Nick Baxter-Moore

Associate Professor

BA, University of Manchester
MSc, London School of Economics
PhD, Carleton

Office: SBH 322A
905-688-5550 x4145

Nick Baxter-Moore (PhD Carleton University) focuses his research on popular culture and identity; class, nation, and popular music; local popular culture; and live performance. He teaches courses on popular culture, popular music, media industries, and research methods.

I’m interested in supervising research projects in the following areas:

  • Popular culture and identity
  • Live performance and the music industry
  • Class, nation and popular music
  • Local popular culture
  • Sport as popular culture
  • Thomas M. Kitts & Nick Baxter-Moore, eds., The Routledge Companion to Popular Music and Humor. New York/London, Routledge, 2019
  • Nick Baxter-Moore, “‘(What’s So Funny ‘Bout) Peace, Love, and Understanding’: Humor in Protest Music,” in The Routledge Companion to Popular Music and Humor, 372-379
  • Nick Baxter-Moore & Donald Munroe Eagles, with Ibrahim Berrada, Oleksandr Chernomorchenko, Paul D. Coleman, Kelly Gaskin, Karey Hatch, Craig Hilimoniuk & Patrick Morris, “Explaining Canada-US Differences in Attitudes Toward the Role of Government: A Test of S.M. Lipset’s ‘Continental Divide’,” Commonwealth and Comparative Politics, vol. 56, no. 4, 2018, 472-492
  • Nick Baxter-Moore, “’The Ties That Bind’ – Springsteen Fans Reflect on the Live Concert Experience,” Rock Music Studies, vol, 3, no. 1, 2016, 80-104
  • Nick Baxter-Moore & Carolyn Charest, “Constructing Authenticity: Architecture and Landscape in Niagara Wineries,” in Michael Ripmeester, Philip Mackintosh & Chris Fullerton, eds., The World of Niagara Wines, Waterloo, ON: Wilfrid Laurier University Press, 2013, 261-282
  • Popular music
  • Theories of popular culture
  • Research methods
  • Media industries
  • Event management