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Articles tagged with: Brock University

Colour Constructs at Rodman Hall/Constructions en couleurs à Rodman Hall

Monday, November 20, 2017 | By dtemprile

Pictured is a view of the exhibition Material Girls at Rodman Hall Art Centre. (source: RHAC)

In fall 2017, Rodman Hall invites visitors to experience the exhibition Material Girls, which brings together Canadian and international female artists from across artistic disciplines and cultural backgrounds. Giving particular attention to the colourfulness and jubilance of this exhibition, in Colour Constructs, students in Visual Arts, Studies in Arts and Culture, and French Studies explore the materiality of colours in their own diverse ways. Student works are complemented by graffiti art by Niagara-based artist Mat Vizbulis, a classroom guest during the semester. Curators Catherine Parayre and Shawn Serfas. /

A l’automne 2017, Rodman Hall invite ses visiteurs à découvrir l’exposition Material Girls, qui regroupe des artistes femmes du Canada et d’ailleurs, dont les pratiques artistiques et l’environnement culturel diffèrent. En s’inspirant des couleurs et de la gaieté de cette exposition, des étudiants-e-s en Arts visuels, Arts et cultures et Etudes en français explorent dans Constructions en couleurs la matérialité des coloris par le biais d’approches variées. Les graffitis de l’artiste Mat Vizbulis, établi dans la région du Niagara, complètent les oeuvres des étudiant-e-s. Commissaires: Catherine Parayre et Shawn Serfas.

Article from the Brock News: Bilingual exhibition to shed light on Material Girls
TUESDAY, NOVEMBER 28, 2017 | by Darien Temprile

A new Rodman Hall exhibition aims to help visitors experience Material Girls in a new way.

Geo, a piece created by third-year Visual Arts student Lilliana Pagliaro, will be featured in the Colour Constructs/Constructions en couleurs exhibition opening at Rodman Hall Thursday, Nov. 30.

Colour Constructs/Constructions en couleurs, opening at the downtown St. Catharines art centre Thursday, Nov. 30, features works by students in Brock’s Visual Arts (VISA), Studies in Arts and Culture (STAC) and French Studies (FREN) programs.

The exhibition, curated by Brock Professors Catherine Parayre and Shawn Serfas, initiates a sophisticated dialogue with Material Girls, an ongoing exhibition that opened at Rodman Hall Sept. 14.

Material Girls is a large-scale group exhibition of work by Canadian and international emerging, mid-career and senior female artists from different artistic disciplines and cultures. Curated by a team from the Dunlop Art Gallery, a unit of the Regina Public Library, it explores material process and notions of excess as they relate to the feminized body, gendered space and capitalist desire.

For Colour Constructs, students reacted to words, colours and visuals directly related to Material Girls.

STAC students contributed nine texts based on words and expressions found in the curatorial statement of Material Girls; FREN students provided eight written fragments in French, describing colours from Material Girls; and VISA students, in their own paintings, reference the vividness of artwork presented in Material Girls.

In addition to the work of students, the exhibition will include a new large commission by local graffiti artist Mat Vizbulis, who describes his work as ‘genre graffuturism.’

“As the images unfold in layers, we understand that it is truly something unexplainable,” he said. “We are then daring to define things.”

Earlier this year, Vizbulis led Brock students in experiential learning about graffiti and its role in both high art and popular culture.

The opening reception of Colour Constructs/Constructions en couleurs takes place Thursday, Nov. 30 at 5 p.m. at Rodman Hall Art Centre, 109 St. Paul Cres. The exhibition will continue until March 4.

Material Girls continues at Rodman Hall until Dec. 30.

Admission to Rodman Hall Art Centre is free, although donations are accepted. For more information in French or English, visit ExperienceBU.

UPDATE:

French student Amandine Faivre, right,
speaks about her poetry with French Professor Renee-Claude Breitenstein at the opening of Colour Constructs Thursday, Nov. 30. Curated by Professors Catherine Parayre and Shawn Serfas, the exhibition is a collaboration by students in Studies in Arts and Culture, Visual Arts and French Studies. Student artwork is complemented by work by local graffiti artist Mat Vizbulis, who worked with STAC and VISA students over the course of the semester. Colour Constructs is on at Rodman Hall Art Centre until March 4.
Exhibition: Thursday Nov. 30, 2017 – Sunday Mar. 4, 2018

Opening Reception: Thursday Nov. 30, 2017 at 5:00pm

GALLERY HOURS:
Tuesday, Wednesday & Friday: 10 am to 5 pm
Thursday: 10 am to 9 pm
Saturday & Sunday: 12 pm to 5 pm
Closed Mondays, statutory and University holidays

Free community event however donations accepted (suggested $5).

Tags: 15 Artists’ Common, Arts, Brock University, Catherine Parayre, Exhibit, Exhibition, french, French studies, marilyn i. walker school of fine and performing arts, material girls, MIWSFPA, Rodman Hall, Rodman Hall Art Centre, Shawn Serfas, stac, visa
Categories: Current Students, Events, Exhibitions
Work of Visual Arts prof featured on Diana Krall tour

Friday, November 03, 2017 | By dtemprile

The artwork of Brock Fine Arts Assistant Professor Amy Friend is being featured on the international tour of renowned Canadian musician Diana Krall.

(Source: The Brock News, Thursday, November 2, 2017 | By: Maryanne Firth)

When the e-mail popped into Amy Friend’s inbox, she was certain it couldn’t be real.

But a feeling inside prompted the Brock Fine Arts assistant professor to respond to the inquiry, which asked about her artwork and whether she’d consider collaborating with renowned Canadian musician Diana Krall.

It was soon after that Friend found herself on the phone with the Grammy Award winner discussing possibilities for her upcoming tour.

Friend’s experimental photography has since helped Krall to set the scene on stage, acting as her backdrop as she captivates crowds in venues across North America and Europe.

Brock University Fine Arts Assistant Professor Amy Friend.

Friend’s work has been featured on the jazz singer’s international tour since June and the partnership is expected to continue through to the summer.

The project, which includes art pieces from three different bodies of work, has been “particularly fulfilling,” Friend said.

She has enjoyed the challenge of working with Krall to find pieces that fit the mood and message of individual songs, while also complementing the title of the tour and Krall’s most recent album, Turn Up the Quiet.

“It’s about trying to respect your own work, while also seeing how you can accommodate a vision that will fit within the repertoire they’re working with,” she said.

Friend is currently working to select new pieces for Krall’s Canadian tour dates, including a Nov. 24 show at Massey Hall in Toronto that she plans to attend.

“I’m looking forward to seeing her perform and to seeing my work filling the stage in a concert hall where I have heard musicians like Johnny Cash, Tom Waits and Nick Cave perform,” she said.

Krall’s latest repertoire will include a cover of Bob Dylan’s Simple Twist of Fate, which Friend is particularly excited to find a piece to accompany.

“Much of my work revolves around ideas of memory, impermanence, history and time,” said Friend, who has worked at Brock for the past decade. “I am less concerned with capturing a ‘concrete’ reality. Instead, I aim to use photography as a medium that offers the possibility of exploring the relationship between what is visible and non-visible.”

Work featured on the tour includes hand-manipulated photographs, pieces featuring floating handkerchiefs once belonging to Friend’s grandparents, and artwork inspired by snippets of film from her childhood.

Over the past few months, Friend and Krall have shared many inspiring conversations about family, creativity and women in the arts.

“She has been so great to work with, you could almost forget her status in the music world,” Friend said.

Krall often emphasized the need to respect Friend’s work and always checks in with the artist to ensure she’s pleased with the end results of each tour stop.

Friend called it “refreshing” to be able to engage with other artists.

“It exposes you to experiences that have commonalities and, at times, interesting variances,” she said. “It’s also wonderful to see how my work found a place to exist far beyond my initial intentions.”

The team responsible for the on-stage initiative also included Judy Jacob, a video and visual content director, and Paul Normandale, a lighting designer, who Friend said “took the project to the next level.”

In addition to her work with the tour, Friend has been busy over the past year with international exhibitions in Spain, Korea, Poland, Portugal and France. She has shows coming up in Boston and Italy and plans to release a new book in the near future.

The artwork of Brock Fine Arts Assistant Professor Amy Friend is being featured on the international tour of renowned Canadian musician Diana Krall.

Tags: Amy Friend, Brock University, canadian musician, diana krall, marilyn i. walker school of fine and performing arts, MIWSFPA, Visual Arts
Categories: Announcements, Faculty & Instructors, In the Media, News
Brock, SUNY art show set to open in Buffalo’s Silo City

Thursday, April 20, 2017 | By Nikki Prudden

(Source: The Brock News, Thursday, April 20, 2017 | by Maryanne Firth. Photo caption: “Buffalo’s Silo City will play host to a joint art exhibition including the work of students and faculty from Brock University and the State University of New York at Buffalo. (Photo: Derek Knight)”)

Brock University and the State University of New York (SUNY) at Buffalo have joined forces to showcase artists on both sides of the border while also highlighting a landmark area on the Buffalo River.

After two years of planning, Post-Industrial Ephemera: Soundings, Gestures, and Poetics will open Saturday, April 22 at Buffalo’s Silo City — an industrial space filled with repurposed grain elevators and other structures built in the first half of the 20th century.

Several silos will play host to the free art exhibition until Saturday, April 29.

The exhibition’s opening reception will run from 2 to 5 p.m. and includes, in addition to the artwork of both Brock and SUNY students and faculty, performances by the Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins.

Parayre, event co-curator and an associate professor in Brock’s Studies in Arts and Culture as well as Modern Languages, Literatures and Cultures, said the event developed from like minds coming together through networking opportunities at Brock’s Rodman Hall Art Centre.

It was co-curator Reinhard Reitzenstein, an associate professor of sculpture at SUNY-Buffalo, that introduced Parayre to Silo City, the inspiration for the showcase.

“Everyone is mesmerized because the structures there are stunning,” Parayre said of the area that is filled with buildings worn by weather and time.

The event, she said, is to encourage people to “reflect on the notion of dispersal.”

“Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced.”

Silo City, she said, invites visitors to “become more perceptive to the transience of human endeavours.”

The exhibition is an opportunity to reflect on the aging structures, their history and nature’s efforts to reclaim the partially vacant space, she said.

Participating artists come from various disciplines including sculpture, arts, comparative literature, English studies, visual arts, studies in arts and culture, and French studies.

The showcase features an array of installations, neon signs, readings, paintings, prints, videos and sculptures.

Brock provided funding for the project through a longstanding research agreement in place between the two institutions, in addition to funding provided through Brock’s Dean of Humanities office.

“We’re very grateful for Brock’s support,” Parayre said.

Parking for the event is available onsite and guests are advised to dress warmly as temperatures within the silos remain brisk.

More information on participating artists and performance schedules for the opening reception is available online.

A one-day symposium held to relive the exhibition is scheduled to take place in September at Rodman Hall Art Centre in St. Catharines.

Tags: Brock University, Buffalo, Buffalo River, Catherine Parayre, derek knight, Exhibition, Lauren Regier, Post-Industrial Ephemera: Soundings Gestures and Poetics, Rodman Hall Art Centre, Silo-City, St. Catharines, State University of New York, SUNY
Categories: Announcements, Faculty & Instructors, In the Media, News
Post-Industrial Ephemera: Soundings, Gestures and Poetics

Monday, April 03, 2017 | By Nikki Prudden
Photo credit: Derek Knight

Post-Industrial Ephemera: Soundings, Gestures and Poetics
Silo-City welcomes you to an exhibition featuring artists on both sides of the Niagara River

April 22 – 29, 2017
105 Silo-City Row, Buffalo, NY 14203, U.S.
Opening Reception: Saturday, April 22 from 2 – 5 pm
http://www.silo.city
Click here for directions
Free community event

Buffalo, New York and St. Catharines, Ontario are neighboring cities separated by a river and a border, but they also nurture a strong sense of regional togetherness and cultural kinship. Colleagues in Sculpture, Arts, Comparative Literature, English Studies, Visual Arts, Studies in Arts and Culture, and French Studies at SUNY on the U.S. side and Brock University on the Canadian side will share a common space at Silo-City, Buffalo between April 22 – 29. Coming from different places and practices, we wish to foster interdisciplinarity.

Together, we want to reflect on the notion of dispersal. A concrete monument, an overwhelming structure, Silo-City is also a crucible of ephemeralities – sounds dissipating as they echo up the walls, the wind blowing through hollow buildings, the decay of objects deposited in the empty halls, the temporary presence of others, productive resonances of creative experiences. Is Silo-City a memorial? Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced. Silo-City, despite its imposing constructions, invites visitors to become more perceptive to the transience of human endeavours.

We will plant colourful seedpods, install a neon sign in tribute to the Buffalo river that flows by Silo-City, crush words out of their discourse, scatter mourning songs for long gone lives, bring images, noise and stories from other places. We will capture the brilliance of a moment.

A follow-up one-day symposium at Rodman Hall Art Centre, St. Catharines will document and revive the exhibition on September 16, 2017.

The opening will include performances by Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins

Curators: Catherine Parayre, Reinhard Reitzenstein

Click here to download the performance program.

For more images and information, please visit the exhibition website.

Participating artists:

ArtIndustria+
Untitled (neon sign)

ArtIndustria+ was formed in 1995 by Derek Knight and Franc Petric, two Canadian artists who reside in the Niagara region. Motivated by the desire to work collaboratively, they have developed projects over the years with a focus on art, research and technology. Underlining their concerns with the dialectical relationship between ecology and industry, their conceptual models combine installation techniques and situational aesthetics to further examine the artist’s role in post-industrial society.

Continuous Monument
Silo Sessions at the American (noise/drone performance)

Continuous Monument is an affiliation of interdisciplinary culture-makers working among design, text, architecture and sound fields. Born from the ashes of a contaminated political landscape, Continuous Monument gathers to spatialize sound and signal in temporary, site specific soundscape improvisations. Monument will perform at The American in Silo City as an acoustic inhabitation; live ghosts active in remnant industrial anatomy.

Akasya Crosier
Likeness (typeface study)

Akasya Crosier is a multifaceted artist based in Western New York. She is currently a senior at UB studying Studio Art and Communication. In her artwork, she focuses on effective communication skills, idealized spaces, and bright imagery.

Catherine Parayre (assisted by Josh Dawson, SUNY and Paul Savoie, Brock U)
Ingrained Words (14 posters: assembled fragments from texts by 33 writers)

Catherine works in Arts and Culture, and in Modern Languages, Literatures and Cultures at Brock University. She is particularly interested in contemporary Occitan literature, as well as the co-presence of literatures and visual arts. She includes her four languages in her creative work.

Catherine Parayre and Jim Watkins
The Silo-Minder (recording, reading)

Jim Watkins lives in Silo-City and is our silo-minder/keeper. His passion for the arts and for Silo-City is central to our cross-border project.

Lauren Regier
Where I stand is fair and square (performance/grass seed & dirt)

Lauren Regier is Honours graduate from Brock University’s Visual Arts program, and is an emerging artist based in the Niagara Region. Much of her work is inspired by the notion of functionality and relationships between the industrial world and the natural realm. Interested in the experiential nature of contemporary art, her practice includes photography, installation, performance, drawing and video.

Reinhard Reitzenstein
ArbreTreeBaum (vocal piece in 5 languages)

Reitzenstein has held over 100 solo exhibitions and over 300 group exhibitions globally, and has completed over 25 public and private art commissions. His work is represented in more than 50 public and corporate collections internationally. Reitzenstein has been Director of the Sculpture Program at, SUNY, Buffalo since 2000. He is represented by the Olga Korper Gallery in Toronto.

Casey Ridings
Untitled Emotion (acrylic paint)

Casey Ridings is currently a Graphic Design student at the University at Buffalo. She is intrigued by the geometric nature of organic patterns; through a spontaneous and intuitive process she creates intricate paintings and drawings inspired by the exploration of her experiences and emotions.

Cody Schriever
Vanity Case / Skeletons of Perception (painting/sculpture)

Cody Schriever is a student in the University at Buffalo art department. His paintings and sculptures deal with human nature, and the structures of its self-perception. By combining various styles of painting and modes of expression he creates a complex narrative of the global condition.

Shawn Serfas
Alloyed (acrylic)

Shawn is an Assistant Professor in the Visual Arts Department, Marilyn I. Walker School of Fine and Performing Arts at Brock University. His research interests include contemporary painting, drawing and printmaking practices concerning relational abstraction, environmental aesthetics, religion, the landscape as well as issues bordering abstraction and representation.

Lucas Veraldi
2mp (inkjet prints)

Lucas is an artist currently residing in Buffalo, NY. His practice examines the different methods of representation that exist within the realm of photography and explores the truth value that a photograph holds as a piece data that showcases life.

Sophia Yung
Voyage Voyage

Sophia Yung is a Chinese American graphic designer and artist from Brooklyn, NY. Her most recent work involves the analysis of Asian American culture shock, language barriers, mixed martial arts and the role of financial capital in the precarious 21st century.

Jean Zhu
bacteria (video)

Jean Zhu is currently a Media Study student at the University at Buffalo. She is both a photographer and a filmmaker. Her experimental films and straightforward photographs of everyday objects and scenes are noted for their color combination, explicit composition and rich content.
Tags: ArtIndustria+, Brock University, Buffalo, Catherine Parayre, derek knight, Lauren Regier, Niagara River, Rodman Hall Art Centre, Shawn Serfas, Silo-City, St. Catharines, SUNY
Categories: Alumni, Announcements, Events, Faculty & Instructors, News