in the Niagara region in the 19th century,” she said.

    For Nolan, the project provided a hands-on curatorial approach to learning about history that she found very rewarding.

    “Many of our students go on to careers in places like museums and galleries, and having this kind of experience working with an archival collection and planning an exhibit is an inspiring — and often eye-opening — opportunity,” Cronin said.

    Sharron said the excitement and respect the students brought working with historical records over 100 years old was palpable.

    “The care in which they handled the materials was very professional, but they were never intimidated by them, which is how we and Professor Cronin hoped they would approach the project,” he said.

    “Made of the Mist: Life in Niagara During the Long 19th Century” is on display at the Brock University Library until Wednesday, March 26.

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    Categories: Current Students, Faculty & Instructors, News

  • Community Connections: Healing Through the Arts

    Image caption: Willow Arts Community member Jo Barham experienced the inspiring artwork of local artists earlier this year at “unscene,” a community exhibition at the Marilyn I. Walker School of Fine and Performing Arts Visual Arts Gallery in collaboration with downtown St. Catharines organization Willow Arts Community.

    Wednesday, December 11, 2024 | by 

    This article is part of a monthly series celebrating Brock’s rich history of community engagement and enduring commitment to the mutual exchange of knowledge and resources within the Niagara community and beyond. To read other stories in the series, visit The Brock News.

    For Dani RJ Hummel, creating art is as necessary as breathing; it’s where everything comes out.

    “Producing artwork helps me work through my trauma and gives the pain somewhere to live outside of my body. My creative practice has taught me to approach life with curiosity and allowed for so much growth as an artist — and a person,” they said.

    A member of Willow Arts Community (Willow), Hummel has showcased their artwork over the past two years in community partnership exhibitions at the Visual Arts Gallery within Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) — the next of which, unscene, opens May 29.

    Located in downtown St. Catharines, Willow is an arts and peer support organization providing low-barrier opportunities for artists with lived experiences of mental illness or substance use in Niagara.

    The partnership between Brock and Willow aims to provide an enriching gallery experience for community members.

    MIWSFPA Visual Arts Gallery Co-ordinator Sonya Marie de Lazzer said this community driven work is important because it centres and empowers local voices and perspectives.

    “By creating a shared space for expression and connection, together we are encouraging public dialogue and expanding opportunity for conversation, reflection and empathy in our community,” de Lazzer said.

    For Leigh MacLeod, Willow Founder and Executive Director, the ability for members to publicly showcase artwork is significant.

    “I have the privilege of getting to know our Willow members and seeing their creativity and perspectives expressed through their brilliant art; working with the MIWSFPA allows more people to witness and connect to these experiences,” they said.

    For Hummel, showing their work in a professional gallery setting was not something they always thought possible; on one hand it has been exhilarating, but on the other, it has been uncomfortable.

    Hummel has developed their artistic practice and now leads educational initiatives at Willow, including supporting others with creative writing courses and leading projects with community partners.

    “It’s been incredible to share my art and creativity with the world,” Hummel said.

    MacLeod said Hummel’s experience resonates with other Willow members and that the partnership with MIWSFPA has allowed for their diverse perspectives to be heard by the community in meaningful ways.

    “Our members are often marginalized individuals who do not have access to the same opportunities because of their lived experiences with mental illness or substance use. Whether they face financial, social, psychological or health barriers, we strive to remove real obstacles so folks can access enriching and meaningful opportunities,” MacLeod said.

    Planning the exhibition begins several months before the opening reception when de Lazzer visits Willow offering an open information session. She provides details to members such as gallery floor plan, available space, electricity options, ceiling mount options and technological capability.

    “Before artists begin or complete the work that will be exhibited, everyone has a chance to visualize the space and ask any questions about the process,” she said.

    On installation day when Willow members bring their work to the gallery, de Lazzer said the collaborative nature of the process is thrilling.

    “We see all the artwork in the space and begin to play with layout. Artists are always invited to be there and be part of those discussions,” de Lazzer said.

    Guiding the process with her curatorial expertise, de Lazzer ensures that accessibility and inclusivity are addressed.

    “We want to make sure we are incorporating accessibility features like text placement, audio components or clear pathways to move through the space itself, so everyone can enjoy the artwork,” she said.

    In addition to mounting the exhibition, Brock graduates work on an ongoing basis with Willow to deliver artistic workshops and sessions including interdisciplinary artist Amber Lee Williams (BA ’20), multidisciplinary artist Skye Rogers (STAC ’22) and musician Joe Lapinski (BA ’99), among others.

    MacLeod said for Willow, the arts are vital to people’s survival.

    “When we speak of recovery, it is not as a finish line, but an ongoing journey of knowing you belong somewhere. Seeing our members shine with their work at the MIWSFPA gallery is a profound honour,” MacLeod said.

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    Categories: Events, Exhibitions, In the Media, News

  • Environmental humanities to take symposium spotlight

    Image caption: The 2023 Visual Arts (VISA) Walker Cultural Leader Series featuring visiting artist Trudi Lynn Smith invited the Brock community to learn about environmental humanities research-creation methodologies. Organized by Elysia French, Assistant Professor of Visual Arts and presenter at the upcoming Humanities Research Institute Symposium, participants harvested amaranth from the VISA plot at Brock’s community garden to be used as artist materials in a subsequent workshop.

    Wednesday, December 04, 2024 | by 

    The relationship between humanities scholarship, ecology and the environment will be front and centre at an upcoming event hosted by the Faculty of Humanities.

    Taking place Monday, Dec. 9, the biannual Humanities Research Institute (HRI) Symposium will shed light on environmental humanities at the University and beyond, including a new minor open to all Brock students.

    Elizabeth Vlossak, Associate Professor of History and Dean of Research and Graduate Studies, said the symposium will highlight the research endeavours of faculty members and graduate students working in this important field.

    “Presentations will explore methodologies and teaching practices to address complex environmental issues,” she said.

    Daniel Samson, Associate Professor of History, said environmental humanities is a sprawling, transdisciplinary field drawing together established areas such as cultural geography and environmental history alongside newer disciplines like ecocriticism and political ecology.

    “Scientific fields are also interested in human roles in nature and exploring the relationship between nature and culture,” he said.

    At the symposium, Samson will share his perspective on how he teaches environmental humanities through the lens of digital public history and 17th- and 18th-century Acadian and Mi’kmaw stories.

    “My students are examining basic questions of resource extraction and sustainability. We can learn important lessons from historic populations on how to live more sustainably by, for example, learning how they produced food with lower energy use, made use of nutrient-rich saltmarshes or maintained healthy soils with manure,” he said.

    At the same time, Samson said, the costs of sustainability need to be addressed. In the 18th-century colonial world of Isle Saint-Jean, present day Prince Edward Island, putting cattle on those marshlands meant destroying Indigenous people’s food resources such as eels and waterfowl.

    “Environmental research usually poses scientific questions, but those questions are seldom free of human roles and human understandings,” he said.

    Elysia French, Assistant Professor in the Department of Visual Arts (VISA), said environmental humanities has been building bridges between academic disciplines —specifically arts and science— for decades.

    These bridges, French said, have paved the way for collaborative responses to pressing environmental and social issues.

    “The interdisciplinary nature of environmental humanities facilitates new and exciting conversations and directs attention, both within and beyond the academy, toward critical environmental happenings shaping our world,” she said.

    At the symposium, French will introduce her ongoing and collaborative project, Ecologies in Practice, which uses creative research methodologies such as arts-based work and podcasting to encourage greater public awareness about environmental issues.

    “This area of knowledge matters as it supports collaboration and alternative methods of research-creation,” she said.

    The symposium runs from 9 a.m. to noon on Dec. 9 in Sankey Chamber and includes the following presentations:

    • “Literary Journalism and Ecocriticism” by Rob Alexander, Associate Professor of English Language and Literature
    • “Find the Lad/y: An Ecofeminist Reads a Roman Garden” by Katharine von Stackelberg, Associate Professor of Classics and Archaeology
    • “Separability and Cyclicity: Decoding the Logic of Temporal Representation through the Clock” by Liao Zixuan, PhD in Interdisciplinary Humanities candidate
    • “Teaching/Doing Environmental Humanities: Mapping People, Animals and Resources on 18th-Century Isle Saint-Jean” by Daniel Samson, Associate Professor of History
    • “A Work-in-Process: Collaborative and Creative Methodologies in the Environmental Humanities” by Elysia French, Assistant Professor of Visual Arts

    The symposium will culminate in a panel discussion addressing the present and future of Environmental Humanities at the University. The Brock and wider community are invited to attend all presentations and the discussion panel with no registration required.

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    Categories: Faculty & Instructors, News, Walker Cultural Leader

  • Grads in spotlight for enhancing local arts scene

    Image caption: Brock graduates Deanna Jones (BA ’02), left, and Amber Lee Williams (BA ’20) are two of five alumni who were recently honoured with arts awards from the City of St. Catharines.

    Wednesday, November 13, 2024 | by 

    According to Deanna Jones (BA ’02), a thriving local arts scene allows for people to connect by sharing stories and perspectives in innovative, creative and provocative ways.

    Jones was one of five Brock graduates honoured across five categories for their creative talent and community engagement during the St. Catharines Arts Awards held Nov. 3 at the FirstOntario Performing Arts Centre (FOPAC).

    A Dramatic Arts graduate and actor, writer and director, Jones was the recipient of the 2024 Making a Difference Award. The co-founder of Suitcase in Point Multi-Arts Company is a firm believer in the power of the arts to bring about conversation, build understanding and create expressive outlets for change.

    “A dynamic arts and culture sector also provides opportunities, including paid work for artists who contribute significantly to the local economy and quality of life for people who live there,” she said.

    Jones said her experience at Brock significantly shaped who she is today, especially as the place where she connected with her future creative collaborators.

    “As students, we were provided a platform to take risks and challenge ourselves,” she said. “I continued my education through professional experience and travel in other places and cultures that added to the foundation that was laid at Brock.”

    For Visual Arts graduate Amber Lee Williams (BA ’20), winner of the 2024 Emerging Artist Award, art enriches community.

    “For me, art is about making meaningful connections. It’s a way to share my thoughts and feelings while inviting others to respond and share their own perspectives,” she said.

    Williams said her experiences at Brock, where she felt supported and encouraged by professors and the University community, gave her the confidence and drive to pursue a career in fine arts.

    In addition to her own interdisciplinary creative practice centred in photography, Williams now works with many local community organizations like Niagara Artists Centre and Willow Arts Community delivering workshops and classes exploring photo-based mediums.

    “Art brings joy and meaning to my life, even in the smallest, everyday moments. I am honoured and excited to help expand the arts community in Niagara region — and to give back to a community that has offered me so much support,” she said.

    Linda Carreiro, Associate Dean of Fine and Performing Arts, said Brock has been successful in providing a strong foundation for students to pursue their careers.

    “This path may take many forms, but we’re always pleased to see when people continue making meaningful contributions to the arts,” she said.

    Jessica Wilson, Culture Supervisor for the City of St. Catharines, said the city is enriched by artists, educators, and supporters whose dedication and creative expression build a vibrant cultural landscape that connects and uplifts the whole community.

    “This year’s Arts Awards recipients exemplify the profound impact the arts have on St. Catharines,” Wilson said.

    “The artistic talent in this city continues to impress me and creates a huge sense of pride in our local artistic scene,” Mayor of St. Catharines Mat Siscoe said. “Their efforts continue to grow our cultural sector and have made St. Catharines the vibrant centre of culture in the Niagara region.”

    The full list of Brock grads who received 2024 St. Catharines Arts Awards includes:

    • 2024 Emerging Artist Award — Amber Lee Williams (BA ’20)
    • 2024 Established Artist — Cole Lewis (BA ’04, MA ’08)
    • 2024 Arts in Education Award — Brenna McAllister (BA ’00, BEd ’02)
    • 2024 Making a Difference Award — Deanna Jones (BA ’02)
    • 2024 Patron of the Arts Award — Annette F. Urlocker (BA ’73)

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    Categories: Alumni, In the Media

  • High-profile NYC events shared through lens of student artist

    Image caption: Fourth-year Visual Arts student Cleah Fast, recipient of a 2024 Medland and Green Inspiring Artists Bursary, is displaying her artwork in a new multimedia exhibition now open at Brock’s Visual Arts Gallery.

    Wednesday, November 06, 2024 | by 

    While backstage at an iconic music festival and in the front row at New York Fashion Week, Cleah Fast couldn’t help but feel a spark — or rather, flash — of creativity.

    The fourth-year Brock Visual Arts (VISA) student and multidisciplinary artist has channelled her recent experiences at high-profile New York City events into an exhibit, Through the Lens, now on show at the University’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    The exhibition features Fast’s large-scale photography, painting, sound installations and mixed media alongside video art created by Brock faculty, students and staff.

    Fast’s creative path was propelled forward when she received a 2024 Medland and Green Inspiring Artists Bursary, an award that assists students with a unique opportunity, including travel, training or masterclasses to support their final-year capstone project.

    Through the support of the bursary, Fast travelled to NYC and collaborated with media company Never Come Home to photograph the Governor’s Ball Music Festival, the biggest music festival on the east coast.

    “I was drawn in by the energy and bonds that take place during cultural events, where so many individual experiences take place and intertwine to create a bigger, collective experience,” she said.

    Fast was inspired to explore these connections from the perspective of youth culture.

    “Shooting the festival for four days with professionals was unlike anything I had ever done; I had never shot anything on that scale,” she said.

    The partnership was so successful, and the media company so impressed with her skills, Never Come Home invited Fast back to shoot New York Fashion Week with them this past September.

    “Without the bursary, this collaboration would not have been able to happen and flourish the way that it has,” she said.

    Linda Carreiro, Associate Dean of Fine and Performing Arts, said the Medland and Green Inspiring Artists Bursary is a tremendous benefit to students who want to gain professional training and experience outside of the institution.

    “In this case, Cleah was able to access a rare opportunity that enabled specialized skills development and career potential,” Carreiro said.

    During her time in Visual Arts, Fast said she had the opportunity to go beyond her comfort zone and try new things.

    “Access to diverse, creative opportunities were a big reason I chose the Visual Arts program. I love the Marilyn, and I wouldn’t be doing these incredible things without the support and encouragement from my professors,” she said.

    The opening reception for Through the Lens will be held Thursday, Nov. 7 from 5 to 7 p.m. at the Visual Arts Gallery. The exhibition runs until Nov. 23.

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  • High-profile NYC events shared through lens of student artist

    Image caption: Fourth-year Visual Arts student Cleah Fast, recipient of a 2024 Medland and Green Inspiring Artists Bursary, is displaying her artwork in a new multimedia exhibition now open at Brock’s Visual Arts Gallery.

    Wednesday, November 06, 2024 | by 

    While backstage at an iconic music festival and in the front row at New York Fashion Week, Cleah Fast couldn’t help but feel a spark — or rather, flash — of creativity.

    The fourth-year Brock Visual Arts (VISA) student and multidisciplinary artist has channelled her recent experiences at high-profile New York City events into an exhibit, Through the Lens, now on show at the University’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    The exhibition features Fast’s large-scale photography, painting, sound installations and mixed media alongside video art created by Brock faculty, students and staff.

    Fast’s creative path was propelled forward when she received a 2024 Medland and Green Inspiring Artists Bursary, an award that assists students with a unique opportunity, including travel, training or masterclasses to support their final-year capstone project.

    Through the support of the bursary, Fast travelled to NYC and collaborated with media company Never Come Home to photograph the Governor’s Ball Music Festival, the biggest music festival on the east coast.

    “I was drawn in by the energy and bonds that take place during cultural events, where so many individual experiences take place and intertwine to create a bigger, collective experience,” she said.

    Fast was inspired to explore these connections from the perspective of youth culture.

    “Shooting the festival for four days with professionals was unlike anything I had ever done; I had never shot anything on that scale,” she said.

    The partnership was so successful, and the media company so impressed with her skills, Never Come Home invited Fast back to shoot New York Fashion Week with them this past September.

    “Without the bursary, this collaboration would not have been able to happen and flourish the way that it has,” she said.

    Linda Carreiro, Associate Dean of Fine and Performing Arts, said the Medland and Green Inspiring Artists Bursary is a tremendous benefit to students who want to gain professional training and experience outside of the institution.

    “In this case, Cleah was able to access a rare opportunity that enabled specialized skills development and career potential,” Carreiro said.

    During her time in Visual Arts, Fast said she had the opportunity to go beyond her comfort zone and try new things.

    “Access to diverse, creative opportunities were a big reason I chose the Visual Arts program. I love the Marilyn, and I wouldn’t be doing these incredible things without the support and encouragement from my professors,” she said.

    The opening reception for Through the Lens will be held Thursday, Nov. 7 from 5 to 7 p.m. at the Visual Arts Gallery. The exhibition runs until Nov. 23.

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    Categories: Current Students, Exhibitions, News