Media releases

  • Brock research examines why people choose to buy counterfeit products

    MEDIA RELEASE: R00200 – 20 September 2016

    When it comes to luxury goods, people don’t always know they’re buying a fake. Some differences are so inconspicuous even a seasoned shopper could miss them. But what about situations where people spot or even look for fake products and buy them on purpose?

    Although it’s widely known that counterfeit purchases are unethical and in some cases illegal, the demand for cheaper, imitation products continues to skyrocket. In an industry filled with fakes and phonies, there’s nothing fabricated about the dollars it rakes in: it’s a $1.77-trillion industry with no indication of slowing down.

    Research by Kai-Yu Wang, associate professor of marketing at Brock University’s Goodman School of Business, looks at the ethics surrounding this industry and what motivates people to intentionally purchase counterfeit products even when the act doesn’t align with their personal morals.

    “The demand for counterfeit luxury brands is robust and growing, although the consumption of counterfeit goods is viewed as unethical. If saving money is the main reason for counterfeit goods consumption, why don’t consumers simply choose cheaper generic brands instead?” questions Wang.

    The research shows that beyond the obvious money-saving tactic, people are motivated to buy counterfeit items by wanting to enhance their self-image and because they enjoy the “thrill of the hunt” or feeling as though they are part of a “secret society” of discerning shoppers who know just where and how to spot good deals on luxury brand knock-offs.
    “We also wanted to find out how consumers cope with cognitive dissonance associated with their unethical counterfeit consumption behaviour,” says Wang.
    Counterfeit luxury in hand, consumers may feel guilty after their purchase but deal with these feelings by denying responsibility or by identifying with loyalty to something else — for example, reasoning that they actually prefer the counterfeit design to the real thing.

    The research also shows that people who buy counterfeit items do not get embarrassed or feel ashamed of their purchase, but instead can experience these feelings if their deception is exposed to their social circles.
    Through in-depth interviews with counterfeit-savvy consumers, Wang and his co-authors discovered a range of personal morals — from recognizing the damage they were doing to the brand to rationalizing that the fakes were good for the brand, embodying the saying “imitation is the sincerest form of flattery.”

    The study, co-authored with colleagues Xuemei Bian, University of Kent, Andrew Smith, Nottingham University Business School, and Natalia Yannopoulou, Newcastle University Business School, has been published online by the Journal of Business Research.

    For more information or for assistance arranging interviews:

    * Dan Dakin, Media Relations Officer, Brock University ddakin@brocku.ca, 905-688-5550 x5353 or 905-347-1970

    * Kamila Karwowski, Communications Manager, Jan Kelley kkarwowski@jankelley.com, 905-631-3982 or 416-999-4966

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    Categories: Media releases

  • Building awareness of missing and murdered Indigenous women and girls

    MEDIA ADVISORY: R00199 – 19 September 2016

    Too many of Canada’s missing and murdered Indigenous women and girls remain nameless and faceless.

    The Faceless Dolls Project seeks to raise awareness about the epidemic and ensure that each statistic has a story behind it.

    Two workshops for the Faceless Dolls Project will be held at Brock University this week on Monday, Sept. 19 and Thursday, Sept. 22, both at 3 p.m. in Sankey Chambers.

    The sessions are organized and facilitated by Brock’s Indigenous Solidarity Coalition, and the faceless dolls being created will become an exhibit on display at Brock as a reminder of the MMIW issue.

    “The Faceless Dolls Project is an opportunity to visually and physically create a representation of the known cases of missing and murdered Aboriginal women and girls in Canada,” says Indigenous Solidarity Coalition co-founder Celeste Smith. “The history and legacy of these faceless dolls are rich in traditional teachings and Indigenous advocacy.”

    Inspired by the teachings of the faceless corn husk dolls of the Oneida peoples, Cree Artist Gloria Larocque began making Aboriginal Angel Dolls in 2005 to bring awareness to the hidden epidemic of the murdered women of Vancouver’s Downtown Eastside.

    “The compassion I had about the issues surrounding the murdered women of Vancouver’s Downtown Eastside turned into a project of love. I wanted to instill personality and humanity into what has now been recognized as an epidemic in Canada,” says Larocque.

    “One teaching of the Oneida corn husk doll is that of vanity. In the case of these women and girls, it is society’s vanity that contributed to making them invisible for so long,” explains Larocque.

    In 2012, the Native Women’s Association of Canada (NWAC), as part of its commitment to encourage dialogue about MMIW, approached Larocque to collaborate on a national faceless dolls project.

    "NWAC wanted a project that could be taken across Canada to help ensure that each statistic told a story,” says Larocque. “I was asked to come up with a design that could be physically re-created to represent the known cases of missing and murdered Indigenous women across Canada, but that would also transform with beauty and individuality when designed by Canadians.”

    The dolls that were created became a traveling art exhibit in memory of the nearly 1,200 missing and murdered Indigenous women and girls in Canada. As word of the project spread, requests to continue making the faceless dolls emerged from the families, community members, teachers and allies of MMIW.

    “To contribute to this legacy and create an educational ripple effect is a humbling experience,” says Indigenous Solidarity Coalition co-founder Jodielynn Harrison. “We invite the Brock and Niagara community to attend these workshops to learn more and make a contribution. By doing so, we are giving voice to those who have been silenced.”

    The Brock and Niagara community are also invited to the Sisters in Spirit event on Tuesday, Sept. 20 at 6 p.m. in the Sean O’Sullivan Theatre.
    Sisters in Spirit will include a documentary film screening with panel discussion, a book reading and signing from the newly released Forever Loved: Exposing the Hidden Crisis of Missing and Murdered Indigenous Women in Canada and performances by Strong Water Women.
    Special guests include: Nick Printup, Film Director; Jennifer Brant, Author; Jessica Riel-Johns, Author; Sherry Emmerson, Author; Alyssa M. General, Artist and Author; and Jackie LaBonte, Healing and Wellness Co-ordinator.

    There is free parking for all these events in Brock University’s D-lot.

    For more information about the Indigenous Solidarity Coalition at Brock University or these upcoming events visit: indigenoussolidaritybrock.wordpress.com or the Facebook pages of the Faceless Dolls Project workshop and the Sisters in Spirit event.
    For more information or for assistance arranging interviews:

    * Dan Dakin, Media Relations Officer, Brock University ddakin@brocku.ca, 905-688-5550 x5353 or 905-347-1970

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    Categories: Media releases