2011-2012 Graduate Calendar

Studies in Comparative Literatures and Arts  
Master of Arts in Studies in Comparative Literatures and Arts Dean J. Douglas Kneale Faculty of Humanities Associate Dean Carol U. Merriam Faculty of Humanities Core Faculty Professors Alex Amprimoz (Modern Languages, Literatures, and Cultures), Sandra Beckett (Modern Languages, Literatures, and Cultures), Leslie Boldt (Modern Languages, Literatures, and Cultures), Corrado Federici (Modern Languages, Literatures, and Cultures), Rosemary Drage Hale (Centre for Medieval and Renaissance Studies) Associate Professors Michael Berman (Philosophy), Leah Bradshaw (Political Science), Tim Conley (English Language and Literature), Christine Daigle (Philosophy), Tamara El-Hoss (Modern Languages, Literatures & Cultures), David Fancy (Dramatic Arts), Derek Knight (Visual Arts), Mathew Martin (English Language and Literature), Carol Merriam (Classics), Marlene Moser (Dramatic Arts), Brian Power (Music), Cristina Santos (Modern Languages, Literatures, and Cultures) Assistant Professors Natalie Alvarez (Dramatic Arts & Great Books/Liberal Studies), Catherine Parayre (Modern Languages, Literatures, and Cultures), Maria del Carmen Suescun Pozas (History) Graduate Program Director Cristina Santos csantos@brocku.ca Administrative Assistant Cora Solway (Modern Languages, Literatures, and Cultures) (905) 688-5550, extension 3312 Mackenzie Chown A240 moderns@brocku.ca http://www.brocku.ca/modernlanguages/scla.htm  
Program Description Go to top of document
The MA in Studies in Comparative Literatures and Arts is an interdisciplinary and interfaculty program that not only focuses on the study of literature from different nations, but also examines the ways in which literature enters into dialogue with the fine and performing arts. Throughout the program, students examine contemporary approaches to texts of various types, as well as the possibilities and problems that arise in comparative studies, including issues related to the translation and adaptation of works. Through coursework, students are encouraged to develop a cross-disciplinary understanding of how works of art or cultural production evolve, are received, and are interpreted.  
Admission Requirements Go to top of document
Successful completion of an Honours Bachelor's degree, or equivalent, in a relevant discipline or interdisciplinary program (for example, Modern Languages and Literatures, Comparative Literature, English Language and Literature, Classics, Dramatic Arts, Visual Arts, Music, Film Studies, Communication Studies, Cultural Studies, Canadian Studies, or Women's Studies, with an average of not less than 75%. Applicants with an honours degree in a discipline not listed above should have completed some courses related to literary, performing, or visual arts as part of their undergraduate program. Students entering the program are expected to have a reading knowledge of at least one language other than English. The Graduate Admissions Committee will review all applications and recommend admission to a limited number of suitable candidates. Part-time study is available.  
Degree Requirements Go to top of document
While the program offers both a thesis and a major research paper option, students are strongly encouraged to pursue the major research paper option, as the additional coursework required by this choice provides more opportunity for comparative analysis across the arts. Major Research Paper Option Students pursuing the major research paper option are required to take six half-courses: the three core courses (SCLA 5P01, SCLA 5P02, and SCLA 5P03) and three elective courses (selected from SCLA 5P60-5P89). In addition to the courses, each student must complete a major research paper (SCLA 5F91) of 40-50 pages. Full-time students normally complete the program in three terms. Thesis Option Students choosing the thesis option will take four half-courses: the two core courses (SCLA 5P01 and SCLA 5P02) and two elective courses (selected from SCLA 5P60-5P89). In addition to the courses, each student must complete and defend at a public oral examination a thesis (SCLA 5F90) of 75-100 pages. Full-time students normally complete the program in four terms.  
Course Descriptions Go to top of document
Students must check to ensure that prerequisites are met. Students may be deregistered, at the request of the instructor, from any course for which prerequisites and/or restrictions have not been met. SCLA 5F90 MA Thesis An extended research project which meets the conditions specified in the description for SCLA 5F91. The thesis involves a more substantial level of research and a fuller treatment of the selected subject. It will be examined by an external reader and will require a public defense. SCLA 5F91 Major Research Paper A research project on a subject determined in consultation with the Graduate Program Director and faculty supervisor. The paper should give evidence of original thought as well as a command of primary and secondary sources. It is expected that the project will be comparative in scope, and therefore engage with both literary texts and works from at least one of the other arts. SCLA 5P01 Comparative Critical Theory in Literature and the Arts Contemporary approaches to texts of various types, discursive and aesthetic traditions, possibilities and problems arising from comparative studies. Theories of translation and adaptation. SCLA 5P02 Comparative Critical Theory in Literature and the Arts: Applications Applications of critical theory to the interdisciplinary study of theatre, visual arts and music. SCLA 5P03 Critical Theory and the Arts An examination of the modes of production, reception and analysis of art from its inception to its cultural, institutional or ideological transformation. Workshop format. Note: field trips may be required. SCLA 5P60 Crossover Literature Contemporary fiction read by a dual audience of children and adults. Impact on literary systems, canons, concepts of readership, and the publishing industry. Role of other media, influence of the marketplace. Novels, short fiction, poetry, picture books, comic books from international sources. SCLA 5P62 The Birth of the Sentimental Self (also offered as POLI 5P62) Exploration of modern notions of selfhood and subjectivity, their impact on moral and political understanding. Topics include reverie, confession, hypocrisy, genius, romanticism. SCLA 5P63 Crossing Cultural Boundaries in the Novels of Umberto Eco Eco's narrative fiction. Issues include novels as pastiche and palimpsest, open and closed works, intertextuality, high and pop culture, role of the reader, interpretation and overinterpretation, literary genres, translation, visual arts in textual settings. SCLA 5P64 Space and the Social Ecology of Art How we construct and adapt to our human or natural environment, how we determine the cultural value or social production of space, and how art, environment and aesthetics interrelate. Topics include urban, suburban and exurban spaces; natural, "naturalized" and simulated environments; site specific, public and installation art. SCLA 5P65 Violence and Discourses of Otherness in Early Modern Europe Early modern European literary engagements with discourses of colonial, ethnic, religious and sexual otherness, their cultural functions, and their violent imposition. Selected 16th and early 17th-century English, French and Spanish poetry, prose and drama. Contemporary theoretical examinations of otherness and violence. SCLA 5P66 Love and Subversion: The Literature of Love as Resistance Love poetry in political contexts. Literature of the individual in confrontation with society and establishment. Texts from a variety of eras of Western literature, from the Roman period to 20th-century North America. SCLA 5P67 Representing the Canon: Postcolonial Studies in Drama and Theatre The study of postcolonial theory and criticism in theatre as realized in rewritings of canonical texts. Both performance texts which rewrite canonical texts through performance codes and literal rewritings which use canonical texts as source material will be considered. Emphasis on strategies of resistance and their intersections in other contemporary theoretical models. Note: Field trips may be required. SCLA 5P68 " Word Painting" and Text Setting in Music from the 12th to the Early 17th Centuries Methods used to highlight, exalt, and illustrate words in music from Biblical texts set in plainchant to secular poetry set by the 16th-century Italian madrigalists. Note: Ability to read music a strong asset, but not absolutely essential. SCLA 5P69 Disability in Literature and the Arts: Sites of Resistance Disability as a site of resistance and creativity in literature and the visual arts. Readings in disability studies. Texts and films from a variety of cultural backgrounds. *SCLA 5P71 Merleau-Ponty: The Art of Perception (also offered as HUMA 5P71 and PHIL 5P71) Merleau-Ponty's treatments and analyses of the visual (painting and film) and literary arts, seen as products, explorations and distortions of human perception and embodied subjectivity, which shed light on our cultural and pre-cultural experiences of the world. SCLA 5P72 Symbolism Study of this artistic movement from its French and Belgian origins in poetry to its later international impact on German Expressionist cinema and South American Magic Realism in fiction. Artists studied include forerunners, writers of the Symbolist Manifesto period, Symbolist musicians and painters. SCLA 5P73 Witches, Vampires, and Virgins: The Monstrous Depiction of Women The socio-historical depiction of women as monstrous in Latin-American, British and American art, literature and film. Marginalized, denied, silenced feminine sexuality versus the construction of an authentic feminine identity. SCLA 5P74 Performance and Performativity Notions of performance and performativity from various sources in the fields of anthropology, theatre studies, cultural studies and philosophy. Modes of artistic and cultural expression in a world that is increasingly performative in nature. SCLA 5P75 Advanced Studies in Aesthetics An in-depth examination of a specific aesthetic question explored by artists and thinkers of a specific time period (19th century, contemporary, late or early 20th century). Questions include: the function of art, art as representation, the role of theory in the production of art, the role of art in the development of theory. SCLA 5P76 Literary Translation: Theory and Experimentation Definitions and purposes of translation from the past century. Readings by Benjamin, Jakobson, Nabokov, Ortega y Gasset, and Spivak. Note: Students need not have a background in translation. SCLA 5P77 Religion and Iconography: The Power of the Image An examination of religious imagery and iconography from a comparative perspective, employing an array of interdisciplinary methodologies. The power of devotional images and para-liturgical objects, whether depictive, performative, or evocative will be explored. SCLA 5P78 Self and Other in the Visual Field (also offered as HIST 5P78) Vision, visuality, techniques of visual presentation, and technologies of display in the study of human interaction in colonial, post-colonial, and neo-colonial situations. Adequate domains for multi-disciplinary analysis of visual and written texts and interpretive frameworks and methodologies for the study of the dynamics of power. SCLA 5P79 The Depiction of the Caribbean and African Exotic Examination of exoticism in French/Francophone literature and the arts. What makes a literary text or a work of art "exotic"? Critical readings in Alterity and Orientalism. Novels, short stories, poetry, paintings, and/or films from French/Francophone sources. SCLA 5P80 Transgression, Interdiction, and the Limits of Expression Death, eroticism, and other limit-experiences in 20th century literature and the arts. Works that attempt to speak, write, and depict that which resists or forbids expression. SCLA 5V90-5V99 Special Topics in Studies in Comparative Literatures and Arts Special topics and/or themes in Studies in Comparative Literatures and Arts.  
Last updated: April 2, 2013 @ 04:14PM