Events

  • Community Connections: Healing Through the Arts

    Image caption: Willow Arts Community member Jo Barham experienced the inspiring artwork of local artists earlier this year at “unscene,” a community exhibition at the Marilyn I. Walker School of Fine and Performing Arts Visual Arts Gallery in collaboration with downtown St. Catharines organization Willow Arts Community.

    Wednesday, December 11, 2024 | by 

    This article is part of a monthly series celebrating Brock’s rich history of community engagement and enduring commitment to the mutual exchange of knowledge and resources within the Niagara community and beyond. To read other stories in the series, visit The Brock News.

    For Dani RJ Hummel, creating art is as necessary as breathing; it’s where everything comes out.

    “Producing artwork helps me work through my trauma and gives the pain somewhere to live outside of my body. My creative practice has taught me to approach life with curiosity and allowed for so much growth as an artist — and a person,” they said.

    A member of Willow Arts Community (Willow), Hummel has showcased their artwork over the past two years in community partnership exhibitions at the Visual Arts Gallery within Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) — the next of which, unscene, opens May 29.

    Located in downtown St. Catharines, Willow is an arts and peer support organization providing low-barrier opportunities for artists with lived experiences of mental illness or substance use in Niagara.

    The partnership between Brock and Willow aims to provide an enriching gallery experience for community members.

    MIWSFPA Visual Arts Gallery Co-ordinator Sonya Marie de Lazzer said this community driven work is important because it centres and empowers local voices and perspectives.

    “By creating a shared space for expression and connection, together we are encouraging public dialogue and expanding opportunity for conversation, reflection and empathy in our community,” de Lazzer said.

    For Leigh MacLeod, Willow Founder and Executive Director, the ability for members to publicly showcase artwork is significant.

    “I have the privilege of getting to know our Willow members and seeing their creativity and perspectives expressed through their brilliant art; working with the MIWSFPA allows more people to witness and connect to these experiences,” they said.

    For Hummel, showing their work in a professional gallery setting was not something they always thought possible; on one hand it has been exhilarating, but on the other, it has been uncomfortable.

    Hummel has developed their artistic practice and now leads educational initiatives at Willow, including supporting others with creative writing courses and leading projects with community partners.

    “It’s been incredible to share my art and creativity with the world,” Hummel said.

    MacLeod said Hummel’s experience resonates with other Willow members and that the partnership with MIWSFPA has allowed for their diverse perspectives to be heard by the community in meaningful ways.

    “Our members are often marginalized individuals who do not have access to the same opportunities because of their lived experiences with mental illness or substance use. Whether they face financial, social, psychological or health barriers, we strive to remove real obstacles so folks can access enriching and meaningful opportunities,” MacLeod said.

    Planning the exhibition begins several months before the opening reception when de Lazzer visits Willow offering an open information session. She provides details to members such as gallery floor plan, available space, electricity options, ceiling mount options and technological capability.

    “Before artists begin or complete the work that will be exhibited, everyone has a chance to visualize the space and ask any questions about the process,” she said.

    On installation day when Willow members bring their work to the gallery, de Lazzer said the collaborative nature of the process is thrilling.

    “We see all the artwork in the space and begin to play with layout. Artists are always invited to be there and be part of those discussions,” de Lazzer said.

    Guiding the process with her curatorial expertise, de Lazzer ensures that accessibility and inclusivity are addressed.

    “We want to make sure we are incorporating accessibility features like text placement, audio components or clear pathways to move through the space itself, so everyone can enjoy the artwork,” she said.

    In addition to mounting the exhibition, Brock graduates work on an ongoing basis with Willow to deliver artistic workshops and sessions including interdisciplinary artist Amber Lee Williams (BA ’20), multidisciplinary artist Skye Rogers (STAC ’22) and musician Joe Lapinski (BA ’99), among others.

    MacLeod said for Willow, the arts are vital to people’s survival.

    “When we speak of recovery, it is not as a finish line, but an ongoing journey of knowing you belong somewhere. Seeing our members shine with their work at the MIWSFPA gallery is a profound honour,” MacLeod said.

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    Categories: Events, News

  • Dramatic Arts welcomes celebrated theatre leader for mainstage production

    Image caption: Simone Cinapri (left), a fourth-year Concurrent Education student with teachables in Dramatic Arts (DART) and History, rehearses on stage at the Marilyn I. Walker Theatre with guest Director Soheil Parsa and second-year DART student Lennon Paul (right) in preparation for DART’s mainstage production of Scorched.

    Tuesday, October 22, 2024 | by 

    Director and writer Soheil Parsa is bringing his award-winning theatre expertise and artistry to Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    Parsa, co-founder and former artistic director of Modern Times Stage Company in Toronto, is directing Scorched, a bold, innovative play written by Wajdi Mouawad, for the Department of Dramatic Arts (DART) fall mainstage production.

    With set and costume design by DART Associate Professor and Scenographer David Vivian, the deeply political and philosophical play explores fate, retribution and the human capacity for violence and destruction.

    Scorched tells the story of Nawal, a woman who fled a country tormented by violence, and her twins, Janine and Simon, who were raised in Quebec. Following Nawal’s death, the twins must return to their mother’s war-torn country to carry out her last wishes and deliver letters to their father, believed dead, and a brother they didn’t know they had.

    Parsa said Scorched strongly resonates with the events shaping the world today.

    “In this remarkable poetic piece, Mouawad explores the darker sides of human nature, contemporary barbarism, dehumanization in the face of war, friendship, separation, love and loss,” he said.

    Fourth-year Concurrent Education student Simone Cinapri, who plays the role of Janine, said Parsa guided the cast and creative team through the challenging script with patience and wisdom.

    “Beyond developing my skills as an actor, this experience has taught me about dedication, communication and creativity, lessons I will carry with me beyond my time at Brock,” she said.

    Cinapri explored how to bring characters like Janine to life — characters Parsa described as archetypal beings representing the essence of human hope, struggle and failure — as a tribute to women who have been affected by war and sexual violence.

    “By exploring the cycle of violence experienced by immigrant families in the play, I have drawn connections to my own family who faced many barriers to live in Canada today,” she said. “I am so grateful for DART’s dedication to providing memorable learning opportunities through mainstage productions.”

    Vivian, who attended National Theatre School with Mouawad, said the DART students involved in the production have “carried the characters in the play very carefully in our hearts these past few months.”

    “Digging deep into the histories and destinies of a multi-generation family led by women of great humanity has been simultaneously a privilege and a challenging responsibility for the artists of DART,” he said.

    Scorched opens Friday, Nov. 1 at 7:30 p.m. at the Marilyn I. Walker Theatre at the Marilyn I. Walker School of Fine and Performing Arts in downtown St. Catharines. Performances will also take place Saturday, Nov. 2, Friday, Nov. 8 and Saturday, Nov. 9 at 7:30 p.m. A matinee performance is scheduled for 2 p.m. on Sunday, Nov. 3.

    General admission tickets are available for $25 and tickets for students and seniors are available for $20. Visit the DART event website to reserve tickets.

    The public is also invited to a mini symposium on Wednesday, Nov. 6 at the Marilyn I. Walker Theatre for an engaging conversation with lead creatives from the production and guest scholars from Brock’s Faculties of Humanities and Applied Health Sciences.

    Content Advisory: The production contains mature content and is only recommended for individuals aged 16 and up.

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    Categories: Current Students, Department/Centre News, Walker Cultural Leader Series

  • Mental health experiences explored through community art

    Image caption: A new art exhibition, titled “unscene,” is showcasing the work of Willow Arts Community members at Brock’s Marilyn I. Walker School of Fine and Performing Arts gallery. Now in its second year, the collaborative exhibition showcases a diverse range of work including paintings, sculpture and multi-media installations.

    TUESDAY, MAY 28, 2024 | by 

    A new art exhibition is exploring themes of presence and belonging in the local St. Catharines arts community for individuals with lived experiences of mental illness and substance use.

    Featuring work of Willow Arts Community (Willow) members, “unscene” is now open at the Visual Arts Gallery and Exhibition Space at Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA). The exhibition runs at MIWSFPA until Saturday, June 15.

    Through their work, participating artists reflected on their connection to the arts scene in downtown St. Catharines as well as how their voices are heard, and experiences perceived, by the wider arts community.

    All are invited to attend the opening reception at the MIWSFPA on Friday, May 31 from 5 to 7 p.m. The reception will include a live performance by The Willow Choir performing a song written by Willow community members and composed by Willow choir conductor Sarah Jerrom.

    Located in downtown St. Catharines, Willow provides low-barrier opportunities for community members to engage with peer-to-peer arts education and fosters a safe space for creative exploration.

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  • Voice Work the focus of special edition Canadian Theatre Review

    Dramatic Arts Associate Professor Danielle Wilson’s interest in voice work began with her very first voice class when she began her theatre education. The actor quickly realized how her voice was tied to her identity, and how much power it could have.

    Through her professional practice and creative research, Wilson now aims to broaden the definition of what voice work is and highlight its profound impact on theatre practice.

    Wilson recently co-curated and co-edited a special edition of the Canadian Theatre Review (CTR) dedicated to voice work.

    The special edition investigates voice work within a broad context expanding on the notion that voice work is solely a skills-based subject for performers.

    “Many people may think that voice work is only about projecting your voice, enunciating, and performing accents. While those are fundamental elements, I wanted to look beyond the basics and explore what ‘voice work’ means in all its complexity. The work goes beyond what we sound like when we speak”, Wilson says.

    There are eleven articles in the issue which delve into the ways that voice work intersects with other areas and disciplines such as social justice, cultural and gender identity, feminist philosophy, and performance practice.

    Wilson found it fascinating, and at times challenging, to curate and edit an issue about a discipline so tied to sound and physical presence.

    As part of the issue, Wilson interviewed three prominent voice coaches at the Stratford Festival — the only theatre company in Canada with a dedicated team of voice professionals —  to illuminate what a voice coach does and help expand the common understanding of voice work.

    Another contributor, Jane MacFarlane, explores how theatre-based vocal practice can help people support their gender identity.  MacFarlane offers gender affirming voice classes through a transgender support organization in Calgary.

    Peruvian-born scholar Nae Hanashiro Ávila discusses voice work and performance through a social justice lens and how it can provide a platform for women’s voices to be heard in the public sphere.

    “At the root of voice work is self-expression by helping people embrace who they are. It’s not about developing a brand-new voice but about expanding and deepening your relationship with your voice and all that it can do”, Wilson says.

    “One of my mentors, voice teacher Richard Armstrong, said, ‘If you work on your voice, you work on yourself’. That has always resonated with me.”

    Wilson is also helping to organize and host the inaugural conference for the newly formed National Voice Association which will take place at the Marilyn I. Walker School of Fine and Performing Arts from June 8-9th.

    The CTR special edition is now available on the Canadian Theatre Review website.

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    Categories: Department/Centre News, Events, Faculty & Instructors, News, Uncategorised

  • Putting theatre skills to work at Edinburgh Fringe Festival

    Pictured above: Fourth-year Dramatic Arts student Manikham Marianne Vongboutdy recently returned from the Edinburgh Fringe Festival where she put her Brock theatre training to work gaining international experience.

    THURSDAY, NOVEMBER 09, 2023 | by

    Carrying with her the skills she’s learned as a Brock Dramatic Arts (DART) student, Manikham Marianne Vongboutdy recently headed overseas to work at the world’s largest performance arts festival.

    The fourth-year student spent time this summer with the prestigious Edinburgh Fringe Festival, where she was invited by her high school to work as a stage manager on the St. Catharines Collegiate and West Niagara Secondary School production, Piece of Me.

    With a concentration in production and design, Vongboutdy said her Brock theatre training was key to her landing the stage management gig in Scotland.

    “Working with Brock’s state-of-the-art technology in Dramatic Arts has been invaluable,” she said. “Learning tech in the theatre has been a special experience. I am developing the skills I will need in the professional theatre world.”

    Piece of Me navigates the relationship of a mother and daughter in a coming-of-age tale offering an innovative take on adolescence told through a teenager’s eyes. Like the characters in the play, Vongboutdy has found many moments of personal reflection as she has grown in her creative practice at Brock.

    Piece of Me was an adaptation based on two different plays exploring similar subject matter, which from a stage management perspective, meant merging two plays into one. This complex staging posed interesting challenges that Vongboutdy was prepared to take on.

    As an upper-year DART student, she was able to transfer the skills gained in her first few years at Brock to her international experience, such as learning to sew in wardrobe classes so she could step up and help with costumes or painting props using skills from props classes.

    “A unique thing about studying at the Marilyn is that we get to learn about different aspects of staging a show, which served me so well during my Edinburgh experience,” she said. “We are stronger artists because of it.”

    After her experience abroad, Vongboutdy said she has a wider perspective of what theatre can look like.

    “It was eye-opening for me,” she said. “As a stage manager, we try and put forward the best show possible, but part of our job is to work with what is happening in the moment. I am thrilled to put my experience into practice.”

    Vongboutdy is now working as stage manager for Brock’s upcoming winter mainstage production, The Mysterious Mind of Molly McGillicuddy, written and directed by DART Instructor Mike Griffin. The play explores brain injury and related mental health issues through the styles of full-mask, puppetry and physical theatre.

    Working with Griffin is a valuable experience for Vongboutdy, who aims to pursue a master’s degree in puppetry. Exploring the medium is especially important to her Laotian heritage, a culture in which many teachings occur using masks and puppets.

    “As an immigrant, I always hold my home and culture in Laos very close, and I try to incorporate elements of my culture into the work I do every day creating theatre,” she said.

    The Mysterious Mind of Molly McGillicuddy will run at the Marilyn I. Walker Theatre Feb. 15 to 19. More information can be found on the DART website.

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    Categories: Announcements, Current Students, Department/Centre News, Events, Faculty & Instructors, In the Media, News, Uncategorised

  • Visual Arts exhibition presents creative exploration of death

    TUESDAY, AUGUST 29, 2023 | by 

    A new faculty art exhibition featuring the work of Linda Carreiro, Visual Arts Professor and Associate Dean of Fine and Performing Arts at Brock, is now open for viewing.

    Afterthoughts’, an exhibition showcasing Carreiro’s text-based artworks, runs until Saturday, Sept. 23 at the Visual Arts Gallery and Student Exhibition Space at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    While Carreiro initially set out to make a confessional, emotive set of works about the afterlife, she found that words were inadequate to fully reflect her thoughts about the unknowable.

    “Vacillating between terror, anger and derision, the resulting writings try to express the inexpressible while acknowledging their limitations. The incongruence of the texts, alongside the ghostly ladder and boxes, come together as extracts rather than narrative,” Carreiro said.

    In her artist’s statement, Carreiro addresses the notion that the sea and space are seemingly infinite places, containing the unknown in their vastness and depth.

    “They are also environments where humans cannot sustain life without the aid of breathing apparatus. Therefore, stars and water are referenced here in the writings and application of materials. Swirls of ink, vapoury washes and hole-punched ‘stars’ with fallen perforations allude to this connection,” Carreiro said.

    All are invited to attend the ‘Afterthoughts’ closing reception at the gallery on Friday, Sept. 22 from 5 to 7 p.m. at the MIWSFPA located at 15 Artists’ Common in downtown St. Catharines.

    Summer gallery hours:

    • Monday, Aug. 29 to Friday, Sept. 1 from 1 to 5 p.m.
    • Wednesday, Sept. 6 to Saturday, Sept. 9 from 1 to 5 p.m.

    The gallery resumes its regular hours on Tuesday, Sept. 12 and will be open from 1 to 5 p.m. Tuesdays through Saturdays.

    For more information, please visit the MIWSFPA Visual Arts gallery website.

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  • New summer workshop puts students at centre of creative process

    Image caption: Dramatic Arts (DART) Research Assistants Geneviève Batista (left) and Ezri Fenton participated in the DART Summer Institute of Performance Research workshop session ‘Anthr-Apology.’

    Brock arts students have been honing their creative skills and working alongside professional theatre artists through a new summer workshop series presented by the Department of Dramatic Arts (DART).

    The inaugural DART Summer Institute of Performance Research ran from May 29 to July 7 at the University’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    Conceptualized by DART Chair and Professor Jennifer Roberts-Smith, the workshop allowed students to be at the centre of the creative process as professional theatre-makers, artists and DART faculty explored performance ideas, working scripts and scenic possibilities for future work.

    Roberts-Smith said DART’s Summer Institute was founded to expand opportunities for what the department calls ‘vertically-integrated’ experiential learning.

    “It’s ‘vertical’ because members of the DART community at all career stages are learning together,” she said. “Collaborative research means we’re asking questions that none of us — not even the most seasoned professionals and faculty — know how to answer.”

    Roberts-Smith said the model sees students’ perspectives and contributions as just as important as workshop leaders.

    Anthr-Apology, a session led by DART Professor David Fancy and DART Scenographer and Associate Professor David Vivian, explored the creative possibilities of a new performance collective, with the first stage of presentation slated for 2024, building on creative research undertaken on the fall DART Mainstage production AnthropoScene.

    Fancy and Vivian are motivated by exploring the ways in which theatre and performance as art forms can be truly responsive to the climate crisis.

    “The project is based on the idea that the world needs a truth and reconciliation commission for all humans and their relationship with one another, as well as their individual and collective relationships with the planet,” Fancy said.

    Vivian said the workshop also generated opportunities for participating graduate- and senior-level MIWSFPA students “to bridge their undergraduate studies to the next level of scholarship and professional opportunities.”

    In another session, Packing a Punch, students worked directly with theatre artist Trevor Copp, Artistic Director and Founder of Tottering Biped Theatre (TBT). Students participated in the creative process of developing TBT’s new multimedia live-action play, Mr. Punch, adapted from a lesser-known Neil Gaiman graphic novel.

    “It was a brilliant week. In the end, what we really found was momentum and artistic excitement about this piece and its possibilities,” Copp said.

    Evalyn Parry, DART’s 2022-23 Walker Cultural Leader and award-winning queer performance-maker, theatrical innovator and artistic leader, led a workshop engaging with choral performance and text from their master’s research-creation thesis, “An Unsettled Account,” reflecting on queer arts leadership, decolonial futures and systems change.

    “Together with my longtime collaborator Karin Randoja (music director for the workshop), rich discoveries were made about how the choral arrangements — both sung and spoken — work on the page and translate into the bodies and voices of singers and actors,” Parry said.

    DART Instructor Mike Griffin, Faculty of Humanities’ 2023 Excellence in Teaching Award recipient, workshopped ideas for his DART winter mainstage production, The Mysterious Mind of Molly McGillicuddy. An original new work written and directed by Griffin, the play explores brain injury and related mental health issues.

    “A set of very strong projects with exciting futures emerged from the inaugural Summer Institute,” Roberts-Smith said. “DART students brought fresh and wise perspectives essential to the success of each project.”

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    Categories: Alumni, Current Students, Department/Centre News, Events, Faculty & Instructors, News, Uncategorised

  • Fine and performing arts grads ready to make impact in industry

    Image caption: A. gathering of some of the Marilyn I. Walker School of Fine and Performing Arts graduates from the departments of Dramatic Arts, Music, Visual Arts and Studies in Arts and Culture at Brock’s 113th Convocation.

    Some of the the newest graduates from the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) are poised to take centre stage as they pursue their next challenges.

    After graduating on Friday, June 16 during Brock’s 113th Convocation, Dramatic Arts (DART) alumni Alyssa Campbell, Ava Robitaille, Thea Van Loon and Claire Stoll will get straight to work this summer on a production of Shakespeare’s The Tempest, put on by Tottering Biped Theatre (TBT), a Hamilton-based social justice inspired theatre company

    Having worked with TBT as Brock students, Campbell and Robitaille are thrilled to be with a professional theatre company again.

    Campbell said she is grateful to have made valuable connections during her time in DART that have turned into work opportunities.

    “I’m very excited to return to work with Tottering Biped with familiar and new faces post-graduation,” she said. “Outdoor theatre is a unique challenge that will be great revisit.”

    Mari Brint, who graduated with a double major in Visual Arts (Studio Art) and History of Art and Visual Culture, and a minor in English Language and Literature, fused their artistic practice with a passion for libraries which has shaped their future professional path.

    Working at the James A. Gibson Library, Brint enjoyed connecting with students and assisting library users with their requests. They also curated collaborative exhibitions on display for library users, further sparking their interest in curation.

    Currently working at the main circulation desk at St. Catharines Public Library, Brint hopes to pursue a master’s degree in library science or art history.

    “I love the community connection in libraries, and I am lucky to work with diverse populations,” Brint said. “Brock set me on the path for my future work and studies, and I look forward to giving back to the community.”

    Similarly to Brint, Music student Chloe Racho was committed to the Brock community and participated in many student activities in and around the MIWSFPA.

    In addition to her studies and composing instrumental music for ensembles, Racho worked as Stage Manager for Department of Music concerts at the FirstOntario Performing Arts Centre and led tours of the downtown arts campus as part of Brock’s Smart Start team.

    An aspiring educator, Racho will begin working toward a Bachelor of Education with a teachable in vocal music at Brock in the fall.

    “The music program has equipped me with transferable skills that I will use in future music endeavours and other aspects of my life,” she said.

    Sarah Fisher, who earned an Honours degree in Studies in Arts and Culture (STAC), with a concentration in Cultural Management and minor in Tourism Studies, said the STAC program’s interdisciplinary nature allowed her to explore a wide range of subjects and pursue her passions while acquiring additional certifications throughout her degree program.

    “My four years at Brock University have been an incredible journey filled with academic achievements, unforgettable experiences and personal growth,” Fisher said. “As a graduate of the STAC program, I am happy to reflect on my time at Brock and eagerly look forward to what the future holds.”

    Having learned about her passion for building relations in the world of arts and culture, Fisher looks forward to continuing her studies in public relations.

    “I am always so heartened by the graduating students at the MIWSFPA, who seem to flow seamlessly into opportunities of employment, internship and advanced study,” said Linda Carreiro, Visual Arts Professor and Associate Dean of Fine and Performing Arts. “They relish each new learning moment, which equips them with an openness to challenges and an impressive layering of skills.”

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    Categories: Alumni, Announcements, Department/Centre News, Events, Faculty & Instructors, News, Uncategorised

  • Dramatic Arts students bring one-act visions to life

    Eight Brock students will debut their directing skills this weekend as the Dramatic Arts (DART) One Acts Festival returns to the stage.

    The 2023 One Acts Festival entitled ‘where are we now?’ runs in two parts from Friday, May 26 until Sunday, May 28 at the Marilyn I. Walker Theatre at 15 Artists’ Common in downtown St. Catharines.

    The program features a collection of eight short plays presented in two parts. Each one-act play is directed by a third-year Dramatic Arts student. As part of Directing II (DART 3P54), students had the opportunity to work with a design and production team, and a company of student actors to bring their vision to life.

    The One Acts Festival provides Dramatic Arts students hands-on experience to explore their creative voice and develop skills as theatre artists. For many students, this is their first chance to direct a full play from preparation to production and performance.

    This is the first year the festival will be hosted in the spring. Admission is pay-what-you-can at the door. Full program details can be found below and on the DART Current Season page.

    Program details:

    Part A – Friday, May 26 at 7:30 p.m. and Saturday, May at 2 p.m.

    Fifteen Minute Minimum by Roberto F. Ciccotelli, Directed by Hayley Bando

    Trial of a Ladies Man by Sally Clark, Directed by Meg Dobson

    The Yellow Wallpaper by Jeff G. Rach, Directed by Abby Malcolm

    Video by Yvette Nolan, Directed by Benoit St-Aubin

    Part B – Saturday, May 27 at 7:30 p.m. and Sunday May 28 2 p.m.

    Hold the Phone by John Cook, Directed by Michael Naszados

    Excerpts from Daniel MacIvor’s ‘Here Lies Henry’ by Daniel MacIvor, Adapted/Directed by Zakk Milne

    Made for a Woman by Alan Ball, Directed by Laura Maieron

    Excerpts from Rosamund Small’s ‘Vitals’ by Rosamund Small, Adapted/Directed by Hayley King

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  • Vampires descending on downtown arts school for Brock’s mainstage production

    The cast of A Vampire Story prepares the finals scenes of their upcoming performance, which premieres Friday, March 3.


    Originally published in The Brock News | TUESDAY, FEBRUARY 28, 2023 | by 

    The undead will make their debut next month in downtown St. Catharines.

    Moira Buffini’s A Vampire Story, the mainstage production from Brock University’s Department of Dramatic Arts, opens at the Marilyn I. Walker Theatre Friday, March 3.

    The show follows Ella, a vampire who is new to a small town that has been plagued by disappearing high school students and teachers.

    Seeking to become more human, she decides to stop drinking blood and to be honest about her undead state, her vampire mother and her horrific past.

    But Ella’s honesty isn’t well received by the community. Her life is upended as she is ostracized and hunted — all while falling in love and sorting out her priorities in a small town where the residents are as bizarre and insatiable as the vampires who live among them.

    Led by Director and Adjunct Professor Gyllian Raby, the adaptation of A Vampire’s Story finds a perfect balance between the play’s gothic and comedic nature.

    Raby’s success both as a professional director and Associate Professor comes from her extensive experience and her affinity for intelligent, culturally astute comedy. She has worked as a freelance director, dramaturge and playwright/adaptor across the world.

    Her productions of Bernard Shaw’s Passion, Poison and Petrifaction, the jazz/tap musical Fingers and Toes, Nicolai Erdman’s Russian farce The Suicide! and the international clown show hit Don’t Do It – Do It have been widely enjoyed by audiences in Canada, the U.S., the U.K. and Thailand.

    Raby said A Vampire Story is more relevant now than its debut performance in 2016, especially in the aftermath of the COVID-19 pandemic. The loneliness and anxiety caused by the pandemic are common motivating factors for vampire and infection stories, she said.

    “We can all identify with characters who are intensely alone amid society. Of course, this explains the success of the vampire genre,” Raby said. “Moira Buffini’s smart, witty play taps into the pop culture genre, relating loss of soul to the need for activist awareness.”

    Assistant Director and fourth-year DART student Lucas Irving said the use of monsters within the show is instrumental.

    “The production offers a fantastic opportunity to explore who and what the monsters in society are and how the definition changes from one period to another,” he said. “Vampires often surface during times of change and we’re certainly in a time of great change.”

    A Vampire Story includes set design by Nigel Scott, costume design by Alexa Fraser and lighting design by Chris Malkowski, with music direction and live band leadership by Joe Lapinski. The production showcases the talents of Brock DART students Hayley King, Simone Cinapri, Maiya Irwin, Thea Van Loon, Alex De Cicco, Cal Webb Wilkinson, Hunter Brown, Nathan Faigundo, Emma van Barneveld, Tyra Hayward, Celine Zamidar, Michelle Shortt, Benoit St. Aubain, Kaitlyn Boyer, Isaiah Alton and Zakk Milne.

    A Vampire Story opens Friday, March 3 at 7:30 p.m. in the Marilyn I. Walker Theatre inside the Marilyn I. Walker School of Fine and Performing Arts. Tickets are available for $20 for general admission and $16 for students and seniors. Performances will also take place Saturday, March 4 at 7:30 p.m., Sunday, March 5 at 2 p.m., Friday, March 10 at 7:30 p.m. and Saturday, March 11 at 7:30 p.m. To reserve tickets please visit the FirstOntario Performing Arts Centre website.

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    Categories: Alumni, Announcements, Current Students, Department/Centre News, Events, Faculty & Instructors, Future Students, In the Media, Industrial Fabric, Media Releases, News, Walker Cultural Leader Series