I’m interested in supervising research projects in the following areas:

• Popular culture and identity
• Live performance and the music industry
• Class, nation and popular music
• Local popular culture
• Sport as popular culture

• Nick Baxter-Moore, with Munroe Eagles (SUNY, University at Buffalo), Dylan S. McLean (University of West Georgia) & Katryne Villeneuve-Siconnelly (Laval University), “Two Nations or Four Regions? A Test of Alternative Explanations of Value Differences between Canada and the United States,” American Review of Canadian Studies, vol. 53, no. 2, 2023, pp. 239-254.
• Munroe Eagles & Nick Baxter-Moore, “National Identities and Images of the Other in a Canadian–American Borderlands Region: Value Difference or Borderlands Convergence?” International Journal of Canadian Studies, vol. 61, 2023, pp. 5-24.
• Thomas M. Kitts & Nick Baxter-Moore, eds., The Routledge Companion to Popular Music and Humor. New York/London, Routledge, 2019
• Nick Baxter-Moore, “‘(What’s So Funny ‘Bout) Peace, Love, and Understanding’: Humor in Protest Music,” in The Routledge Companion to Popular Music and Humor, 372-379
• Nick Baxter-Moore & Donald Munroe Eagles, with Ibrahim Berrada, Oleksandr Chernomorchenko, Paul D. Coleman, Kelly Gaskin, Karey Hatch, Craig Hilimoniuk & Patrick Morris, “Explaining Canada-US Differences in Attitudes Toward the Role of Government: A Test of S.M. Lipset’s ‘Continental Divide’,” Commonwealth and Comparative Politics, vol. 56, no. 4, 2018, 472-492
• Nick Baxter-Moore, “’The Ties That Bind’ – Springsteen Fans Reflect on the Live Concert Experience,” Rock Music Studies, vol, 3, no. 1, 2016, 80-104
• Nick Baxter-Moore & Carolyn Charest, “Constructing Authenticity: Architecture and Landscape in Niagara Wineries,” in Michael Ripmeester, Philip Mackintosh & Chris Fullerton, eds., The World of Niagara Wines, Waterloo, ON: Wilfrid Laurier University Press, 2013, 261-282

• Popular music
• Theories of popular culture
• Research methods
• Media industries
• Event management