Articles tagged with: exhibition

  • COLOUR CONSTRUCTS at Rodman Hall/ Constructions en couleurs à Rodman Hall

    Pictured is a view of the exhibition Material Girls at Rodman Hall Art Centre. (source: RHAC)

    In fall 2017, Rodman Hall invites visitors to experience the exhibition Material Girls, which brings together Canadian and international female artists from across artistic disciplines and cultural backgrounds. Giving particular attention to the colourfulness and jubilance of this exhibition, in Colour Constructs, students in Visual Arts, Studies in Arts and Culture, and French Studies explore the materiality of colours in their own diverse ways. Student works are complemented by graffiti art by Niagara-based artist Mat Vizbulis, a classroom guest during the semester. Curators Catherine Parayre and Shawn Serfas. /

    A l’automne 2017, Rodman Hall invite ses visiteurs à découvrir l’exposition Material Girls, qui regroupe des artistes femmes du Canada et d’ailleurs, dont les pratiques artistiques et l’environnement culturel diffèrent. En s’inspirant des couleurs et de la gaieté de cette exposition, des étudiants-e-s en Arts visuels, Arts et cultures et Etudes en français explorent dans Constructions en couleurs la matérialité des coloris par le biais d’approches variées. Les graffitis de l’artiste Mat Vizbulis, établi dans la région du Niagara, complètent les oeuvres des étudiant-e-s. Commissaires: Catherine Parayre et Shawn Serfas.

    Article from the Brock News: Bilingual exhibition to shed light on Material Girls
    TUESDAY, NOVEMBER 28, 2017 | by Darien Temprile

    A new Rodman Hall exhibition aims to help visitors experience Material Girls in a new way.

    Geo, a piece created by third-year Visual Arts student Lilliana Pagliaro, will be featured in the Colour Constructs/Constructions en couleurs exhibition opening at Rodman Hall Thursday, Nov. 30.

    Colour Constructs/Constructions en couleurs, opening at the downtown St. Catharines art centre Thursday, Nov. 30, features works by students in Brock’s Visual Arts (VISA), Studies in Arts and Culture (STAC) and French Studies (FREN) programs.

    The exhibition, curated by Brock Professors Catherine Parayre and Shawn Serfas, initiates a sophisticated dialogue with Material Girls, an ongoing exhibition that opened at Rodman Hall Sept. 14.

    Material Girls is a large-scale group exhibition of work by Canadian and international emerging, mid-career and senior female artists from different artistic disciplines and cultures. Curated by a team from the Dunlop Art Gallery, a unit of the Regina Public Library, it explores material process and notions of excess as they relate to the feminized body, gendered space and capitalist desire.

    For Colour Constructs, students reacted to words, colours and visuals directly related to Material Girls.

    STAC students contributed nine texts based on words and expressions found in the curatorial statement of Material Girls; FREN students provided eight written fragments in French, describing colours from Material Girls; and VISA students, in their own paintings, reference the vividness of artwork presented in Material Girls.

    In addition to the work of students, the exhibition will include a new large commission by local graffiti artist Mat Vizbulis, who describes his work as ‘genre graffuturism.’

    “As the images unfold in layers, we understand that it is truly something unexplainable,” he said. “We are then daring to define things.”

    Earlier this year, Vizbulis led Brock students in experiential learning about graffiti and its role in both high art and popular culture.

    The opening reception of Colour Constructs/Constructions en couleurs takes place Thursday, Nov. 30 at 5 p.m. at Rodman Hall Art Centre, 109 St. Paul Cres. The exhibition will continue until March 4.

    Material Girls continues at Rodman Hall until Dec. 30.

    Admission to Rodman Hall Art Centre is free, although donations are accepted. For more information in French or English, visit ExperienceBU.

    UPDATE:

    French student Amandine Faivre, right,
    speaks about her poetry with French Professor Renee-Claude Breitenstein at the opening of Colour Constructs Thursday, Nov. 30. Curated by Professors Catherine Parayre and Shawn Serfas, the exhibition is a collaboration by students in Studies in Arts and Culture, Visual Arts and French Studies. Student artwork is complemented by work by local graffiti artist Mat Vizbulis, who worked with STAC and VISA students over the course of the semester. Colour Constructs is on at Rodman Hall Art Centre until March 4.
    Exhibition: Thursday Nov. 30, 2017 – Sunday Mar. 4, 2018

    Opening Reception: Thursday Nov. 30, 2017 at 5:00pm

    GALLERY HOURS:
    Tuesday, Wednesday & Friday: 10 am to 5 pm
    Thursday: 10 am to 9 pm
    Saturday & Sunday: 12 pm to 5 pm
    Closed Mondays, statutory and University holidays

    Free community event however donations accepted (suggested $5).

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    Categories: Current Students, Events

  • Exhibition: Permanent Vacation

    This exhibition will showcase a select group of recent Brock University Alumni: Katie Mazi, Jenn Judson, Matt Caldwell, Alex Muresan, Jessica Wright and Ben Mosher. As these emerging artists expand ideas and develop new work, they continue to recognize the value of the St. Catharines arts community and the impact it has on their practice. It was here at Brock University that their first investigations began and it was at Rodman Hall (2014/2015 & 2015/2016) that their first professional group exhibitions came to fruition. These artists will exhibit new and exciting work they have been producing as they navigate and emerge into the art communities locally and beyond the region. The exhibition will be curated by Asta McCann Brock alumni (Studies in Arts and Culture).

    Additionally, Alumni music students: Grace Snippe, Annie Slade, and Kurt Dunn will be performing for the night of the reception.

    Exhibition: Saturday, November 4, 2017 to Friday, December 1, 2017

    regular visiting hours for the Exhibition Space are Tuesday through Saturday from 1-5 p.m
    for additional times see: gallery webpage    gallery facebook page

    Opening Reception: Friday, November 10, 2017, 7:00 – 10:00 p.m.

    Location: Visa Gallery, Marilyn I. Walker School of Fine and Performing Arts, Brock University

    A free community event.

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    Categories: Alumni, Events, News

  • Visual Arts Professor Amy Friend exhibits in Provence, France.

    AMY FRIEND, INCONNUS FAMILIERS / Familiar Strangers

    “Amy Friend est une photographe canadienne. «Dare alla luce» («apporter à la lumière») est un travail où l’artiste mêle vieux clichés familiaux et photos glanées au hasard de ses promenades. Une fois perforées et rétro-éclairées, la lumière révèle une seconde fois le cliché. Grâce à ce procédé, Amy peut donner une seconde vie à ses photographies. Des notions telles que l’histoire intime, la mémoire, la présence et l’absence traversent tout son travail.”
    from www.liberation.fr/photographie/2017/08/21/amy-friend-inconnus-familiers_1590958 

    Amy Friend is a Canadian photographer. In “Dare alla luce” (bringing to light), she collects old family portraits and photos gathered in her walks. Once perforated and backlighted, the light reveals the images a second time. Through this process Amy gives a second life to her photographs. Notions of privacy, memory, presence and absence cross-pollinate her work.
    [translation by C. Parayre]

    for more information and to see her work:

    www.liberation.fr/photographie/2017/08/21/amy-friend-inconnus-familiers_1590958 

    https://www.facebook.com/recitsphotographiques/

    Récits Photographiques
    August 24 > September 30, 2017
    Abbaye De Silvacane, La Roque D’Antheron
    Les Terrasses Du Chateau, Lauris
    Provence, France

    Assistant Professor Amy Friend holds a BFA honours Degree and BEd from York University and an MFA from the University of Windsor. She has received grants from Social Sciences and Humanities Research Council, Canada Council for the Arts and the Ontario Arts Council. In 2015 Amy was awarded the Clarke Thompson Award for Sessional Teaching at Brock University.

    For more information about her creative and research work see her faculty profile.

     

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    Categories: Announcements, Department/Centre News, Faculty & Instructors, In the Media, News

  • Brock, SUNY art show set to open in Buffalo’s Silo City

    (Source: The Brock NewsThursday, April 20, 2017 | by Maryanne Firth. Photo caption: “Buffalo’s Silo City will play host to a joint art exhibition including the work of students and faculty from Brock University and the State University of New York at Buffalo. (Photo: Derek Knight)”)

    Brock University and the State University of New York (SUNY) at Buffalo have joined forces to showcase artists on both sides of the border while also highlighting a landmark area on the Buffalo River.

    After two years of planning, Post-Industrial Ephemera: Soundings, Gestures, and Poetics will open Saturday, April 22 at Buffalo’s Silo City — an industrial space filled with repurposed grain elevators and other structures built in the first half of the 20th century.

    Several silos will play host to the free art exhibition until Saturday, April 29.

    The exhibition’s opening reception will run from 2 to 5 p.m. and includes, in addition to the artwork of both Brock and SUNY students and faculty, performances by the Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins.

    Parayre, event co-curator and an associate professor in Brock’s Studies in Arts and Culture as well as Modern Languages, Literatures and Cultures, said the event developed from like minds coming together through networking opportunities at Brock’s Rodman Hall Art Centre.

    It was co-curator Reinhard Reitzenstein, an associate professor of sculpture at SUNY-Buffalo, that introduced Parayre to Silo City, the inspiration for the showcase.

    “Everyone is mesmerized because the structures there are stunning,” Parayre said of the area that is filled with buildings worn by weather and time.

    The event, she said, is to encourage people to “reflect on the notion of dispersal.”

    “Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced.”

    Silo City, she said, invites visitors to “become more perceptive to the transience of human endeavours.”

    The exhibition is an opportunity to reflect on the aging structures, their history and nature’s efforts to reclaim the partially vacant space, she said.

    Participating artists come from various disciplines including sculpture, arts, comparative literature, English studies, visual arts, studies in arts and culture, and French studies.

    The showcase features an array of installations, neon signs, readings, paintings, prints, videos and sculptures.

    Brock provided funding for the project through a longstanding research agreement in place between the two institutions, in addition to funding provided through Brock’s Dean of Humanities office.

    “We’re very grateful for Brock’s support,” Parayre said.

    Parking for the event is available onsite and guests are advised to dress warmly as temperatures within the silos remain brisk.

    More information on participating artists and performance schedules for the opening reception is available online.

    A one-day symposium held to relive the exhibition is scheduled to take place in September at Rodman Hall Art Centre in St. Catharines.


    see recent news about the published catalogue

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    Categories: Announcements, Faculty & Instructors, In the Media, News

  • Special performance: Which Way to the Bastille? at Rodman Hall

    Image: Milutin Gubash, The Hotel Tito, 2010. Lambda color print (24" x 50"). Image courtesy of the artist.

    Image: Milutin Gubash, The Hotel Tito, 2010. Lambda color print (24″ x 50″). Image courtesy of the artist.

     

    MILUTIN GUBASH
    The Hotel Tito
    September 16 – December 30, 2011
    Opening Reception: September 15, 2011, 7 -9 pm
    Curated by Shirley Madill

    In collaboration with Musee d’art de Joliette

    Special performance:  Which Way to the Bastille?
    Following the premier on September 15 the second of eight short performances by students of the Department of Dramatic Arts (DART) occurs September 23, 2011 after 12 noon. Tanisha Minson and Dylan Mawson, senior students in the DART program have collaborated with the artist and faculty of DART to create a brief interpretation of the text during the course of the exhibition.  The performance will function as a dramatic evocation of the principal tenets of the artist’s and the curatorial program.

     

    Performance are scheduled for:
    Thursday, September 15, evening, at the opening reception.
    Friday, September 23, 12 noon, last day of the artist’s residency
    Thursday, September 29, 6:30 pm
    Saturday, October 15, 2:30 pm
    Thursday, October 27, 8 pm
    Sunday, November 6, 2:30 pm
    Friday, November 18, 11:30 am
    Saturday, December 3, 2:30 pm

    The exhibit in brief:
    Milutin Gubash has pursued a multidisciplinary practice revolving around video, photography and performance since 2002. This ten-year survey of work by Milutin Gubash includes a residency project with the Department of Dramatic Arts and the Marilyn I. Walker School of Fine and Performing Arts at Brock University. Beginning with the work titled, Re-Enacting Tragedies While My Parents Look On, the exhibition includes various works that focus on daily-life occurrences with historical and philosophical narratives. Gubash is interested in exploring how individuals and ideas can overwrite commonly held perceptions of landscape, politics and expectations of representation.
    www.milutingubash.com
    —-
    The exhibit in detail:
    Milutin Gubash has pursued a multidisciplinary art practice revolving around video, photography and performance since 2002. He first made a name for himself in 2003 with the webcast project Re-Enacting Tragedies While My Parents Look On, in which he “re-created,” with his parents, various tragic news stories reported in the Calgary Herald. Gubash plays the part of the victim, dressed in a dark suit that now has become a signature for the artist.

    By layering daily-life occurrences with historical and philosophical narratives, Gubash is interested in exploring how individuals and ideas can overwrite commonly held perceptions of landscape, politics and expectations of representation. His imagery portrays the same individuals (family and friends) living absurd situations or experiencing actual moments of psychological reflection. Together, the Gubash family and friends create a dreamscape of funny and sincere gestures while experimenting with their own relational identities. Gubash often insists on creating multiple contexts within which to engage his series of mini- narratives. By locating his own performative gestures at the scenes of such events, Gubash dares to heighten his personal psychological inquiry and that of his collaborators.

    This exhibition includes a selection of works produced over the past ten years with emphasis on the recent interconnected projects: Which Way to the Bastille?These Paintings, and Hotel Tito.

    During a residency with the Department of Dramatic Arts, Brock University, Gubash worked with Associate Professor David Vivian, Associate Professor Dr. Natalie Alvarez, and a company of selected students to develop a “live animation” of Which Way to the Bastille? Situated as an ongoing and regular interpretation of the text during the course of the exhibition, the performance will function as a dramatic evocation of the principal tenets of the artist’s and the curatorial program. Associate Professor Catherine Parayre (Modern Languages, Literatures, and Cultures) of Brock University will lead an upper-level course in text and image based around this exhibition under the auspices of the Centre for Studies in Arts and Culture of the Marilyn I. Walker School of Fine and Performing Arts.

    A version of this exhibition will also be seen at the Carleton University Art Gallery, Ottawa; Southern Alberta Art Gallery, Lethbridge; and the Musée d’art de Joliette, Quebec.

    Milutin Gubash was born in Novi Sad (Serbia) and has been living in Montreal since 2005.

    Shirley Madill
    Exhibition Curator

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