Articles tagged with: Rodman Hall Art Centre

  • Brock, SUNY art show set to open in Buffalo’s Silo City

    (Source: The Brock NewsThursday, April 20, 2017 | by . Photo caption: “Buffalo’s Silo City will play host to a joint art exhibition including the work of students and faculty from Brock University and the State University of New York at Buffalo. (Photo: Derek Knight)”)

    Brock University and the State University of New York (SUNY) at Buffalo have joined forces to showcase artists on both sides of the border while also highlighting a landmark area on the Buffalo River.

    After two years of planning, Post-Industrial Ephemera: Soundings, Gestures, and Poetics will open Saturday, April 22 at Buffalo’s Silo City — an industrial space filled with repurposed grain elevators and other structures built in the first half of the 20th century.

    Several silos will play host to the free art exhibition until Saturday, April 29.

    The exhibition’s opening reception will run from 2 to 5 p.m. and includes, in addition to the artwork of both Brock and SUNY students and faculty, performances by the Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins.

    Parayre, event co-curator and an associate professor in Brock’s Studies in Arts and Culture as well as Modern Languages, Literatures and Cultures, said the event developed from like minds coming together through networking opportunities at Brock’s Rodman Hall Art Centre.

    It was co-curator Reinhard Reitzenstein, an associate professor of sculpture at SUNY-Buffalo, that introduced Parayre to Silo City, the inspiration for the showcase.

    “Everyone is mesmerized because the structures there are stunning,” Parayre said of the area that is filled with buildings worn by weather and time.

    The event, she said, is to encourage people to “reflect on the notion of dispersal.”

    “Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced.”

    Silo City, she said, invites visitors to “become more perceptive to the transience of human endeavours.”

    The exhibition is an opportunity to reflect on the aging structures, their history and nature’s efforts to reclaim the partially vacant space, she said.

    Participating artists come from various disciplines including sculpture, arts, comparative literature, English studies, visual arts, studies in arts and culture, and French studies.

    The showcase features an array of installations, neon signs, readings, paintings, prints, videos and sculptures.

    Brock provided funding for the project through a longstanding research agreement in place between the two institutions, in addition to funding provided through Brock’s Dean of Humanities office.

    “We’re very grateful for Brock’s support,” Parayre said.

    Parking for the event is available onsite and guests are advised to dress warmly as temperatures within the silos remain brisk.

    More information on participating artists and performance schedules for the opening reception is available online.

    A one-day symposium held to relive the exhibition is scheduled to take place in September at Rodman Hall Art Centre in St. Catharines.

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    Categories: Announcements, Faculty & Instructors, In the Media, News

  • Post-Industrial Ephemera: Soundings, Gestures and Poetics

    close up of an industrial building and window

    Photo credit: Derek Knight

    Post-Industrial Ephemera: Soundings, Gestures and Poetics
    Silo-City welcomes you to an exhibition featuring artists on both sides of the Niagara River

    April 22 – 29, 2017
    105 Silo-City Row, Buffalo, NY 14203, U.S.
    Opening Reception: Saturday, April 22 from 2 – 5 pm
    http://www.silo.city
    Click here for directions
    Free community event

    Buffalo, New York and St. Catharines, Ontario are neighboring cities separated by a river and a border, but they also nurture a strong sense of regional togetherness and cultural kinship. Colleagues in Sculpture, Arts, Comparative Literature, English Studies, Visual Arts, Studies in Arts and Culture, and French Studies at SUNY on the U.S. side and Brock University on the Canadian side will share a common space at Silo-City, Buffalo between April 22 – 29. Coming from different places and practices, we wish to foster interdisciplinarity.

    Together, we want to reflect on the notion of dispersal. A concrete monument, an overwhelming structure, Silo-City is also a crucible of ephemeralities – sounds dissipating as they echo up the walls, the wind blowing through hollow buildings, the decay of objects deposited in the empty halls, the temporary presence of others, productive resonances of creative experiences. Is Silo-City a memorial? Silos are built to maintain large networks of commodity exchange for human and animal sustenance. Here, however, the workers are gone; the buildings are exposed to inclement weather; the projects we bring with us will disappear, be dispersed or displaced. Silo-City, despite its imposing constructions, invites visitors to become more perceptive to the transience of human endeavours.

    We will plant colourful seedpods, install a neon sign in tribute to the Buffalo river that flows by Silo-City, crush words out of their discourse, scatter mourning songs for long gone lives, bring images, noise and stories from other places. We will capture the brilliance of a moment.

    A follow-up one-day symposium at Rodman Hall Art Centre, St. Catharines will document and revive the exhibition on September 16, 2017.

    The opening will include performances by Harmonia Chamber Singers, Reinhard Reitzenstein, Lauren Regier, Continuous Monument, Catherine Parayre and Jim Watkins 

    Curators: Catherine Parayre, Reinhard Reitzenstein

    Click here to download the performance program.

    For more images and information, please visit the exhibition website.

     

    University of Buffalo art dept, Rodman Hall, Harmonia, Marilyn I Walker, Silo City and Brock University faculty of Humanities logs in a row


    Participating artists: 

    ArtIndustria+
    Untitled (neon sign)

    ArtIndustria+ was formed in 1995 by Derek Knight and Franc Petric, two Canadian artists who reside in the Niagara region. Motivated by the desire to work collaboratively, they have developed projects over the years with a focus on art, research and technology. Underlining their concerns with the dialectical relationship between ecology and industry, their conceptual models combine installation techniques and situational aesthetics to further examine the artist’s role in post-industrial society.

    Continuous Monument
    Silo Sessions at the American (noise/drone performance)

    Continuous Monument is an affiliation of interdisciplinary culture-makers working among design, text, architecture and sound fields. Born from the ashes of a contaminated political landscape, Continuous Monument gathers to spatialize sound and signal in temporary, site specific soundscape improvisations. Monument will perform at The American in Silo City as an acoustic inhabitation; live ghosts active in remnant industrial anatomy.

    Akasya Crosier
    Likeness (typeface study)

    Akasya Crosier is a multifaceted artist based in Western New York. She is currently a senior at UB studying Studio Art and Communication. In her artwork, she focuses on effective communication skills, idealized spaces, and bright imagery.

    Catherine Parayre (assisted by Josh Dawson, SUNY and Paul Savoie, Brock U)
    Ingrained Words (14 posters: assembled fragments from texts by 33 writers)

    Catherine works in Arts and Culture, and in Modern Languages, Literatures and Cultures at Brock University. She is particularly interested in contemporary Occitan literature, as well as the co-presence of literatures and visual arts. She includes her four languages in her creative work.

    Catherine Parayre and Jim Watkins
    The Silo-Minder (recording, reading)

    Jim Watkins lives in Silo-City and is our silo-minder/keeper. His passion for the arts and for Silo-City is central to our cross-border project.

    Lauren Regier
    Where I stand is fair and square (performance/grass seed & dirt)

    Lauren Regier is Honours graduate from Brock University’s Visual Arts program, and is an emerging artist based in the Niagara Region. Much of her work is inspired by the notion of functionality and relationships between the industrial world and the natural realm. Interested in the experiential nature of contemporary art, her practice includes photography, installation, performance, drawing and video.

    Reinhard Reitzenstein
    ArbreTreeBaum (vocal piece in 5 languages)

    Reitzenstein has held over 100 solo exhibitions and over 300 group exhibitions globally, and has completed over 25 public and private art commissions. His work is represented in more than 50 public and corporate collections internationally. Reitzenstein has been Director of the Sculpture Program at, SUNY, Buffalo since 2000. He is represented by the Olga Korper Gallery in Toronto.

    Casey Ridings
    Untitled Emotion (acrylic paint)

    Casey Ridings is currently a Graphic Design student at the University at Buffalo. She is intrigued by the geometric nature of organic patterns; through a spontaneous and intuitive process she creates intricate paintings and drawings inspired by the exploration of her experiences and emotions.

    Cody Schriever
    Vanity Case / Skeletons of Perception (painting/sculpture)

    Cody Schriever is a student in the University at Buffalo art department. His paintings and sculptures deal with human nature, and the structures of its self-perception. By combining various styles of painting and modes of expression he creates a complex narrative of the global condition.

    Shawn Serfas
    Alloyed (acrylic)

    Shawn is an Assistant Professor in the Visual Arts Department, Marilyn I. Walker School of Fine and Performing Arts at Brock University. His research interests include contemporary painting, drawing and printmaking practices concerning relational abstraction, environmental aesthetics, religion, the landscape as well as issues bordering abstraction and representation.

    Lucas Veraldi
    2mp (inkjet prints)

    Lucas is an artist currently residing in Buffalo, NY. His practice examines the different methods of representation that exist within the realm of photography and explores the truth value that a photograph holds as a piece data that showcases life.

    Sophia Yung
    Voyage Voyage 

    Sophia Yung is a Chinese American graphic designer and artist from Brooklyn, NY. Her most recent work involves the analysis of Asian American culture shock, language barriers, mixed martial arts and the role of financial capital in the precarious 21st century.

    Jean Zhu
    bacteria (video)

    Jean Zhu is currently a Media Study student at the University at Buffalo. She is both a photographer and a filmmaker. Her experimental films and straightforward photographs of everyday objects and scenes are noted for their color combination, explicit composition and rich content.


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    Categories: Alumni, Announcements, Events, Faculty & Instructors, News

  • Upcoming exhibition at Rodman Hall: Donna Akrey’s “Also Also”

    (Source: Rodman Hall Art Centre)

    DONNA AKREY
    Also Also

    Curated by Marcie Bronson

    February 11 to April 30, 2017

    Opening Reception: Saturday, February 11, 3 pm

    HOT TALK: Thursday, March 2, 7 pm
    Donna Akrey in conversation with Marcie Bronson

    Donna Akrey is interested in how habit shapes the way we experience and engage with the world around us. Rooted in her astute observation of patterns of communication and consumption, her work humorously intervenes to raise discussion about social and environmental issues, often responding directly to a particular site or community. Using common, surplus, and discarded materials to construct sculptures and installations that she describes as “ruminations on the spectacle of the unspectacular”, Akrey draws attention to the futility of the notion of “the ultimate” and the richness in the space between intention and result. Akrey explains: “I imagine the absurd as real, because sometimes the real is so absurd.” Alongside selected works from the last 15 years of her practice, this exhibition presents a site-specific outdoor installation created in collaboration with neighbourhood residents.

    Donna Akrey, Middle Ground, 2016, mirror, wood, foam, casters.

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    Categories: Events, Exhibitions, Faculty & Instructors, News

  • Donna Szőke: Satellite, Curated by Stuart Reid

    "Invisible Histories", phone app, 2015

    “Invisible Histories”, phone app, 2015

    Monday, October 19 – Saturday, November 28, 2015
    Opening Reception: Friday, October 23, 2015, 7 – 9 p.m.
    Location: Visual Arts Gallery, 15 Artists’ Common
    Satellite is the collected media art works by Donna Szoke, from 2011 to present. It is literally a satellite show of the exhibition Cloud, installed and running now at Rodman Hall Art Centre. While Cloud coalesces print, sculpture and multiples into one body of work, Satellite presents digital drawings, single channel video and media art works that speak to the ethereal regions of digital art practice. These digital artworks investigate the invisible, elided and mysterious.

    This exhibition is running now at the Visual Arts Gallery, Marilyn I. Walker School of Fine and Performing Arts, Brock University at 15 Artists’ Common in downtown St. Catharines, and is a free community event!

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  • Donna Szőke: Cloud, Curated by Stuart Reid

    Donna Szőke, "Decoy", 2015 acrylic paint on ABS plastic, ceramic plate

    Donna Szőke, “Decoy”, 2015 acrylic paint on ABS plastic, ceramic plate

    Saturday, October 10, 2015 – Sunday, January 17, 2016
    Opening Reception: Sunday, October 25, 2015, 3 – 5 p.m.
    Location: Rodman Hall Art Centre, 109 St. Paul Cres., St. Catharines
    Cloud is an assemblage of limited-edition prints and objects that explores relational meaning. Donna Szőke has created a collection of works that convey messages that are sometimes absurd, often humorous, never singular, but existing in relation to other parts of the whole. The materials chosen for the prints usually have an association with the text or message. For Decoy, the artist made a series of 3D-printed, trompe l’oeil Tim Horton’s doughnuts. The relationship between the doughnut and the hole, the original and the copy, the single and the baker’s dozen, may be confounding or irrational, but serves to point out how ideas are ephemeral structures.

    The artist writes: “Absurdity, irrationality, immanence, failure and anachronism are the unifying themes of Cloud… Ideas arise and are fleeting. They form, peak and disappear in sets of relationships to other ideas. Insights echo across instances of ideas.”

    This exhibition is running now at Rodman Hall Art Centre, 109 St. Paul Crescent in downtown St. Catharines, and is a free community event!

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  • Rodman Hall Art Centre wins at OAAG awards

    (Source: The Brock News, Thursday, November 6, 2014. Photo: Installation view – Jimmy Limit – “Recent Advancements”)

    Brock University’s Rodman Hall Art Centre was recognized with two prestigious prizes this week at the 37th annual Ontario Association of Art Galleries (OAAG) Awards, presented at the Gladstone Hotel in Toronto Nov. 5.

    Twenty-eight public art galleries in 19 cities across Ontario were nominated for awards.

    Communities represented in the visual art nominations this year included Barrie, Cambridge, Chatham-Kent, Hamilton, Kingston, Kitchener, Kleinburg, London, Mississauga, Oakville, Oshawa, Ottawa, Owen Sound, St. Catharines, Sarnia, Toronto, Waterloo, Whitby, and Windsor.

    The OAAG Awards are annual, province-wide, juried art gallery awards of artistic merit and excellence.

    They recognize the new exhibitions, publications, programs and community partnerships that have been commissioned by and produced by Ontario’s public art galleries over the previous year.

    Jimmy Limit: Recent Advancements, curated by Marcie Bronson, was recognized as Exhibition of the Year, Monographic.

    In her acceptance speech, Bronson noted that this exhibition was St. Catharines-based Limit’s first public art gallery showing.

    The award citation noted the curator and artist as well as the Rodman Hall installation team, including Danny Custodio, Matthew Tegel and Jesse Harris.

    Inspired by commercial photography practices and the design of industrial supply catalogues and weekly flyers, Jimmy Limit builds and photographs simple constructions of hardware store goods and fruits.

    Selecting his varied subjects for their aesthetic interest rather than function, he engages them from a strictly formal standpoint.

    Through photographs and installations, Limit engages layers of reflection on past and present photography traditions to explore the relationship between an object and its image in a consideration of how desire is created and sold.

    The exhibition catalogue Milutin Gubash – co-published by Rodman Hall Art Centre, Carleton University Art Gallery, Kitchener-Waterloo Art Gallery, Southern Alberta Art Gallery and Musée d’art de Joliette – received an Honourable Mention in the category of Art Publication of the Year.

    Serbian-born artist Milutin Gubash has developed a diverse practice focused on the investigation of his own personal, social and cultural identity.

    This first monograph examines the overlap of history, humour and authenticity found in his multifaceted practice.

    Often cast as the lead alongside his family and friends, Gubash employs narrative to blur the boundaries between real, lived lives and the people who we wish we were.

    Produced to accompany a multi-venue 10-year survey of Gubash’s work, the publication includes original essays and complete photographic documentation. Milutin Gubash lives and works in Montreal.

    Stuart Reid, director/curator of Rodman Hall Art Centre, said the awards are important recognition from peers.

    “They mean a great deal to our institution,” he said. ” We are very proud of the excellent program of contemporary art exhibitions that Rodman Hall produces for the Brock community and the people of Niagara.”

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  • VISA Honours Exhibit: PERCEPTIONISTS

    Rodman Hall Art Centre
    109 St. Paul Crescent St. Catharines,
    ON L2S 1M3 

    April 21 – May 6, 2012
    Opening reception: Friday, April 20, 2012 at 7 p.m. 

    PERCEPTIONISTS, the 2012 edition of the Brock University Visual Arts Honours Exhibit features artworks by three graduating honours students from the Department of Visual Arts: Sarah Beattie, Danny Fast, and Carrie Perreault.

    This exhibition is the culmination of eight months of work where students pursued the creation of a body of artwork. Under the mentorship of Visiting Artist Donna Szoke, and Assistant Professor Duncan MacDonald, students individually explored diverse mediums ranging from video, performance, painting, photography, and installation.

    Irene Loughlin, an interdisciplinary artist and instructor at Brock University writes, “The works in this exhibition engage both the artist and the viewer, underscoring the complex relationships between illusion and representation, obsolescence and contemporaneity, technology and biology, difference and normativity. These three artists give concrete form to some of the outstanding contradictions inherent in our contemporary lives, challenging established perceptions while opening a space that might allow for the emergence of new subjectivities.”

    The Department of Visual Arts has a long tradition of presenting work of graduating students mentored in its Honours Studio program. Students accepted into this course develop a cohesive body of work that will support their entry into graduate school MFA programs and act as a strong portfolio for future artistic endeavours.

    Such exhibits from the Department of Visual Arts are key to the Marilyn I. Walker School of Fine and Performing Arts’ mandate to connect the community with the breadth of talent and creativity at Brock University.

    Join us for the opening reception of PERCEPTIONISTS on Friday, April 20, 2012 at 7 p.m., held at Rodman Hall Art Centre. Gallery hours: Tuesday – Friday: 1 a.m. – 5 p.m.; Saturday: 10 a.m. – 5 p.m.; Sunday: 11 a.m. – 5 p.m.; closed Mondays and statutory holidays.

    Promotional Video:

     

    PERCEPTIONISTS on Facebook
    PERCEPTIONISTS on Cogeco

    Media day: Tuesday, April 17, 2012, at 2 p.m., held at Rodman Hall Art Centre, 109 St. Paul Crescent, St. Catharines, ON.

    Media inquiries:

    Marie Balsom, Communications,
    Marilyn I. Walker School of Fine and Performing Arts,
    Brock University
    T: 905-688-5550. x4765 | E: mbalsom@brocku.ca | W: brocku.ca/visualarts

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    Categories: 4F06 Honours Exhibition, Events, Exhibitions

  • Two Upcoming Exhibitions for Visual Arts Professor Duncan MacDonald

    (Source: The Brock News, Thursday, September 16, 2010)

    Duncan MacDonald is exhibiting new artworks in two solo exhibitions — one at Rodman Hall in a show entitled “Little Revolutions”, and the second at p|m Gallery in Toronto in a exhibition called “Babble”. Info on these exhibitions can be found online at Rodman Hall and p|m Gallery.

    The p|m Gallery exhibit began on Sept. 2 and goes to Sept. 25. The Rodman Hall exhibit will have an opening reception on Sept. 30 from 7 to 9 p.m., and an artist’s talk on Thursday, Oct. 21 at 7 p.m. It can be viewed until Jan. 2, 2011.

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