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Master of Arts in Studies in Comparative Literatures and Arts Dean Carol U. Merriam Faculty of Humanities Associate Dean Elizabeth Vlossak Faculty of Humanities Core Faculty Professors David Fancy (Dramatic Arts), Catherine Parayre (Studies in Arts and Culture / Modern Languages, Literatures and Cultures), Brian E. Power (Music) Associate Professors Renée-Claude Breitenstein (Modern Languages, Literatures and Cultures), Natalee Caple (English Language and Literature), Alex Christie (Centre for Digital Humanities), Carmela Colella (Modern Languages, Literatures and Cultures),Ta Fanny Dolansky (Classics and Archaeology),mara El-Hoss (Modern Languages, Literatures and Cultures), Nigel Lezama (Modern Languages, Literatures and Cultures), Jean Ntakirutimana (Modern Languages, Literatures and Cultures) Assistant Professor Nicholas Hauck (Modern Languages, Literatures and Cultures) Graduate Program Director Catherine Parayre Administrative Assistant Nicole Matthews (905) 688-5550, extension 3312 brocku.ca/humanities/modern-/programs/ma-scla/ |
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The MA program in Studies in Comparative Literatures and Arts is an interdisciplinary program that focuses on the study of literature from different cultures and examines the ways in which literature enters into dialogue with the fine and performing arts. Students critically explore contemporary approaches to texts of various types, as well as the possibilities and problems that arise in comparative studies, including issues related to the translation and adaptation of works. Through coursework, students are encouraged to develop a cross-disciplinary understanding of how works of art or cultural production evolve, are received, and are interpreted. The SCLA program has been designed to challenge students with an interest in the multi- and interdisciplinary collision of ideas in the Humanities, particularly questions of comparison between different forms of creative expression. In the context of advanced interdisciplinary inquiry, it provides the opportunity for the conjunction of a range of different languages and theoretical perspectives. Literature and the languages of the Visual Arts, Music, and Dramatic Arts are investigated in the context of dynamic comparability. Such generative encounters provide students (and indeed, teaching Faculty) with the opportunity for the development of fresh insights, rich innovative methodological terrains, and the creation of new concepts and post-disciplinary ideas. |
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Successful completion of four year Bachelor's degree, or equivalent, in a relevant discipline or interdisciplinary program (for example, Modern Languages and Literatures, Comparative Literature, English Language and Literature, Classics, Dramatic Arts, Visual Arts, Music, Film Studies, Communication Studies, Cultural Studies, Canadian Studies, or Women's Studies, with an average of not less than 75%. Applicants with an honours degree in a discipline not listed above should have completed some courses related to literary, performing, or visual arts as part of their undergraduate program. Students entering the program are expected to have a reading knowledge of at least one language other than English. Part-time study is available. |
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While the program offers both a thesis and a major research paper option, students are strongly encouraged to pursue the major research paper option, as the additional coursework required by this choice provides more opportunity for comparative analysis across the arts. The thesis option is by application and recommendation of the Graduate Program Committee. Major Research Paper Option Students pursuing the major research paper option are required to take six half-courses: the three core courses (SCLA 5P01, SCLA 5P02, and SCLA 5P03) and three elective courses. One of these electives must be selected from SCLA 5P60-5V99 and two from a graduate level course in Humanities. These two electives will be arranged in consultation with the Graduate Program Director. In addition to the courses, each student must complete a major research paper (SCLA 5F91) of 40-50 pages. Full-time students normally complete the program in three terms. Thesis Option Students approved for the thesis option will take five half-courses: the three core courses (SCLA 5P01, SCLA 5P02 and SCLA 5P03), one elective course selected from SCLA 5P60-5V99, and one elective course from another graduate program in Humanities. In addition to the courses, each student must complete and defend at a public oral examination a thesis (SCLA 5F90) of 75-100 pages. Full-time students normally complete the program in four terms. |
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Note that not all courses are offered in every session. Refer to the applicable timetable for details. Students must ensure that prerequisites are met. Students may be deregistered, at the request of the instructor, from any course for which prerequisites and/or restrictions have not been met. MA Thesis Extended research project which meets the conditions specified in the description for SCLA 5F91. The thesis involves a more substantial level of research and a fuller treatment of the selected subject. It will be examined by an external reader and will require a public defense. Major Research Paper Research project on a subject determined in consultation with the Graduate Program Director and faculty supervisor. The paper should give evidence of original thought as well as a command of primary and secondary sources. It is expected that the project will be comparative in scope, and therefore engage with both literary texts and works from at least one of the other arts. Comparative Critical Theory in Literature and the Arts Contemporary approaches to texts of various types, discursive and aesthetic traditions, possibilities and problems arising from comparative studies. Theories of translation and adaptation. Interdisciplinary Methodologies Interdisciplinary professionalization and projects in literatures and arts. Critical Theory and the Arts Examination of the modes of production, reception and analysis of art from its inception to its cultural, institutional or ideological transformation. Workshop format. Note: field trips may be required. Space and the Social Ecology of Art How we construct and adapt to our human or natural environment, how we determine the cultural value or social production of space, and how art, environment and aesthetics interrelate. Topics include urban, suburban and exurban spaces; natural, "naturalized" and simulated environments; site specific, public and installation art. Violence and Discourses of Otherness in Early Modern Europe Early modern European literary engagements with discourses of colonial, ethnic, religious and sexual otherness, their cultural functions, and their violent imposition. Selected 16th and early 17th-century English, French and Spanish poetry, prose and drama. Contemporary theoretical examinations of otherness and violence. Word Painting and Text Setting in Music from the 12th to the Early 17th Centuries Methods used to highlight, exalt, and illustrate words in music from Biblical texts set in plainchant to secular poetry set by the 16th-century Italian madrigalists. Note: Ability to read music a strong asset, but not absolutely essential. Disability in Literature and the Arts: Sites of Resistance Disability as a site of resistance and creativity in literature and the visual arts. Readings in disability studies. Texts and films from a variety of cultural backgrounds. Performance and Performativity Notions of performance and performativity from various sources in the fields of anthropology, theatre studies, cultural studies and philosophy. Modes of artistic and cultural expression in a world that is increasingly performative in nature. Advanced Studies in Aesthetics Examination of a specific aesthetic question explored by artists and thinkers of a specific time period. Questions may include: the function of art, art as representation, the role of theory in the production of art, the role of art in the development of theory. Literary Translation: Theory and Experimentation Definitions and purposes of translation from the past century. Readings by Benjamin, Jakobson, Nabokov, Ortega y Gasset, and Spivak. Note: Students need not have a background in translation. Transgression, Interdiction, and the Limits of Expression Death, eroticism, and other limit-experiences in 20th and 21st century literature and the arts. Works that attempt to speak, write, and depict that which resists or forbids expression. Directed Reading Research course with directed study and regular meetings with a faculty member, covering topics not offered in a designated course, and with permission of the Graduate Program Director. Through the Looking Glass: The Past and Future of Virtual Worlds Revisiting modernist literary and artistic practices in the context of contemporary social and political upheavals. A comparative examination of aesthetic shifts in the early twentieth and twenty-first centuries that emerge from, and respond to, changing modes of political representation. Course materials may include novels, theory, and videogames. Literatures and the arts in digital expressions Interdisciplinary study of digital art. Examination of literary texts and artworks adapted for digital expression. Study of literary devices applied to digital art. Curating perspectives in digital art. Fashion and Luxury: Repressive Desublimation or Sublimated Revolt? Fashion and luxury from the 19th century to the contemporary moment via literature, film, music, advertising, contemporary fashion practices and a number of critical theories related to fashion, luxury, production and consumption. Portraying Displacement Depicting contemporary displacement in texts, art, and the media. Publishing/curating challenges and ethical questions. Readings in the fields of Postcolonial Studies. Special Topics in Studies in Comparative Literatures and Arts Special topics and/or themes in Studies in Comparative Literatures and Arts. |
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2024-2025 Graduate Calendar
Last updated: February 23, 2024 @ 02:58PM