Articles tagged with: Student Collaboration

  • Exploring Law, Policy, and Migrant Justice

    Brock Library thanks Dorothy Sierra-Gutierrez, recent graduate, Teaching Assistant, and Researcher for this display and blog post. Visit Dorothy’s exhibit in the Matheson Learning Commons and at the Thistle entrance until May 1.

    This community display is named after my directed studies project, Exploring Law, Policy, and Migrant Justice, supervised by Dr. Julie Ham in the Department of Sociology and Criminology. This project examines the legal, social, and cultural dimensions of migrant farmworkers in Canada, with a focus on the Niagara Region. It emphasizes research ethics, reflexivity, and the student-researcher experience, guiding learners through the creation of a practical toolkit for ethical engagement, alongside recommendations for how Brock students can better recognize and support migrant workers in the region.

    What began as an academic interest quickly became something much more personal, grounded in lived experiences, community relationships, and a deeper understanding of how essential yet underrepresented migrant workers are in Canada.

    Through my studies, it became clear that migrant farmworkers play a critical role in sustaining our food systems. Across Canada, many workers from Mexico, the Caribbean, and Central America labour in agriculture through programs such as the Seasonal Agricultural Worker Program (SAWP). In regions like Niagara, their contributions include planting, harvesting, and pruning in agricultural sectors such as wineries. Yet despite their essential role, many face precarious working and living conditions, limited access to healthcare, and systemic barriers tied to their temporary immigration status.

    My interest in this topic deepened through my involvement with the Migrant Farmworkers Project in Niagara. While volunteering at the community hub, I supported the distribution of food, clothing, and hygiene products, and connected with workers in Spanish. These experiences allowed me to better understand the needs of migrant workers in the region, as well as the important role that local organizations and community partners play in supporting them.

    Through this directed studies project, I wanted to create something that was not only academic, but also accessible and practical. The result is an annotated bibliography and a Migrant Farmworker Justice Toolkit, now featured as part of the Brock University Library display. The annotated bibliography reviews key literature on migrant issues and policy developments, while also including prompts to encourage deeper student engagement. The Justice Toolkit brings together research, community knowledge, and practical resources to help students learn about migrant workers’ experiences and the broader systems that shape them.

    The toolkit explores key questions: Who are migrant farmworkers in the Niagara context? What challenges do they face? How can student researchers ethically engage with and learn from migrant communities? It also highlights local organizations and initiatives that support migrant workers. Importantly, the project centers both academic research and experiential knowledge, recognizing that meaningful understanding requires listening to those directly affected.

    One of my main goals was to challenge dominant narratives that portray migrant workers solely as vulnerable or passive. While vulnerability is an important part of the conversation, it is equally necessary to recognize migrant workers’ resilience, agency, and contributions. This project aims to move beyond simplified narratives and instead offer a more nuanced and humanizing perspective.

    Creating this toolkit also pushed me to reflect critically on my own role as a researcher. How do we engage ethically with communities? How can research be mobilized in ways that extend beyond the classroom? These questions shaped both the content of the project and its presentation in this display, designed to invite reflection, learning, and action.

    By sharing this work, I hope to contribute to a broader understanding of migrant justice and encourage others to think more critically about the systems that shape our agricultural food systems and immigration policies.

    If you have the chance, I invite you to visit the display, engage with the toolkit and annotated bibliography, and reflect on how Brock University, as an institution, can contribute to advancing migrant justice in the Niagara Region.

    Bio:
    Brock University Teaching Assistant, Dorothy Sierra-Gutierrez
    Dorothy Sierra-Gutierrez

    Teaching Assistant
    NCLC Board Member
    Brock University
    Undergraduate Sociology (Honours) Co-op
    Concentration in Criminology
    Double Minors in French Studies and Women and Gender Studies

     

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    Categories: Learning Commons, Main

  • A reflection on Islam’s timeless love of learning and beauty

    October is Islamic History Month in Canada. In celebration, the Brock Muslim Students’ Association has developed an exhibit at the Learning Commons Thistle entrance highlighting the work of Islamic scholars and artists throughout history. Visit the exhibit until October 31.

    Brock Library thanks the Muslim Students’ Association for this blog post. 

    Knowledge as Light

    Guided by the Quran’s call to “seek knowledge”, a duty for men and women alike, Muslim scholars sparked a civilization of learning.

    Between the 8th and 14th centuries, cities like Baghdad, Cairo, and Cordoba became centers of ideas, where scholars preserved ancient knowledge, and expanded it with new discoveries in medicine, astronomy, and mathematics.

    It is widely argued that the European Renaissance was primarily made possible due to the Islamic Golden Age.

    Knowledge as Light – the Quran

    The Qur’an teaches Muslims to seek knowledge as a lifelong duty and a form of worship. From the first revelation — “Read in the name of your Lord” (Qur’an 96:1) — believers are urged to learn, reflect, and understand the world as a way of recognizing Allah’s signs. It promises high ranks for those who gain knowledge (Qur’an 58:11) and reminds us that true understanding deepens faith (Qur’an 35:28). In Islam, learning isn’t limited to religious study; it includes all knowledge that benefits humanity. By seeking wisdom with sincerity, Muslims grow closer to Allah and help build a more enlightened and just society.

    Al-Khwarizmi (c. 780–850) – Father of Algebra

    His Kitab al-Jabr introduced systematic solutions to linear and quadratic equations and gave us the word ‘algorithm’.

    Ibn al-Haytham (c. 965–1040) – The Scientific Method

    Through experiments on light and vision, he laid the groundwork for modern optics. His studies helped shape the design of cameras and lenses centuries later.

    Ibn Battuta (1304–1369) – The greatest traveller of the medieval world

    Over 30 years, he journeyed across Africa, Asia, and Europe, documenting cultures and geography in vivid detail. His Travels expanded the world’s understanding of global civilizations.

    Art & Architecture

    Islamic art includes not only religious works like mosques and their furnishings but also the rich art and architecture created across Muslim lands. Drawing on Byzantine, Sasanian, and Greco-Roman traditions, it evolved a distinctive visual language under the guidance of faith.

    A defining feature is aniconism (the avoidance of human or animal figures in religious contexts) which encouraged artists to explore abstract designs, intricate geometric patterns, and the flowing beauty of Arabic calligraphy.

    Arabesque & Patterns

    Islamic art heavily involves patterns, especially arabesques, with repeating geometric shapes and flowers. They symbolize the endless and perfect nature of God, and sometimes small “mistakes” are left on purpose to show humility. These designs make walls, doors, and floors feel alive with movement and rhythm.

    Islamic Calligraphy

    A central pillar of Islam is the belief in one God; therefore, any form of idolatry is forbidden. Muslims avoid depicting humans and animals mainly to prevent idolatry, as creating living forms is considered a unique act of God. This led to a greater focus on incredibly intricate Arabic calligraphy, written in beautiful, flowing styles on books, walls, and objects. Calligraphy serves both as decoration and as a way to highlight the importance of the words themselves.

    Islamic Architecture & Mosques

    Mosques are the heart of Islamic cities, inspired by Muhammad’s home in Medina. They mix Roman, Byzantine, and local styles, with big domes, tall minarets, and open courtyards. Famous examples like the Dome of the Rock and the Blue Mosque with both beauty and clever design.

    For More on Islamic Art & Architecture

     

     

     

     

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  • Exhibit: The Body is Home: In Motion

    Brock Library thanks Asha Edwin, Research Assistant at the IDEAS Research Lab, and PhD student in Applied Health Sciences for this exhibit and blog post. Visit Asha’s display in the Matheson Learning Commons until May 9.

    The Body is Home Initiative explores the feeling of being at home in our bodies through movement and community. Through this project, we reflect on how we perceive ourselves through movement, how various sports and spaces impact our identity and how we cultivate and strengthen our communities through movement and sport.

    The exhibition includes photography by two Black women photographers, Chrris Lowe and Britney Holung. The photography captures visual representations of Black women runners in Toronto as counter-narratives to Black women’s representations and experiences. The research and photography took place over the summer and fall of 2024, documenting the women’s running journeys.

    The exhibit also has an interactive component where observers can participate in individual and collective imaginings of healing, health and wellness. We are currently only accepting online submissions at this time. To participate, please can scan the QR code at the end of the exhibition or use this form to submit a response online.

    Ryan Antooa, Creative Director at Form, designed the initiative’s branding.

    Project I – Run to You
    The Body is Home’s first project with Hill Run Club followed the experiences of 15 Black women runners in Toronto. Two creatives worked on the project to visually capture and represent the women’s unique stories.

    IDEAS Research Lab Project
    The Body is Home Initiative is a project facilitated by Dr. Janelle Joseph’s IDEAS Research Lab.

    Exhibition Curator
    As creator of the Body is Home, Asha Edwin started it as a passion project based on her experience with movement and community. Wellness has always been a prioritized practice for Asha, and her experiences as a yoga teacher and runner allowed her to develop a deeper and more intimate connection with herself and, through her work, others. Yearning to learn more about what it means to be at home in our bodies and how movement and community impact herself and others, she birthed the Body is Home. Since its inception, the Body is Home has evolved into a research initiative focusing on the experiences of Black, racialized and marginalized groups and their experiences in reimagining healing, health and wellness.

    Asha Edwin is an interdisciplinary Black Feminist researcher. She is currently a student and research assistant at the IDEAS Research Lab, where her work primarily focuses on Black women’s wellness. Asha is passionate about community engagement and individual and collective well-being. She is a twice-certified yoga teacher with additional somatics training and enjoys music, culture, travel and art.

     

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  • Exhibit: Community Organizing 101

    Brock Library thanks Dorothy Sierra-Gutierrez, Social Issues Researcher at Future Black Female, and fourth-year Sociology student for this display and blog post. Visit Dorothy’s exhibit at the Thistle entrance to the Matheson Learning Commons until May 9.

    Discovering the Heart of Organizing

    When I first heard the phrase “community organizing,” I wasn’t quite sure what it meant. I was completely unaware of the key foundations of labour studies and organizing. That changed when I took LABR 4P21: Social Justice Organizing instructed by Dr. Simon Black, that introduced me to the history and important work that is organizing.

    My introduction to organizing was both academic and personal. Through course readings, discussions, and reflections, I came to understand that community organizing is about building collective power to address systemic injustices. It’s about shifting from isolated frustration to strategic, people-powered change. Referencing the work of Marshall Ganz, organizing isn’t just about leading others—it’s about helping communities recognize the power they already have.

    Ganz’s concept of the “public narrative” resonated with me deeply. He encourages organizers to share their “story of self, story of us, and story of now.” This structure helped me articulate why I care about justice, connect with others over shared values, and envision how change can happen in the present. It’s a tool that turns personal experience into collective action—and it became a core inspiration for my project.

    What I Learned in the Classroom

    The class offered a strong foundation in both theory and practice. We explored frameworks from Progressive Community Organizing by Lori Pyles (2009), which emphasized the importance of intersectionality, long-term community commitment, and disrupting systems of oppression. Pyles explained that community can be built through shared identities or shared goals, but either way, the goal is the same: to dismantle oppressive power structures and uplift the voices of those most affected by them.

    We also examined key concepts of power through the work of scholars like Frances Fox Piven and Joan Kuyek. Piven’s theory of “disruptive power” was especially important to me—it reframes power not as something that’s held by the elite, but as something ordinary people can wield through collective action. Kuyek, meanwhile, introduced the distinctions between “power-over” and “power-with.” These terms helped me understand how organizing should always center empowerment and solidarity rather than hierarchy.

    Intersectionality at the Center

    A critical theme in my work is intersectionality—the idea that systems of oppression overlap, and that we need to address racism, sexism, colonialism, and other forces together. The Combahee River Collective Statement (1977) shaped my thinking here. Their Black feminist perspective emphasizes that liberation must be inclusive and that movements must be built by and for those most impacted by injustice. This intersectional lens isn’t just a framework—it’s a commitment to justice that informed every page of my booklet.

    Visit My Display!

    For my final project, I created a photo booklet that explores community organizing through an intersectional lens, using visuals and text to highlight key theories and practices I engaged with during the course. The photographs—shot on 35mm film—were taken during a Black Lives Matter protest, capturing moments of resistance, solidarity, and collective action. The project was a way to combine my academic learning with creative expression, and to document a powerful moment in the fight for racial justice.

    If you’re at Brock, I invite you to visit my display at the Brock University Library and engage with the materials I’ve curated. Whether you’re new to organizing or already involved in social justice work, I hope it offers you new insights and inspiration. As Jane McAlevey (2016) and Astra Taylor (2016) argue, we must move beyond performative activism and into the slow, meaningful work of building movements from the ground up!

    Community organizing is not just an academic topic—it’s a way of building the world we want to live in.

     

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  • Exhibit: What does self-care mean to you?

    Brock Library thanks the Psychology and Beyond Club for this blog post. 

    Self care today means many things, such as taking the time to allow yourself to recharge, tending to your community ties and friendships, or cultivating your individual interests through hobbies or feel-good activities. It is also a powerful form of protest, choosing to reject a status quo that demands productivity and progress with no limits or pauses for wellbeing.

    This January, the Psychology and Beyond Club at Brock would like to promote and encourage self-care as the Brock community returns to campus for the winter semester. This display aims to educate our community on the value of self care and provides tips and inspiration through a colourful and cozy display. It is designed to be interactive so that anyone can scan the QR code and share their own tips and interpretations of the phrase, demonstrating the individual nature of self-care practices. The display also explores how the meaning of the phrase “self-care” has been changed or is often forgotten in today’s modern world, and has deep roots in social and political activism which stem from the writing of Audre Lorde.

    Genuine self care has wonderful benefits for the mind, body, and community!

    If you’d like to learn more about the Brock Psychology and Beyond Club, join us on Experience BU and follow us on Instagram (@brockpsychology_beyond).

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  • New exhibit features student artwork to highlight the vital role of pollinators 

    Butterflies, moths, and bees are the feature in latest Brock Library exhibition, located in the Learning Commons display cases. Displaying a number of vibrantly coloured pinned specimens, the exhibit aims to highlight the role pollinators play in sustaining our local ecosystems and encourages onlookers to help promote and protect pollinator populations. 

    The exhibit is curated by Brock Studio Art and the History of Art and Visual Culture (double major) student Mari Brint and Library Engagement Assistant Sara Nixon, displaying insect specimens and artwork prepared and created by Brint.  

    Inside of an exhibit display case. On display are pinned, taxidermy butterflies and moths presented on canvas panels. The background features a colourful field of flowers and interpretive text panels.

    The exhibit features a collection of pinned moths and butterflies prepared by Brock student, Mari Brint.

    Mari has always had an interest in insect taxidermy and bug pinning when visiting museums and butterfly conservation gardens, but only recently took up the practice,After my final studio courses, I felt that I needed to take a step away from my traditional and preferred medium of painting and try something new to branch out and explore new creative mediums. During that time, I discovered the processes involved with preparing moths and butterflies for pinning and display, and began researching the ways in which I can help with the conservation efforts of insects”, says Mari.

    Participating in the Brock University Seed Library is just one way that community members can get involved with pollinator conservation efforts. The Seed Library offers free access to seeds to grow gardens at home, including several varieties of flowers that help sustain pollinator habitats, and subsequently support increasing populations of butterflies, bees, and moths.  

    Anyone can “borrow” from the Seed Library, free of cost. Interested community members can visit the Ask Us Desk on the Main Floor of James A. Gibson Library to browse the seed catalogue to select up to five packets of seeds (per person, per day). Ideally, participants will harvest seeds and return them to the Seed Library after a bountiful season of growing.  

    Growing gardens of pollinator-friendly plants, no matter the size, can help local pollinator populations thrive. “Butterflies and moths are not only a beautiful part of the natural world but one that needs our help in the cultivation and protection of their habitats,” says Mari. 

    To learn about growing your own pollinator gardens, the Library has also curated a featured book collection as a compendium to the exhibit. The Featured Collection, which can be found both online and at the book display case by the Ask Us Desk, offers hardcopy and e-book titles that dig deeper into the topics of pollination, gardening, growing food, as well as our relationships to plants and bugs, and more. 

    There are lots of ways to get involved in protecting our local pollinators here at the Library! Be sure to visit the Learning Commons this spring to view the exhibit, borrow the Plants and Pollinators book collection, and borrow from the Seed Library. 

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  • Student Spotlight: Taking the First Step: Using 3D modeling to enhance learning

    One of our Brock Library Makerspace champions shared a bit with Ultimaker about her journey to becoming proficient in 3D modeling and printing.

    View the blog to learn more.

    Ultimaker Blog

     

     

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  • Experiencing the Makerspace

    A big thank you to the library and the staff at the Makerspace. Their knowledgeable staff was able to help me learn how to design and print a 3D model, as well as various other projects. I would recommend this highly innovative space to anyone at Brock looking to try something new, and get creative.

    Ryder Damon – 3rd Year, Biological Sciences

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