Alumni

  • Post-Industrial Ephemera: Soundings, Gestures and Poetics

    close up of an industrial building and window

    Photo credit: Derek Knight

    Post-Industrial Ephemera: Soundings, Gestures and Poetics
    Silo-City welcomes you to an exhibition featuring artists on both sides of the Niagara River

    April 22 – 29, 2017
    105 Silo-City Row, Buffalo, NY 14203, U.S.
    Opening Reception: Saturday, April 22 from 2 – 5 pm
    http://www.silo.city
    Click here for directions
    Free community event

    Buffalo, New York and St. Catharines, Ontario are neighboring cities separated by a river and a border, but they also nurture a strong sense of regional togetherness and cultural kinship. Colleagues in Sculpture, Arts, Comparative Literature, English Studies, Visual Arts, Studies in Arts and Culture, and French Studies at SUNY on the U.S. side and Brock University on the Canadian side will share a common space at Silo-City, Buffalo between April 22 – 29. Coming from different places and practices, we wish to foster interdisciplinarity.

    Together, we want to reflect on the notion of dispersal. A concrete monument, an overwhelming structure, Silo-City is also a crucible of ephemeralities – sounds dissipating as they echo up the walls, the wind blowing through hollow buildings, the decay of objects deposited in the empty halls, the temporary presence of others, productive resonances of creative experiences. Is Silo-City a memorial? Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced. Silo-City, despite its imposing constructions, invites visitors to become more perceptive to the transience of human endeavours.

    We will plant colourful seedpods, install a neon sign in tribute to the Buffalo river that flows by Silo-City, crush words out of their discourse, scatter mourning songs for long gone lives, bring images, noise and stories from other places. We will capture the brilliance of a moment.

    A follow-up one-day symposium at Rodman Hall Art Centre, St. Catharines will document and revive the exhibition on September 16, 2017.

    The opening will include performances by Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins 

    Curators: Catherine Parayre, Reinhard Reitzenstein

    Click here to download the performance program.

    For more images and information, please visit the exhibition website.

     

    University of Buffalo art dept, Rodman Hall, Harmonia, Marilyn I Walker, Silo City and Brock University faculty of Humanities logs in a row


    Participating artists: 

    ArtIndustria+
    Untitled (neon sign)

    ArtIndustria+ was formed in 1995 by Derek Knight and Franc Petric, two Canadian artists who reside in the Niagara region. Motivated by the desire to work collaboratively, they have developed projects over the years with a focus on art, research and technology. Underlining their concerns with the dialectical relationship between ecology and industry, their conceptual models combine installation techniques and situational aesthetics to further examine the artist’s role in post-industrial society.

    Continuous Monument
    Silo Sessions at the American (noise/drone performance)

    Continuous Monument is an affiliation of interdisciplinary culture-makers working among design, text, architecture and sound fields. Born from the ashes of a contaminated political landscape, Continuous Monument gathers to spatialize sound and signal in temporary, site specific soundscape improvisations. Monument will perform at The American in Silo City as an acoustic inhabitation; live ghosts active in remnant industrial anatomy.

    Akasya Crosier
    Likeness (typeface study)

    Akasya Crosier is a multifaceted artist based in Western New York. She is currently a senior at UB studying Studio Art and Communication. In her artwork, she focuses on effective communication skills, idealized spaces, and bright imagery.

    Catherine Parayre (assisted by Josh Dawson, SUNY and Paul Savoie, Brock U)
    Ingrained Words (14 posters: assembled fragments from texts by 33 writers)

    Catherine works in Arts and Culture, and in Modern Languages, Literatures and Cultures at Brock University. She is particularly interested in contemporary Occitan literature, as well as the co-presence of literatures and visual arts. She includes her four languages in her creative work.

    Catherine Parayre and Jim Watkins
    The Silo-Minder (recording, reading)

    Jim Watkins lives in Silo-City and is our silo-minder/keeper. His passion for the arts and for Silo-City is central to our cross-border project.

    Lauren Regier
    Where I stand is fair and square (performance/grass seed & dirt)

    Lauren Regier is Honours graduate from Brock University’s Visual Arts program, and is an emerging artist based in the Niagara Region. Much of her work is inspired by the notion of functionality and relationships between the industrial world and the natural realm. Interested in the experiential nature of contemporary art, her practice includes photography, installation, performance, drawing and video.

    Reinhard Reitzenstein
    ArbreTreeBaum (vocal piece in 5 languages)

    Reitzenstein has held over 100 solo exhibitions and over 300 group exhibitions globally, and has completed over 25 public and private art commissions. His work is represented in more than 50 public and corporate collections internationally. Reitzenstein has been Director of the Sculpture Program at, SUNY, Buffalo since 2000. He is represented by the Olga Korper Gallery in Toronto.

    Casey Ridings
    Untitled Emotion (acrylic paint)

    Casey Ridings is currently a Graphic Design student at the University at Buffalo. She is intrigued by the geometric nature of organic patterns; through a spontaneous and intuitive process she creates intricate paintings and drawings inspired by the exploration of her experiences and emotions.

    Cody Schriever
    Vanity Case / Skeletons of Perception (painting/sculpture)

    Cody Schriever is a student in the University at Buffalo art department. His paintings and sculptures deal with human nature, and the structures of its self-perception. By combining various styles of painting and modes of expression he creates a complex narrative of the global condition.

    Shawn Serfas
    Alloyed (acrylic)

    Shawn is an Assistant Professor in the Visual Arts Department, Marilyn I. Walker School of Fine and Performing Arts at Brock University. His research interests include contemporary painting, drawing and printmaking practices concerning relational abstraction, environmental aesthetics, religion, the landscape as well as issues bordering abstraction and representation.

    Lucas Veraldi
    2mp (inkjet prints)

    Lucas is an artist currently residing in Buffalo, NY. His practice examines the different methods of representation that exist within the realm of photography and explores the truth value that a photograph holds as a piece data that showcases life.

    Sophia Yung
    Voyage Voyage 

    Sophia Yung is a Chinese American graphic designer and artist from Brooklyn, NY. Her most recent work involves the analysis of Asian American culture shock, language barriers, mixed martial arts and the role of financial capital in the precarious 21st century.

    Jean Zhu
    bacteria (video)

    Jean Zhu is currently a Media Study student at the University at Buffalo. She is both a photographer and a filmmaker. Her experimental films and straightforward photographs of everyday objects and scenes are noted for their color combination, explicit composition and rich content.


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  • Lauren Regier’s Bioart piece Aroma Illius Laqueo.

    (Source: The Brock News, Wednesday, January 18, 2017 | by Alison Innes. Photo: Lauren Regier (BA ’14) works on her photographs in studio.)

    Three classes into her first Brock University art course with Professor Keri Cronin, Lauren Regier (BA ’14) knew she wanted to study art full time.

    She has since continued to nurture her passion for art and recently launched a photography exhibit at Malcolm Gear Studio in Welland.

    Regier called her connection with Brock and the local arts community, as well as an artist residency she took following graduation, critical to her artistic development.

    It was her professors at the University who explained the residency process and shared their professional experiences to help guide her in an appropriate direction.

    With the support of professors Amy Friend, Irene Loughlin and Donna Szoke, Regier opted to participate in the Sointula Art Shed Residency Program near Vancouver Island in March 2016.

    Lauren Regier’s Bioart piece Aroma Illius Laqueo.

    Lauren Regier’s Bioart piece Aroma Illius Laqueo.

    The residency was an important opportunity for her to explore functional and survival properties of plants, humans and animals, and to apply that research into the construction of the plants in her Bioart series.

    The series is a collaboration of science and art that creates new, interesting organisms by meshing together existing bits of plant matter.

    Regier’s work combines plants with industrial products to create strange new prototypes. She documents her creations in black and white photography, hand-tinted with watercolours.

    Regier’s current exhibition, Fantasy Fleur, is an offshoot of her Bioart series.

    “I wanted to break with the notion of idealized beauty — something that is manufactured and very commonplace when it comes to depicting nature, such as floral wallpaper and furniture patterns,” Regier said.

    The Fantasy Fleur photographs feature plants in different stages of their life cycles. They are printed on aluminum; the highly polished surfaces allow for interactive play between the viewer and the work.

    “Similar to species that bloom at specific times of the day, these metallic prints respond to their environments and viewers are forced to physically interact with the work in order to see the image,” Regier said.

    Producing the pieces has been a highlight for Regier over the past year.

    “Meeting wonderful people in the community through Brock University and Rodman Hall has been crucial in developing my practice and providing me a platform to show my photographs,” she said.

    Regier first met Malcolm Gear in her curatorial art class at Brock.

    The artists recently reconnected at a Rodman Hall event at Mahtay Café, which ultimately led to Regier’s exhibition being launched at Malcolm Gear Studio, 464 East Main St. in Welland.

    Her work is on display until Jan. 31.

    Regier’s photography is also available for viewing on her website.

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    Categories: Alumni, In the Media, News

  • Visa Professor Emeritus mounts exhibition in Dublin.

    merijean-morrisseyVisa Professor Emeritus Merijean Morrissey is part of a group exhibition titled Fragments, Metaphors, Smithereens mounted at the Graphic Studio Gallery in Dublin, Ireland. For more information on this event please click HERE.

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  • Visa student releases CD and video.

    creaturespeakFourth year Visual Arts student Brittany Brooks has just released a CD titled Shadow Songs as well as a feature video for the song Oh Susana.

    For more information and to view the video please click HERE.

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  • Art is in the City

    MEDIA RELEASE
    R00125
    2 September 2015
    Brock University — Communications & Public Affairs

    Art is in the City

    As Brock University’s Marilyn I. Walker School of Fine and Performing Arts opens a new era in its new urban setting, it is launching a performance series to celebrate the bond between the community and the new arts centre of excellence in downtown St. Catharines.

    The series Imagining the City – part of the Walker Cultural Leaders Program, 2015/16 – consists of performances, exhibitions, concerts and conferences, all themed around ideas of the urban, and the relationship between the City and the University.

    “Our goal is to invite the community to engage with us in a series of celebratory events, 40 or more, that run the course of the academic year,” said Derek Knight, MIWSFPA Director. “Formal or improvised, these activities will take place in our dynamic new building and in venues across the City, from the café to the concert hall, the theatre to the gallery, the outdoor environs to the street itself. What a wonderfully immersive way to bridge between our communities and to strengthen our ties.”

    Knight said events will build on the creativity and vision of faculty, students and the professional talents of many sister organizations and collaborators. “The idea that the city is a crucible for creative interaction and collective reflection, is a powerful concept and demonstration of the arts at their most compelling,” he said.

    The series will be dynamic and original and appeal to a variety of people, whether they are fans of theatre, musical performances, exhibitions or discussions.

    Imagining the City will bring Brock, the downtown and the greater Niagara community face-to-face with leading arts professionals and educators, with events occurring at the MIWSFPA, Rodman Hall, and venues within the developing creative arts hub of St. Paul Street.

    “At this crucial moment in the revival of our downtown the vitality of the Marilyn I. Walker School of Fine and Performing Arts is manifest in programs such as the Walker Cultural Leader Series,” Knight said.

    The series will consist of more than 40 wide-ranging events, including:

    • performances of First Nations writer Marvin Francis’ epic poem City Treaty, adapted for the St. Catharines setting (September);
    • a Guitar Extravaganza concert featuring faculty, alumni and aficionados of the classical guitar in the local community (November);
    • Confluence, a walking project and virtual reconstruction by acclaimed artist Elizabeth Chitty offering the student community and public an opportunity to explore the environs beyond our new building (January);
    • a collaboration between the Shaw Festival and the Department of Dramatic Arts on a staged reading of George Bernard Shaw’s play Major Barbara, entitled Major Barbara/Major Predictions(February);
    • a concert by the Department of Music’s Wind Ensemble in St. Catharines’ Market Square (March).

    The full program can be found here. Stay connected on social media by following @miwsfpa and #itc.

    All events for Imagining the City are free, and open to the public (the only exception being Poor by Essential Collective Theatre, co-presented by FirstOntario Performing Arts Centre with production assistance by DART).

    For more information or to arrange interviews: Marie Balsom, Communications Coordinator, Marilyn I. Walker School of Fine and Performing Arts, Brock University [email protected], 905.688.5550 x4765

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  • Brock graduate wins national art award

    Sarah Beattie's winning painting of a woman sneezing

    Sarah Beattie’s winning painting of a woman sneezing.

    Sarah Beattie grabs her camera and tries to capture the moment – at least a re-enactment of it – and use it as a muse for her next painting.

    She seems to have found the perfect inspiration. Beattie has been chosen as the regional winner in the BMO 1st Art! Awards for her painting of a young woman sneezing.

    “It’s pretty unreal,” Beattie said. “I didn’t think I had that good a chance of winning because the competition could have been any form of art.”

    Now in the 10th year, the BMO 1st Art! Awards is a national competition for artists graduating from university. Entrants are chosen by Deans and instructors based on student skill and imagination.

    In the end, one national winner and 12 regional winners – one from each province or territory – are selected by a panel of judges.

    The award comes with a $5,000-cash prize. The winners’ work will also be on display at the Museum of Contemporary Canadian Art in Toronto from Oct. 3 to 28 and be published in Canadian Art magazine.

    It’s critical exposure for a young artist embarking on a professional career and trying to make a name for themselves, said Beattie, who graduated with her bachelor of arts this past spring.

    Her winning painting is one of a series of six called Say Sneeze that Beattie painted during her honours studio class earlier this year at Rodman Hall. Each work captures someone on the verge of sneezing that she photographed up to 100 times first.

    “A photograph is an instantaneous thing, just like a sneeze,” she explained.

    The series is a work in progress and will eventually include a self-portrait of Beattie herself on the brink of eliciting a ‘Bless you.’ Beattie hopes to eventually do a solo exhibition of her work.

    “I’d like to have 10 different ones, like a big simultaneous sneeze,” Beattie said.

    Prof. Donna Szoke, who taught Beattie during her honours studio class, called her a gifted painter who stands her ground when it comes to how she creates.

    “She’s very insightful in her own process and she trusts her process implicitly. That’s unusual for a young artist,” Szoke said. “She’s very determined.”

    Keri Cronin, chair of the Department of Visual Arts, said the award is well-deserved.

    “Sarah is a hard-working, innovative young artist who excelled in her classes at Brock,” Cronin said.

    Cronin predicts there will be more accolades for students, particularly once the new Marilyn I. Walker School of Fine and Performing Arts moves to its new space in downtown St. Catharines in 2014.

    “We have excellent instructors in the Department of Visual Arts and our small class sizes allow for students to receive a lot of one-on-one instruction and mentorship. This kind of environment plays an important role in allowing students to grow as artists and to achieve their full potential,” she said. “This dynamic coupled with the state-of-the-art facilities we will have in our new downtown building will lead to more of these sorts of awards and honours for our students.”

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