Media releases

  • Surge pricing a growing part of consumer experience, says Brock expert

    EXPERT ADVISORY: March 1 2024 – R0024

    The public reacted swiftly this week when news spread that Wendy’s had potential plans to test run surge pricing in its restaurants.

    While the popular fast-food chain has since indicated it will not increase prices during the busiest times at its restaurants, the situation has shed light on both current and potential future surge pricing practices, says Brock University’s Eric Dolansky.

    The Associate Professor of Marketing with Brock’s Goodman School of Business says the thought of restaurants introducing dynamic pricing elicited public backlash because it “violates norms and expectations” for the food industry.

    As of late, the concept of surge pricing has been attributed mainly to transportation companies such as Uber, which use a dynamic model to moderate use by customers based on supply and demand.

    However, “surge pricing is a relatively new name for a fairly old concept,” says Dolansky, who studies behavioural economics, price perception and consumer estimations of value.

    “Tying price to supply and demand is as old as classical economics, but the technological power needed to do it in real time and on a wider scale is more recent,” he says. “Even so, for decades companies have been altering prices based on either actual or expected demand.”

    Dolansky points to the travel industry, where both airlines and hotels operate on dynamic pricing models — and have for some time.

    The difference is the perceived value for consumers when it comes to purchases such as travel versus physical products, such as food items, for which customers expect relatively stable prices, he says.

    For instance, with Niagara Falls being one of few places in the path of totality for the April 8 total solar eclipse, hotels raised their prices in anticipation of the celestial event’s ability to draw tourists.

    “Staying in Niagara Falls around April 8 holds a great deal more value, for some consumers, than that same stay one week earlier or later,” Dolansky says. “Therefore, they are willing to pay more, and the companies involved are trying to capitalize on that desire.”

    However, gift shops, tourist attractions and restaurants in the Niagara area wouldn’t normally change their prices based on an expected increase in demand, he says.

    “If these businesses raise their prices, they need to convince customers it’s worth it.”

    This may be done by providing an exclusive offering, such as a special menu, to increase the perceived value, he says.

    Dolansky says businesses have to be careful that their pricing — not only the amount but the way prices are set and change over time — reflects the value that is perceived by customers.

    “If customers don’t see a difference in value based on, for example, how busy a particular fast-food franchise is at a given moment, they won’t be willing to accept a higher price,” he says.

    Dolanksy says it’s beneficial for businesses to research, innovate and test out different pricing models, but that they must be based on customer value.

    “We inherently understand that if something is in greater demand, we may need to pay more for it,” he says. “But for food, in most situations in Canada, there is not the same scarcity — thankfully — so a model like this may feel artificial.”

    Eric Dolansky, Associate Professor of Marketing with Brock’s Goodman School of Business, is available for media interviews on the topic.

    For more information or for assistance arranging interviews:

    * Doug Hunt, Communications and Media Relations Specialist, Brock University dhunt2@brocku.ca or 905-941-6209

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    Categories: Media releases

  • Brock expert offers tips on photographing — and experiencing — April’s solar eclipse

    EXPERT ADVISORY: February 29 2024 – R0023

    When the total solar eclipse takes place over North America on April 8, many people will naturally reach for their phones or cameras to capture the moment.

    Brock Associate Professor of Visual Arts Amy Friend, an internationally recognized photographer, is offering tips on documenting the rare phenomenon safely while also encouraging the public to consider different ways of experiencing what for many will be a once-in-a-lifetime event.

    The Chair of Visual Arts at Brock first points to taking safety precautions for viewing and documenting the eclipse, which can be found on Brock’s Eclipse on the Escarpment web page.

    Friend says it’s crucial to have a proper solar filter on any camera, including on a smartphone.

    “Solar filters for traditional cameras and cell phones are available online from several retailers, but consumer research is key to ensuring the purchase of an international standard filter (full-aperture and off-axis) with regulated qualities, making it safe for photographing the eclipse,” she says.

    According to the award-winning photographer, practice is also key.

    Practise beforehand by photographing the everyday sun, without looking directly at it, Friend says. Taking photos of the sky on a sunny day will help determine appropriate aperture and shutter speed for such bright light.

    She also suggests getting comfortable with outdoor night photography.

    “During totality, when the sun is fully blocked by the moon, turning the sky dark, the camera will need adjusted shutter speeds and aperture settings to take a successful photo,” Friend says.

    She recommends experimenting with the High Dynamic Range (HDR) setting on cameras, which captures high-contrast photos. With this setting, many photos of the eclipse could be put together to create one image.

    “The visual effect of this is very interesting as the second-to-second variations in the sun flare created by the eclipse combine creating a beautiful image capturing unique details,” Friend says.

    For those looking to get creative, there are other ways to view the solar eclipse, including pinhole projectors or building boxes that filter the sunlight and create a projection of the sunlight onto a nearby surface.

    “Using this approach, the person would be looking at the projection instead of the eclipse itself,” Friend says. “What they would see is a darkening circle in the form of a crescent, which is the moon starting to cover the sun.”

    While many people will want to capture a photo of the eclipse themselves, photographers throughout history have cautioned against photographing the celestial phenomenon, as it is difficult for the average person to achieve a great photo.

    “We know what it will look like, and yet we still want to photograph it. But we don’t want to miss an incredible experience in the process,” Friend says.

    Through her research into the role of photography as proof of experience, however, Friend says the desire to personally capture the moment is very natural.

    “There is also the excitement of going online and sharing your photo — the ‘after’ of the experience — that can be quite engaging and stirs up response and dialogue, simultaneously amplifying the experience and documenting it in popular culture,” she says.

    Friend is fascinated by historic images of people experiencing celestial events in group settings as a visual time capsule into the culture and technology of the time.

    “I think there is something quite beautiful about that moment, where we all just stop and view something rare and spectacular in the sky together,” she says. “The sun and moon have paused life for a moment.”

    Amy Friend, Brock University Associate Professor and Chair of Visual Arts, is available for media interviews on the topic.

    For more information or for assistance arranging interviews:

    * Doug Hunt, Communications and Media Relations Specialist, Brock University dhunt2@brocku.ca or 905-941-6209

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    Categories: Media releases