If panelist Noah Mintz\u2019s prediction proves true, it\u2019s only a matter of time before people are tapping their toes to a generational anthem created entirely by artificial intelligence (AI).<\/p>\n
\u201cIn the next couple of years, there\u2019s going to be a massive hit that\u2019s all done by AI,\u201d said Mintz, a Chief Mastering Engineer at Lacquer Channel Mastering in Toronto. \u201cAnd then, for a while, everyone\u2019s going to be over it. It\u2019s like Gangnam Style. Nobody wants to hear anything like that for a long while.\u201d<\/p>\n
Mintz was joined by music publicist Eric Alper, Chelsea Masse, Market Research and Data Specialist with the Canadian Independent Music Association (CIMA) and Kirsten Robertson, Associate Professor of Organizational Behaviour and Human Resources at University of the Fraser Valley.<\/p>\n
Goodman Associate Professor of Marketing Todd Green hosted the panel.<\/p>\n
Together they discussed everything from whether AI-created music will be labelled for consumers to fine-tuning copyright laws to protect artists whose creations get repurposed by algorithms and machine learning.<\/p>\n
![\"A](\"https:\/\/brocku.ca\/brock-news\/wp-content\/uploads\/2024\/04\/Business-Matters-2024.png\")
<\/a>Panelists Eric Alper, Noah Mintz, Kirsten Robertson and Chelsea Masse joined Todd Green during the 2024 Business Matters event on Wednesday, March 27.<\/p><\/div>\n
All panelists agreed that AI is already prevalent in the music industry \u2013 something the public heard loud and clear last year when Paul McCartney made headlines about using the technology to sing with the late John Lennon in the 2021 documentary Get Back. <\/em><\/p>\n Alper pointed to a 2023 Billboard Magazine study that determined nearly 35 per cent of all songs on the Billboard Hot 100 chart incorporated some form of AI to help musicians complete lyrics or create new music.<\/p>\n Venture capitalists and third-party companies are also buying artists\u2019 catalogues \u2013 everyone from Michael Jackson to Neil Young \u2013 \u201cto exploit their master recordings and their likeness\u201d using AI, including to resurrect late artists in virtual reality settings or on-stage productions, Alper noted.<\/p>\n \u201cIt\u2019s here to stay,\u201d he said. \u201cNow, how do we deal with it?\u201d<\/p>\n There are benefits to the technology, however. Mintz uses ChatGPT to do the intricate mathematics of calculating harmonics when mastering a piece of music, making the process more efficient.<\/p>\n AI can also make music creation more accessible, Robertson said.<\/p>\n \u201cMaybe you\u2019re somebody who wasn\u2019t born with a beautiful voice but you\u2019ve always had this urge to be creative and to get your ideas out there and heard,\u201d she said. \u201cYou could now, potentially, use AI to compensate for that. Or if you didn\u2019t have the chance to learn music or a musical instrument as a child, you could still create music and reach some fans.\u201d<\/p>\n But that can come with its own issues, most notably a glut of musicians of varying talents competing to be heard, Masse said.<\/p>\n \u201cMy problem with democratizing music-making, it devalues musical training for folks who have spent tens of thousands of hours training at their craft,\u201d Masse said. \u201cFor someone to be able to pump in a couple of prompts and then put out a song, I don\u2019t know if it could ever be equal.\u201d<\/p>\n Mintz isn\u2019t so sure, either. There are certain elements of making music the technology will never master, no matter how sophisticated it becomes, he said.<\/p>\n He pointed the resurging interest in analog and rising sales of vinyl records. The more AI persists, the more people want the authenticity that comes with a physical item like a record, he said.<\/p>\n \u201cThe core of my argument against AI is it\u2019s going to lack the empathy to fully understand music,\u201d Mintz said. \u201cEmpathy is one thing that\u2019s never going to be able to be programmed. And empathy is how we really connect with music. Nothing can replicate it.\u201d<\/p>\n A recording of Business Matters is available on YouTube<\/a> for those who weren\u2019t able to join the discussion.<\/p>\n