Visual Arts Department drawing instructor Lorène Bourgeois’ next exhibition “Large Drawings – Gathering” is opening at the One on One Gallery at Medicine Hat College.
March 2 – March 27, 2018
Opening reception: Thursday, March 2, 4:30 pm
Monday, February 26, 2018 | By amcbay
Visual Arts Department drawing instructor Lorène Bourgeois’ next exhibition “Large Drawings – Gathering” is opening at the One on One Gallery at Medicine Hat College.
March 2 – March 27, 2018
Opening reception: Thursday, March 2, 4:30 pm
Friday, January 12, 2018 | By dtemprile
On January 17, students from Donna Akrey’s 3M90 Advanced Art Practices will be “transplanting their work into the Marilyn I. Walker School of Fine and Performing Arts building”. Everyone is invited to explore this one night exhibition between 4 and 9 p.m. Maps will be given out to help navigate the space to see the works – some easy to find, others more hidden.
Invasive Species is a collection of self-directed works from third and fourth year students in the 3M90 ADVANCED ART PRACTICES course. This exhibition focuses on themes of information, architecture, the archive, regionality, subjectivity and objectivity, death, resilience, ecology, mental health, space, the institution, invasive and symbiotic species, and site-specific art. The works are comprised of painting, drawing, video, projection, animation, performance, and installation. All of the artists respond to the unique specificities and conditions of the facility and its site.
Victoria Reid, visual arts student in Donna Akrey’s 3M90 course says her objective is “to personify objects in the architecture and space around us to show our connection to the architecture. I chose to do this in order to bring awareness to our relationship and contribution to the growing industrial landscape around us.”
This event marks the mid-year point as the student progress to a final site-specific exhibition proposed to take over parts of downtown St. Catharines in April 2018.
In order to provoke creativity and thought into this exhibition, Akrey asked her students, “if your work was to fit in this space (the MIW) and not the white cube – where might it go?” She says, “This allows the students to consider their work outside of the gallery and in effect pushes research further (as well as the logistics of mounting visual art in difficult spaces). The students have risen to it and are doing a great job.”
Reid comments on what this course and the opportunity of this exhibition has taught her, “Through the process of making this work, I learned how to step outside my comfort zone and I learned that art can be art, even when in unconventional spaces apart from the gallery.”
Donna Akrey is a part-time instructor of visual arts at Brock University. Her exhibition, Also Also held at Rodman Hall from February to April of 2017, was nominated for Exhibition of the Year: Budget Under $20, 000 (Monographic) Award by the Ontario Association of Art Galleries (OAAG). Her collaboration as a member of the Hamilton Perambulatory Unit was recently seen in the Downtown/s – Urban Renewals Today for Tomorrow: The 2017 Windsor-Essex Triennial of Contemporary Art.
Isabella Domaradzki, artist, member of the organizational team for Invasive Species, and student in the 3M90 course says what she looks forward to most about this one night exhibition “is seeing our hard work in creating our art and planning this show come to life. We have learned so many valuable lessons throughout this experience that have shaped our identity as artists, and I think it will be exciting to visualize our growth and progress!”
This one night exhibition is a free event held at the Marilyn I. Walker School of Fine and Performing Arts from 4 to 9 p.m. on Wednesday Jan. 17. Refreshments and snacks will be served in the MIWSFPA lobby. Visit the Invasive Species Facebook event page to stay updated with this exciting event.
See the article in the Brock News.
Tags: 15 Artists’ Common, 3M90, A One Night Exhibition, Advanced Art Practice, donna akrey, drawing, Exhibit, Exhibition, exhibitions, Invasive Species, marilyn i. walker school of fine and performing arts, MIWSFPA, OAAG, Photography, students, visa, Visual Arts
Categories: Current Students, Events, Exhibitions, Faculty & Instructors, In the Media, News
Monday, January 08, 2018 | By amcbay
Visual Arts Department Gallery Monitor/Assistant Needed Immediately
The position is available to full time VISA students for Thursdays from 1:00 pm – 5:00 pm. Please send cover letter and resume to Professor Amy Friend at afriend@brocku.ca and cc. Monika Lederich at mlederich@brocku.ca
Monday, December 18, 2017 | By dtemprile
“One of Them Is a Human #1” by Maija Tammi won third place in this year’s Taylor-Wessing Photographic Portrait Prize. Tammi studied photography at Brock in 2008-09 with Visual Arts professor Amy Friend. (Image copyright Maija Tammi; Used by permission).
(Source: The Brock News | Friday Dec. 15, 2017 by Alison Innes)
At first glance, the photo is a portrait of a young woman.
On closer inspection, the ‘woman’ isn’t human at all. It is, in fact, an android called Erica, developed by Hiroshi Ishiguro Laboratories in Osaka University, Japan.
The photograph, taken by Finnish artist Maija Tammi and titled “One of Them is a Human #1,” won third prize in this year’s prestigious Wessing Photographic Portrait Prize.
The photograph also has a surprising Brock connection.
Tammi spent a year studying film and art at Brock University in 2008-09. Although she already had a background in photojournalism, her experience at Brock, and in particular a course with Professor Amy Friend, encouraged her towards art photography.
“The Visual Arts program at Brock offers an abundance of opportunity for one-on-one interactions in class with students and professors,” says Friend.
Such interactions allow for personalized and concentrated instruction that allow students to reach their potential.
“Maija flourished in this environment and took advantage of the surrounding community with her interactive installations and thought-provoking course projects,” says Friend.
Tammi cites the film Five Obstructions, which she first saw in Friend’s course, as particularly influential.
The 1967 film shows the remaking of the same story five times, each with a different obstruction. This process of rethinking and reframing inspired Tammi.
“Once you have thought of a concept,” she explains, “you rethink it several times from different perspectives.”
Tammi was immediately interested in the ways obstructions can encourage creativity and used the idea in her class project, redoing the same photograph multiple times with different obstructions.
This experience in Friend’s course influenced her approach to photography. She gives herself obstructions, such as limiting her camera gear, to encourage her own creativity.
Tammi is particularly attracted to portraiture, which she says tells us more about ourselves as viewers of the photograph than the subject of the photo as we project our stereotypes on them.
One of Them is a Human #1 has attracted a lot of attention in the arts community. Although the Taylor Wessing contest rules state that the subject needs to be alive, Tammi’s photograph was accepted because it raises important questions about what it means to be human.
“I’m very excited about the conversation that has arisen,” Tammi says. “It is time to think about what it means to be alive.”
Tammi doesn’t shy away from difficult subjects; she is currently completing a practise-based PhD exploring representations of sickness in art photography.
“I like topics that are very difficult and people don’t like to talk about,” she says.
Friend, who exhibited work in the same show as Tammi in New York in August 2015, has been watching her former student’s success closely.
“Her success is indicative of the connections that many students make with classmates and professors,” Friend says. “When I see opportunities that fit her areas of expertise I send them her way. These are the types of extended interactions that happen when we are given space to know our students.”
Tammi’s work was one of three finalists chosen from more than 5,717 submissions. Selected submissions, including the shortlisted portraits and competition winner, are on display at the National Portrait Gallery in London, England.
Wednesday, November 29, 2017 | By amcbay
Canadian Art has reviewed a recent exhibition that features the work of Visa Sessional Instructor Donna Akrey. Click HERE to read the article.
Thursday, November 09, 2017 | By dvivian
Geoffrey Farmer, “A Way Out of the Mirror”, 2017, Canada Pavilion, 57th Venice Biennale. Image courtesy of Derek Knight.
Artist Talks and Gallery Conversations at the Rodman Hall Art Centre
Admission by donation ($5 suggested); Members and Students Free
Sponsored by Partridge Wealth Management/RBC Dominion Securities Inc., St. Catharines
Thursday, November 9, 7 pm
2017 saw the confluence of the Whitney Biennial, Münster Sculpture Project, Kassel’s Documenta 14, and the Venice Biennale. Derek Knight, Associate Professor, Visual Arts, Brock University discusses the pros and emerging cons of the international blockbuster exhibition as well as his top picks, from Pierre Huyghe to Phyllida Barlow to Geoffrey Farmer.
Rodman Hall Art Centre, 109 St Paul Crescent, St Catharines, ON L2S 1M3
Tags: derek knight, hot talks, Rodman Hall
Categories: Current Students, Events, Faculty & Instructors, News
Monday, November 06, 2017 | By amcbay
Visa Instructor Irene Loughlin will participate in a panel discussion on the work of Guatemalan artist Regina Galindo on Friday, November 17, 7-9PM. Galindo’s performance Diverting Rivers investigates the impact of Canadian Mining Companies and takes place Thursday, November 16, 7:30-8:30PM. Both events take place at Sur Gallery, 100-39 Queens Quay East, Toronto (East of Yonge Street).
Friday, November 03, 2017 | By dtemprile
The artwork of Brock Fine Arts Assistant Professor Amy Friend is being featured on the international tour of renowned Canadian musician Diana Krall.
(Source: The Brock News, Thursday, November 2, 2017 | By: Maryanne Firth)
When the e-mail popped into Amy Friend’s inbox, she was certain it couldn’t be real.
But a feeling inside prompted the Brock Fine Arts assistant professor to respond to the inquiry, which asked about her artwork and whether she’d consider collaborating with renowned Canadian musician Diana Krall.
It was soon after that Friend found herself on the phone with the Grammy Award winner discussing possibilities for her upcoming tour.
Friend’s experimental photography has since helped Krall to set the scene on stage, acting as her backdrop as she captivates crowds in venues across North America and Europe.
Friend’s work has been featured on the jazz singer’s international tour since June and the partnership is expected to continue through to the summer.
The project, which includes art pieces from three different bodies of work, has been “particularly fulfilling,” Friend said.
She has enjoyed the challenge of working with Krall to find pieces that fit the mood and message of individual songs, while also complementing the title of the tour and Krall’s most recent album, Turn Up the Quiet.
“It’s about trying to respect your own work, while also seeing how you can accommodate a vision that will fit within the repertoire they’re working with,” she said.
Friend is currently working to select new pieces for Krall’s Canadian tour dates, including a Nov. 24 show at Massey Hall in Toronto that she plans to attend.
“I’m looking forward to seeing her perform and to seeing my work filling the stage in a concert hall where I have heard musicians like Johnny Cash, Tom Waits and Nick Cave perform,” she said.
Krall’s latest repertoire will include a cover of Bob Dylan’s Simple Twist of Fate, which Friend is particularly excited to find a piece to accompany.
“Much of my work revolves around ideas of memory, impermanence, history and time,” said Friend, who has worked at Brock for the past decade. “I am less concerned with capturing a ‘concrete’ reality. Instead, I aim to use photography as a medium that offers the possibility of exploring the relationship between what is visible and non-visible.”
Work featured on the tour includes hand-manipulated photographs, pieces featuring floating handkerchiefs once belonging to Friend’s grandparents, and artwork inspired by snippets of film from her childhood.
Over the past few months, Friend and Krall have shared many inspiring conversations about family, creativity and women in the arts.
“She has been so great to work with, you could almost forget her status in the music world,” Friend said.
Krall often emphasized the need to respect Friend’s work and always checks in with the artist to ensure she’s pleased with the end results of each tour stop.
Friend called it “refreshing” to be able to engage with other artists.
“It exposes you to experiences that have commonalities and, at times, interesting variances,” she said. “It’s also wonderful to see how my work found a place to exist far beyond my initial intentions.”
The team responsible for the on-stage initiative also included Judy Jacob, a video and visual content director, and Paul Normandale, a lighting designer, who Friend said “took the project to the next level.”
In addition to her work with the tour, Friend has been busy over the past year with international exhibitions in Spain, Korea, Poland, Portugal and France. She has shows coming up in Boston and Italy and plans to release a new book in the near future.
Tuesday, October 17, 2017 | By amcbay
Associate Professor and Visual Arts Department Chair Donna Szoke’s work is discussed in the on-line journal New Media Caucus in an article by Lisa Moren, Professor of Visual Art and Graduate Program Director of Intermedia + Digital Art, MFA Program at the University of Maryland, Baltimore County [UMBC]. Her interactive video installation and all watched over by machines of loving grace is a humorous intervention in the dystopian reality of contemporary dataveillance and societies of control.
Image courtesy of Tim Nohe.
Monday, October 16, 2017 | By amcbay
Visa Instructor Donna Akrey is part of two collectives with projects being mounted in an exhibition at the Art Gallery of Windsor this fall:
Downtown/s: Urban Renewals Today for Tomorrow, The 2017 Windsor-Essex Triennial of Contemporary Art.
Art Gallery of Windsor
October 21 to January 28, 2018
(F)NOR
(L)Herbes Other Rivers
October 20, 7pm
In/Terminus Research Colective & the Hamilton Perambulatory Unit (Lee Rodney, Michael Daroch, Taien Ng-Chan & Donna Akrey)
Reconnaissance, Heart + Soul: the Windsor Armouries
October 20, 7pm
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