Articles by author: Brock University

  • ‘Gone for a Run’ addresses impact of gender-based violence in physical activity

    EXPERT ADVISORY — December 4, 2025 — R0140

    As her shoes pad softly on the ground, recent news headlines play in her subconscious like a chilling soundtrack to her jog: Be vigilant. Yet another woman was violently attacked in the street, on a trail, in a park. 

     She runs from a bustling city scape into a vast wooded area — stopping abruptly when encountering a man standing within her narrow path ahead. She quickly looks around and calculates her options before eventually running past him, heart in her throat and a pit in her stomach. 

     As Gone For a Run — Brock University Professor of Kinesiology Cathy van Ingen’s new short film — fades to black, a text overlay reveals that “two out of three women have experienced abuse on a run.”

     “Because the ending is unscripted, you’re left with the very same uncertainty that women carry into the world when they access public spaces, because the normalized expectation is that it won’t be uncommon for them to experience harassment,” says van Ingen. “Beyond every encounter, there’s still another run, there’s still another corner.”

    Her latest documentary film project — intentionally released to coincide with the National Day of Remembrance and Action on Violence Against Women on Dec. 6 — is a visual representation of her research conducted with funding provided by Brock University through a 2024 Social Sciences and Humanities Research Council Explore Grant. 

    “I was looking for different ways to use storytelling to engage broader publics in research-based work, which is really what this film does,” says van Ingen, who also holds an MFA in Documentary Media. “This is a key moment to cast a spotlight on these issues, but I hope these conversations will also extend beyond days like Dec. 6 or March 8 (International Women’s Day).”

    The film comes as a full-circle moment for van Ingen, whose 30-year career studying gender, sport and public space began with graduate research where she interviewed women about how they trained and negotiated their safety as long-distance runners.

    She says the needle has barely moved on action against gender-based violence since then, noting it is still “overwhelmingly difficult for a woman to be taken seriously or to receive a form of justice.”

    “Despite all our awareness about harassment and violence, there’s surprisingly little scholarly research on how it actually impacts physical activity,” she says. “We know from a global survey that 92 per cent of women runners are concerned about their safety while running. But we’re only beginning to understand how this shapes women’s experiences and choices.”

    While the film itself focuses on women joggers, van Ingen hopes it will act as an “entry point” for broader conversation about gender-based violence. 

    “The wild thing is that being out for a jog in a public space is not the most unsafe place for women — it’s actually their own home — and it is more common for women to encounter violence by someone they know then by ‘stranger danger,’” she says.

    Gone for a Run ends with three takeaways: “Stop telling runners to stay safe. Stop harassment. Stop gender-based violence.”

    Doing so, van Ingen says, involves rethinking longstanding notions that women should be solely responsible for ensuring their own safety; listening to women’s lived experiences; and amplifying those messages to engage others in creating change.

    “The number of shares of this film by women on social media has really driven this conversation forward,” she says, “but men and boys also need to share these stories, think about the way that their presence is read in public spaces, and be prepared to intervene and speak out against any kind of harassment and cultures of violence.”

    Progress also requires a demand for accountability, van Ingen says, both societally and institutionally.

    “How can you demand that these conversations happen? We need to do the work at the levels of law enforcement and criminal justice, but how can you hold your own running club or friend groups accountable?” she says. “These conversations and changes are happening in some spaces, but we need to keep talking about individual safety strategies, what is making public spaces unsafe, and how we can collectively work to change that.

     Brock University Professor of Kinesiology Cathy van Ingen is available for media interviews on this topic.

     For more information or for assistance arranging interviews:

    *Sarah Ackles, Communications Specialist, Brock University [email protected] or 289-241-5483 

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    Categories: Media releases

  • Métis Nutcracker: Classic winter tale reimagined in celebration of Indigenous identity

    MEDIA RELEASE — December 1, 2025 — R0139

    When Molly Solomon brings her contemporary Fancy Shawl Dance to life in Brock University Dramatic Arts’ (DART) mainstage production, she will draw strength from her Ojibwe name, Ishkode Kwe.

    The name, translated to “Fire Woman” and “First Spark in my Heart,” was gifted to the third-year DART student by her grandmother — and she wears it proudly, just like the handcrafted regalia she dons on stage.

    Solomon plays the Maple Sugar Fairy in Brock’s upcoming production of Métis Nutcracker, which opens Friday, Dec. 5 at the Marilyn I. Walker Theatre. The new play was written by award-winning Canadian playwright and DART Assistant Professor Matthew MacKenzie, citizen of the Métis Nation of Alberta, and is directed and choreographed by celebrated theatre artist Monica Dottor.

    Solomon says sharing her Indigenous heritage with the Brock community is a profound experience.

    “I feel so welcome when my peers and mentors are genuinely curious to learn about my Indigenous identity,” she says.

    Brimming with magic, song and dance — and sprinkled with a dash of playful audience interaction that may involve throwing snowballs at the stage — the story is inspired by MacKenzie’s family heritage.

    In Métis Nutcracker, two Ukrainian refugees named Tatiana and Vanya are forced to flee from their home in the Red Pine Forest to escape the evil Rat King. They seek safety on Turtle Island where they are taken under the protection of the Métis Nutcracker, played by DART Walker Cultural Leader and multidisciplinary artist Nicole Joy-Fraser.

    “They travel in the four directions learning about different nations and sacred medicines in the Land of Flowers, Land of Berries, Land of Snowflakes and Land of Pine Cones,” MacKenzie says of the characters’ journey in his adaptation of the classic Nutcracker tale.

    Created for young audiences, the play celebrates identity and diversity.

    “My son is Ukrainian and Métis, and I wanted to be able to speak to him about his Indigeneity while exploring concepts of colonialism in a way that he could understand,” MacKenzie says.

    For Joy-Fraser, performing the role of the Métis Nutcracker also resonates with reclaiming their own Indigenous background. Joy-Fraser is a proud bear clan matriarch who grew up in Mississauga with Euro-Settler, Tsa’tinée, Nehiyaw and Métis bloodlines from Horse Lake First Nation in Alberta.

    Paramount to the production was ensuring that youth — particularly those with an Indigenous background — had the opportunity to experience Métis Nutcracker. Support from St. Catharines theatre company Carousel Players helped to achieve this goal, with two school-day matinee performances now sold out.

    “I hope every Indigenous child sitting in the audience sees themselves and their beliefs reflected in the beauty of the show,” Joy-Fraser says. “It’s magical storytelling embedded in nature, which is so much a part of who we are.”

    Indigenous practices of cultural significance are woven throughout the play, including set pieces, costumes and regalia featuring intricate beadwork as well as custom painted canoe paddles, created in collaboration with Indigenous theatre cohort Pemmican Collective.

    MacKenzie, who teaches Contemporary Canadian Indigenous Theatre, says learning about different Indigenous nations alongside the cast and crew has been transformative.

    “Métis Nutcracker celebrates differences,” he says. “Everyone involved at Brock has come together to honour those differences, putting the ‘action’ in truth and reconciliation.”

    As the first Indigenous DART faculty member to write an original mainstage production for the University, MacKenzie says the in-house work of Indigenizing theatre is gaining momentum.

    MacKenzie is also excited to see more Indigenous representation at the University in the future.

    “We have such a supportive environment at the MIWSFPA, a true willingness and curiosity to learn,” he says. “Our conversations are centred on this performance, but they will carry forward.”

    Additional performances of Métis Nutcracker will take place Saturday, Dec. 6 at 2 p.m. and 7:30 p.m. and Sunday, Dec. 7 at 2 p.m. General admission tickets are $25 and tickets for students and seniors are $20. Visit Brock University Tickets to reserve seats.

    MacKenzie and Joy-Fraser will also host a public artist talk related to the production at the Marilyn I. Walker Theatre on Friday, Dec. 5.

    For more information or for assistance arranging interviews:

    *Sarah Ackles, Communications Specialist, Brock University [email protected] or 289-241-5483

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    Categories: Media releases