Articles tagged with: Linda Carreiro

  • Picturing a vibrant future for Brock’s fine art collection

    Image caption: Earlier this fall, art consultant Mandy Salter oversaw restoration work on Michael Snow’s Photo Mural for Timed Images, 1972-73 in the Mackenzie Chown A Block stairwell. Efforts included installing new UV and shatterproof glass panels. Snow (1928-2023) developed his concept in collaboration with Mackenzie Chown Complex architect Raymond Moriyama (1929-2023). Both were internationally respected artists and recipients of honorary doctorates from Brock University. Only a few parts of Timed Images remain in place today.

    Thursday, December 19, 2024 | by 

    As Brock celebrates its 60th anniversary, exploring the past and present of the University’s fine art collection is providing fresh perspective to reimagine the future of art on campus.

    “Art in public places has intrinsic value. Art speaks to and from humanity, allowing for exploration of thought and diverse ways of thinking about the world around us,” said Mandy Salter, principal of Salter Art Appraisals and Consulting and an Accredited Member of the International Society of Appraisers.

    An award-winning curator and collections manager, Salter was engaged by Brock to conduct a comprehensive review of its art collection to appraise and catalogue inventory, including identifying all the pieces on campus and building an updated database.

    “We wanted to build upon existing paperwork in order to further locate and condition report all works, and by doing so, gain a clearer understanding of the content and condition of this diverse and important collection of Canadian art,” Salter said.

    Salter said Brock stewards several collections including the Teutloff Collection of large-scale public sculptures, the Steltner Inuit Art Collection, a collection of Carl Beam lithographs, the Buky Schwartz sculptures at Marilyn I. Walker School of Fine and Performing Arts, and many other two-dimensional works of art on paper or canvas.

    With the support of Frank Marcella, Director of Enterprise Risk Management and Insurance, and Bryan Cober, Associate Director of Projects and Structural Services in Facilities Management, Salter created a five-year asset management plan outlining future care strategies for pieces impacted by weather and environmental factors.

    A University Art Collections Committee was also recently formed with representatives from across campus that will help guide the future vision and mandate of Brock’s fine art collection.

    Linda Carreiro, Associate Dean of Fine and Performing Arts, is serving as elected Chair of the University Art Collection Committee.

    “The committee is comprised of stakeholders invested in sharing the important stories told through existing pieces of the collection, with the aim of adding to these perspectives. We’re excited to manage the collection in a meaningful way, so that all members of campus and the public can be engaged in the histories and ideas within the artworks,” she said.

    The work of the committee will oversee acquisitions, deaccessions, conservation and restoration of Brock’s small and large-scale public pieces.

    For example, Salter recently oversaw the restoration of Michael Snow’s (1928-2023) Photo Mural for Timed Images, 1972-73. Timed Images was a multi-part photo and video composition conceived for and installed in the hallways of the Mackenzie Chown Complex, known at the time as the Academic Staging Building.

    “With the help of Bryan Cober and Niagara Glass, the large 10×12 sheets of 55-year-old glass were replaced with UV and shatterproof-resistant glass, with some slight cleaning of the frame and work itself,” she said.

    Salter said the committee will strive to develop a future collection focussed on diversity, foregrounding artists and communities who may not be currently represented in the collection.

    “Understanding gaps is critical and presents an opportunity for decolonization and reconciliation and furthering actions towards thoughtful and meaningful inclusivity,” she said.

    West Coast and Inuit prints — some of the earliest acquisitions in Brock’s collection —  were recently installed in Brock’s Entiohahathe’te Knowledge Den in the Brock University Library.

    “We are excited to continue to curate works from the collection into spaces on campus, such as the library, to allow for new opportunities of engagement for the Brock community,” Salter said.

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  • Brock’s arts impact takes centre stage

    Friday, November 22, 2024 | by April Jeffs

    Ontario Minister of Tourism, Culture and Gaming Stan Cho (second from left) toured the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) along with St. Catharines Mayor Mat Siscoe (third from left) on Thursday, Nov. 21. Visual Arts Professor and Associate Dean of Fine and Performing Arts Linda Carreiro (left), Provost and Vice-President Academic Arja Vainio-Mattila (second from right) and Dean of Humanities Carol Merriam (right) highlighted how Brock’s state-of-the-art facilities and world-class resources and instruction provide a strong foundation for students to pursue their career goals and make meaningful contributions to the arts by helping to grow a vibrant centre of culture in both Niagara.

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  • High-profile NYC events shared through lens of student artist

    Image caption: Fourth-year Visual Arts student Cleah Fast, recipient of a 2024 Medland and Green Inspiring Artists Bursary, is displaying her artwork in a new multimedia exhibition now open at Brock’s Visual Arts Gallery.

    Wednesday, November 06, 2024 | by 

    While backstage at an iconic music festival and in the front row at New York Fashion Week, Cleah Fast couldn’t help but feel a spark — or rather, flash — of creativity.

    The fourth-year Brock Visual Arts (VISA) student and multidisciplinary artist has channelled her recent experiences at high-profile New York City events into an exhibit, Through the Lens, now on show at the University’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    The exhibition features Fast’s large-scale photography, painting, sound installations and mixed media alongside video art created by Brock faculty, students and staff.

    Fast’s creative path was propelled forward when she received a 2024 Medland and Green Inspiring Artists Bursary, an award that assists students with a unique opportunity, including travel, training or masterclasses to support their final-year capstone project.

    Through the support of the bursary, Fast travelled to NYC and collaborated with media company Never Come Home to photograph the Governor’s Ball Music Festival, the biggest music festival on the east coast.

    “I was drawn in by the energy and bonds that take place during cultural events, where so many individual experiences take place and intertwine to create a bigger, collective experience,” she said.

    Fast was inspired to explore these connections from the perspective of youth culture.

    “Shooting the festival for four days with professionals was unlike anything I had ever done; I had never shot anything on that scale,” she said.

    The partnership was so successful, and the media company so impressed with her skills, Never Come Home invited Fast back to shoot New York Fashion Week with them this past September.

    “Without the bursary, this collaboration would not have been able to happen and flourish the way that it has,” she said.

    Linda Carreiro, Associate Dean of Fine and Performing Arts, said the Medland and Green Inspiring Artists Bursary is a tremendous benefit to students who want to gain professional training and experience outside of the institution.

    “In this case, Cleah was able to access a rare opportunity that enabled specialized skills development and career potential,” Carreiro said.

    During her time in Visual Arts, Fast said she had the opportunity to go beyond her comfort zone and try new things.

    “Access to diverse, creative opportunities were a big reason I chose the Visual Arts program. I love the Marilyn, and I wouldn’t be doing these incredible things without the support and encouragement from my professors,” she said.

    The opening reception for Through the Lens will be held Thursday, Nov. 7 from 5 to 7 p.m. at the Visual Arts Gallery. The exhibition runs until Nov. 23.

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    Categories: Current Students, Department/Centre News, News

  • Visual Arts exhibition presents creative exploration of death

    TUESDAY, AUGUST 29, 2023 | by 

    A new faculty art exhibition featuring the work of Linda Carreiro, Visual Arts Professor and Associate Dean of Fine and Performing Arts at Brock, is now open for viewing.

    Afterthoughts’, an exhibition showcasing Carreiro’s text-based artworks, runs until Saturday, Sept. 23 at the Visual Arts Gallery and Student Exhibition Space at the Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    While Carreiro initially set out to make a confessional, emotive set of works about the afterlife, she found that words were inadequate to fully reflect her thoughts about the unknowable.

    “Vacillating between terror, anger and derision, the resulting writings try to express the inexpressible while acknowledging their limitations. The incongruence of the texts, alongside the ghostly ladder and boxes, come together as extracts rather than narrative,” Carreiro said.

    In her artist’s statement, Carreiro addresses the notion that the sea and space are seemingly infinite places, containing the unknown in their vastness and depth.

    “They are also environments where humans cannot sustain life without the aid of breathing apparatus. Therefore, stars and water are referenced here in the writings and application of materials. Swirls of ink, vapoury washes and hole-punched ‘stars’ with fallen perforations allude to this connection,” Carreiro said.

    All are invited to attend the ‘Afterthoughts’ closing reception at the gallery on Friday, Sept. 22 from 5 to 7 p.m. at the MIWSFPA located at 15 Artists’ Common in downtown St. Catharines.

    Summer gallery hours:

    • Monday, Aug. 29 to Friday, Sept. 1 from 1 to 5 p.m.
    • Wednesday, Sept. 6 to Saturday, Sept. 9 from 1 to 5 p.m.

    The gallery resumes its regular hours on Tuesday, Sept. 12 and will be open from 1 to 5 p.m. Tuesdays through Saturdays.

    For more information, please visit the MIWSFPA Visual Arts gallery website.

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  • New Visual Arts course examines the anatomical body in historical texts

    Image caption: VISA 3V91 Inside Out – Revealing the Anatomical Body will examine images of the anatomical body in historical medical texts, such as this wooden female anatomical figure (Europe, 1601-1700) from the Science Museum, London, care of Wellcome Collection under a Creative Commons license.

    Originally published in The Brock News | TUESDAY, MARCH 15, 2022 | by 

    A new course open to all Brock University students will critically examine anatomical illustrations throughout history and unpack what these visual representations reveal culturally, socially and artistically.

    Offered in the upcoming Spring/Summer Term, VISA 3V91 — Inside Out — Revealing the Anatomical Body is a new course developed and taught by Linda Carreiro, Associate Dean of Fine and Performing Arts and Professor of Visual Arts.

    Based out of Brock’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA), VISA 3V91 is offered as a half course and is open to students across campus. No previous art history knowledge or artistic skills are required to enrol.

    Students will critically examine ‘flap anatomy’ found in historical medical and popular texts dating back to the 1500s, whereby images of layers of the body are peeled open to reveal muscle, organs and skeletal structures. Carreiro is interested in how this convention started, how it evolved and what the implications are from a socio-political perspective.

    The evolution of models and images in historical medical texts is a research specialization for Carreiro, and she is thrilled to bring her learnings and insights to Brock students.

    “Some of the images and models are absolutely stunning from an artistic perspective,” she says, “but these devices convey so much more than how the anatomical structures fit together.”

    Carreiro says it is important to examine who ended up on the dissection table in order to create these images, and what these images might reveal about that particular context.

    “Looking at images of public dissection theatres and profiles of anatomists can provide some of these insights,” she says.

    Students can expect to engage in critical readings, discussions and writing, with the opportunity to engage in studio work. Students must have a minimum of 5.0 overall credits and a minimum 60 per cent overall average or permission of the instructor to register for the course.

    Registration for Spring/Summer courses is now open through the Admissions website.

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  • Brock welcomes new Associate Dean to MIWSFPA

    A new leader has taken the helm at Brock University’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA).

    The Faculty of Humanities welcomed Linda Carreiro to the new position of Associate Dean of Fine and Performing Arts on Monday, Nov. 1.

    She joins Brock from the Ontario College of Art and Design University, where she was the Associate Dean in the Faculty of Art.

    “I’m really excited to work with people from across the arts and to work in a more interdisciplinary way with colleagues from across the Faculty of Humanities and across campus,” says Carreiro. She is looking forward to exploring new projects and trajectories, both for the MIWSFPA and for her own research.

    Arts are important to any campus and community, says Carreiro, who believes this is particularly true at Brock.

    “With the MIWSFPA situated downtown, it’s an integral part of the community and a vibrant part of the arts community,” she says. “People are really eager to support creativity and the arts because they know the significance of it to culture and society.”

    Carreiro, who also previously worked at the University of Calgary, is ready to take on the challenges and leverage the opportunities that come with this new role, all while finding ways to bring the work being done at MIWSFPA into the community.

    “I look forward to working with the other Associate Deans across campus to provide a stronger presence for the arts school,” says Carreiro. “It’s important to find more ways to bridge between the main campus and the MIWSFPA, as well as between the MIWSFPA and the Niagara community.”

    Carreiro, of Indigenous and settler descent, is also interested in working on equity, diversity and inclusion initiatives, having worked on various curriculum decolonization initiatives in the past.

    “I definitely want to connect with Indigenous and other communities and try to make an impact in the right way,” she says. “For instance, through prioritized hiring initiatives, as it’s so important for students to see diverse faces reflected in the people who are teaching and working with them.”

    Carreiro’s own creative work explores traces of the physical body in printed text.

    “Almost of all my work now is text based,” she says. “By overtly evidencing the way in which I make printed words, I try to counter the ways in which we think about text.”

    Her work challenges the idea of written text as authoritative when it’s clean, crisp and readable, and instead brings attention to its messiness, instability and subjective associations.

    “People can start to see the materials, such as shadows and surrounding paper, as part of the meaning of the word,” Carreiro says.

    Additionally, her work on what she terms ‘choreogrammatics’ explores what happens to our understanding of texts when we are forced to move while reading, and how such movement starts to open different meanings from words.

    “I’m very pleased to welcome Dr. Linda Carreiro to the newly created role of Associate Dean of Fine and Performing Arts,” says Carol Merriam, Dean of the Faculty of Humanities. “Dr. Carreiro’s work will build on the legacy of the MIWSFPA. Her experience and expertise will serve colleagues and students in the school, as well as the arts community in Niagara, very well indeed.”

    The creation of the new Associate Dean role replaces the previous Director position at the arts school. The new position encompasses more student-facing experiences while giving the arts greater visibility within the University.

    “The Marilyn I. Walker School of Fine and Performing Arts has been well served by some committed and hard-working Directors since its opening, and they have done excellent work,” says Merriam. “The position of Associate Dean of Fine and Performing Arts is a development of that Director role into a more visible leadership position.”

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