Articles tagged with: indigenous

  • Canada Research Chair (Tier II) in Indigenous Art Practice: Candidate Research Presentations

    Monday, January 06, 2020 | By

    The Brock and wider community is invited to attend the presentations by the three Indigenous artist/researchers who are finalists for the Canada Research Chair (Tier II) in Indigenous Art Practice at the Marilyn I. Walker School of Fine and Performing Arts.

    Our candidates are visiting the Marilyn I. Walker School in January. Each will give an hour-long presentation and engage in an additional half hour of discussion about their current research interests and focus, and about what they would hope to achieve as a Canada Research Chair at Brock University in the next five years.

    MATTHEW MACKENZIE

    Research presentation 5 – 6:30 pm,
    Friday January 10, 2020
    MWS 156

    Edmonton playwright, director and producer Matthew MacKenzie (Métis) is Artistic Director of Punctuate! Theatre, as well as the founder and an Artistic Associate with Pyretic Productions. In 2018, his play Bears won Dora Mavor Moore Awards for Outstanding New Play and Outstanding Production, was named a co-winner of the Toronto Theatre Critics Outstanding New Canadian Play Award, and won the Playwrights Guild of Canada’s Carol Bolt National Playwriting Award. This past fall, Punctuate! premiered MacKenzie’s play The Particulars, which was named one of the top ten productions of 2019 by The Globe and Mail.

    MARK IGLOLIORTE

    Research presentation 11:30 am – 1 pm,
    Friday January 17, 2020
    MWS 156

    Mark Igloliorte is an Inuk artist born in Corner Brook, Newfoundland with Inuit ancestry from Nunatsiavit, Labrador. His artistic work is primarily painting and drawing. Igloliorte’s work has been featured in several notable national exhibitions including the 2015 Marion McCain Exhibition of Contemporary Atlantic Canadian Art, curated by Corinna Ghaznavi; Inuit Ullumi: Inuit Today: Contemporary Art from TD Bank Group’s Inuit Collection; Beat Nation, curated by Kathleen Ritter and Tania Willard; and The Phoenix Art-The Renewed Life of Contemporary Painting, curated by Robert Enright. In addition, Igloliorte has been profiled in features in Canadian Art magazine and Inuit Art Quarterly. Igloliorte is an Assistant Professor at Emily Carr University of Art and Design.

    SUZANNE MORRISSETTE

    Research presentation 5 – 6:30 pm,
    Wednesday January 22, 2020
    MWS 207

    Suzanne Morrissette is a Métis artist, curator, and writer. Using various research-creation methods Morrissette addresses the philosophical roots of historical and contemporary forms of injustice facing Indigenous peoples. Her current and future research looks at the role of locally-based Indigenous knowledges within Indigenous community-based curatorial practice as a way of entering into conversations about robust and unexpected strategies for representing Indigenous art both within Canadian and international contexts. Currently she holds the position of Assistant Professor at OCAD University.r University of Art and Design.

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  • Tier 2 Canada Research Chair (CRC) in Indigenous Art Practice

    Wednesday, September 04, 2019 | By

    Brock University’s Marilyn I. Walker School of Fine and Performing Arts (MIWSFPA) invites applications for a Tier 2 Canada Research Chair (CRC) in Indigenous Art Practice at the rank of Assistant or Associate Professor.

    The CRC in Indigenous Art Practice will be appointed to one or more of the School’s academic units, depending on the successful applicant’s area(s) of knowledge and expertise. We recognize that in Indigenous art there may be no formal divisions between visual, theatrical, and musical art forms. Brock embraces diverse perspectives and pedagogical practices; it is hoped that the CRC in Indigenous Art Practice will help foster new collaborations across academic units and assist the School and university to move towards Indigenization. The CRC will be welcomed into a tight-knit, friendly, and dynamic community of artists, scholars, staff, and students that respects, promotes, and actively engages with Indigenous arts and culture within the University and Indigenous communities.

    Review of applications will begin on October 31, 2019, and will continue until the position is filled.

    For more information see the complete posting at brocku.wd3.myworkdayjobs.com/brocku_careers/job/St-Catharines-Downtown-Campus/Canada-Research-Chair—Tier-2—Indigenous-Art-Practice—Assistant-Associate-Professor-Tenure-Track_JR-1002413

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  • Inaugural exhibit in the VISA Exhibition Space for 2017-18: AWAKENING HER SPIRIT

    Sunday, September 03, 2017 | By

    Daphne Odjig (Odawa – Potawatomi) “In touch with her spirit”

    Daphne Odjig (Odawa – Potawatomi) “In touch with her spirit”

    AWAKENING HER SPIRIT: Select works from the Suzanne Rochon-Burnett Collection

    Opening Reception – Thursday 7 September at 7pm

    An exhibition of one women’s journey to empower and support Indigenous arts in Canada and globally through a collection of paintings, mixed media, sculpture, and personal objects.

    Never before exhibited original works including: Norval Morrisseau, Daphne Odjig, Carl Beam, Roy Thomas, Vince Bomberry, Simon Brascoupe, Bruce King, and more. Curator’s Talk with Samuel Thomas on Sunday 10 September at 1pm.

    Awakening Her Spirit is part of Celebration of Nations, a gathering of indigenous arts, culture and tradition set for Sept. 8-10. The gathering features ticketed performances by Buffy Sainte-Marie, Kaha:wi Dance Theatre, DJ Shub as well as free workshops, performances and teachings all weekend long. The full schedule is available at www.celebrationofnations.ca

    The exhibit continues through Sept. 30 at the Marilyn I. Walker School of Fine and Performing Arts located at 15 Artists’ Common in downtown St. Catharines. Situated on the lower level of the MIWSFPA, regular hours of the Art Gallery are Tuesday through Friday from 1-5 p.m. Additional open hours for Celebration of Nations include:

    Thursday, Sept. 7 from 6-9 p.m.
    Friday, Sept. 8 from 1-8 p.m.
    Saturday, Sept. 9 from 11 a.m. – 7 p.m.
    Sunday, Sept. 10 from 11 a.m. – 5 p.m.
    Saturday, Sept. 30 from 10 a.m. – 5 p.m.

    For more information or for assistance arranging interviews:
    * Dan Dakin, Media Relations Officer, Brock University ddakin@brocku.ca, 905-688-5550 x5353 or 905-347-1970

    About Samuel Thomas (Curator)

    Samuel Thomas is a member of the Lower Cayuga Band of the Iroquois Nation. He lives in Niagara Falls, Ontario. For nearly 40 years, Sam has worked to resurrect beadwork styles from the 18th and 19th centuries. He has recovered several “lost” techniques, and in the process, has garnered international respect for Iroquois beadwork.

    Sam’s meticulous style is self-taught, based on his extensive study of museum/collector pieces, books and illustrations. He further developed his technique by training with tanner Juliette Meness-Ferguson, beadworker Faith DuBuc, and Royal Ontario Museum curator Dr. Trudy Nicks.

    Sam endeavours to bring people together and break down cultural divisions through sharing knowledge and the arts. He has led collaborative beading workshops involving over 800 people across two continents, as well as cross-cultural initiatives with East African beadwork artists.

    Sam’s current projects include Opening the Doors to Dialogue, a reconciliation-focused series of collaborative sessions. Residential school survivors, their descendants and members of the public learn beadwork techniques, which they then apply to doors salvaged from former residential schools. The creative process of these sessions provides a forum for open dialogue, in turn facilitating the healing process for participants.

    Sam is deeply dedicated not only to his art, but also to its endurance beyond his own time. As president of the arts service organization Neto Hatinakwe Onkwehowe Native Arts, he works to ensure Aboriginal artists in the Niagara region have access to training, mentorship and professional services.

    Sam’s work can be found in the permanent collections of the British Museum, the Canadian Museum of History, the Royal Ontario Museum and the Smithsonian Institution, along with museum, gallery and private collections in the Netherlands, Germany and Australia.

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