School and Society

Chapter 5: Froebel's Educational Principles

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One of the traditions of the Elementary School of the University of Chicago is of a visitor who, in its early days, called to see the kindergarten. On being told that the school had not as yet established one, she asked if there were not singing, drawing, manual training, plays and dramatizations, and attention to the children's social relations. When her questions were answered in the affirmative, she remarked, both triumphantly and indignantly, that that was what she understood by a kindergarten, and that she did not know what was meant by saying that the school had no kindergarten. The remark was perhaps justified in spirit, if not in letter. At all events, it suggests that in a certain sense the school endeavors throughout its whole course —now including children between four and thirteen —to carry into effect certain principles which Froebel was perhaps the first consciously to set forth. Speaking still in general, these principles are:

1. That the primary business of school is to train children in co-operative and mutually helpful living; to foster in them the consciousness of mutual interdependence; and to help them


(112) practically in making the adjustments that will carry this spirit into overt deeds.

2. That the primary root of all educative activity is in the instinctive, impulsive attitudes and activities of the child, and not in the presentation and application of external material, whether through the ideas of others or through the senses; and that, accordingly, numberless spontaneous activities of children, plays, games, mimic efforts, even the apparently meaningless motions of infants —exhibitions previously ignored as trivial, futile, or even condemned as positively evil— are capable of educational use; nay, are the foundation-stones of educational method.

3. That these individual tendencies and activities are organized and directed through the uses made of them in keeping up the co-operative living already spoken of; taking advantage of them to reproduce on the child's plane the typical doings and occupations of the larger, maturer society into which he is finally to go forth; and that it is through production and creative use that valuable knowledge is secured and clinched.

So far as these statements correctly represent Froebel's educational philosophy, the School should be regarded as its exponent. An attempt is making to act upon them with as much faith and sincerity in their application to children of twelve as to children of four. This attempt, however, to


(113) assume what might be called the kindergarten attitude throughout the whole school makes necessary certain modifications of the work done in what is more technically known as the kindergarten period—that is, with the children between the ages of four and six. It is necessary only to state reasons for believing that in spite of the apparently radical character of some of them they are true to the. spirit of Froebel.

AS REGARDS PLAY AND GAMES

Play is not to be identified with anything which the child externally does. It rather designates his mental attitude in its entirety and in its unity. It is the free play, the interplay, of all the child's powers, thoughts, and physical movements, in embodying, in a satisfying form, his own images and interests. Negatively, it is freedom from economic pressure—the necessities of getting a living and supporting others—and from the fixed responsibilities attaching to the special callings of the adult. Positively, it means that the supreme end of the child is fulness of growth—fulness of realization of his budding powers, a realization which continually carries him on from one plane to another.

This is a very general statement, and taken in its generality, is so vague as to be innocent of practical bearing. Its significance in detail, in application, however, means the possibility, and in many


(114) respects the necessity, of quite a radical change of kindergarten procedure. To state it baldly, the fact that "play" denotes the psychological attitude of the child, not his outward performances, means complete emancipation from the necessity of following any given or prescribed system, or sequence of gifts, plays, or occupations. The judicious teacher will certainly look for suggestions to the activities mentioned by Froebel (in his Mother-Play and elsewhere), and to those set forth in such minute detail by his disciples; but she will also remember that the principle of play requires her carefully to investigate and criticize these things, and decide whether they are really activities for her own children, or just things which may have been vital in the past to children living in different social conditions. So far as occupations, games, etc., simply perpetuate those of Froebel and his earlier disciples, it may fairly be said that in many respects the presumption is against them—the presumption is that in the worship of the external doings discussed by Froebel we have ceased to be loyal to his principle.

The teacher must be absolutely free to get suggestions from any and from every source, asking herself but these two questions: Will the proposed inside of play appeal to the child as his own ? Is it something of which he has the instinctive roots in himself, and which will mature the capacities


(115) that are struggling for manifestation in him ? And again: Will the proposed activity give that sort of expression to these impulses that will carry the child on to a higher plane of consciousness and action, instead of merely exciting him and then leaving him just where he was before, plus a certain amount of nervous exhaustion and appetite for more excitation in the future?

There is every evidence that Froebel studied carefully— inductively we might now say—the children's plays of his own time, and the games which mothers played with their infants. He also took great pains —as in his Mother-Play— to point out that certain principles of large import were involved. He had to bring his generation to consciousness of the fact that these things were not merely trivial and childish because done by children, but were essential factors in their growth. But I do not see the slightest evidence that he supposed that just these plays, and only these plays, had meaning, or that his philosophic explanation had any motive beyond that just suggested. On the contrary, I believe that he expected his followers to exhibit their following by continuing his own study of contemporary conditions and activities, rather than by literally adhering to the plays he had collected. Moreover, it is hardly likely that Froebel himself would contend that in his interpretation of these games he did more than


(116) take advantage of the best psychological and philosophical insight available to him at the time; and we may suppose that he would have been the first to welcome the growth of a better and more extensive psychology (whether general, experimental, or as child study), and would avail himself of its results to reinterpret the activities, to discuss them more critically, going from the new standpoint into the reasons that make them educationally valuable.

SYMBOLISM

It must be remembered that much of Froebel's symbolism is the product of two peculiar conditions of his own life and work. In the first place, on account of inadequate knowledge at that time of the physiological and psychological facts and principles of child growth, he was often forced to resort to strained and artificial explanations of the value attaching to the plays, etc. To the impartial observer it is obvious that many of his statements are cumbrous and far-fetched, giving abstract philosophical reasons for matters that may now receive a simple, everyday formulation. In the second place, the general political and social conditions of Germany were such that it was impossible to conceive continuity between the free, cooperative social life of the kindergarten and that of the world outside. Accordingly, he could not regard


(117) the "occupations" of the schoolroom as literal reproductions of the ethical principles involved in community life —the latter were often too restricted and authoritative to serve as worthy models.

Accordingly he was compelled to think of them as symbolic of abstract ethical and philosophical principles. There certainly is change enough and progress enough in the social conditions of the United States of today, as compared with those of the Germany of his day, to justify making kindergarten activities more natural, more direct, and more real representations of current life than Froebel's disciples have done. Even as it is, the disparity of Froebel's philosophy with German political ideals has made the authorities in Germany suspicious of the kindergarten, and has been undoubtedly one force operating in transforming its social simplicity into an involved intellectual technique.

IMAGINATION AND PLAY

An excessive emphasis on symbolism is sure to influence the treatment of imagination. It is of course true that a little child lives in a world of imagination. In one sense, he can only "make believe." His activities represent or stand for the life that he sees going on around him. Because they are thus representative they may be termed symbolic, but it should be remembered that this


(118) make-believe or symbolism has reference to the activities suggested. Unless they are, to the child, as real and definite as the adult's activities are to him, the inevitable result is artificiality, nervous strain, and either physical and emotional excitement or else deadening of powers.

There has been a curious, almost unaccountable, tendency in the kindergarten to assume that because the value of the activity lies in what it stands for to the child, therefore the materials used must be as artificial as possible, and that one must keep carefully away from real things and real acts on the part of the child. Thus one hears of gardening activities which are carried on by sprinkling grains of sand for seeds; the child sweeps and dusts a make-believe room with make-believe brooms and cloths; he sets a table using only paper cut in the flat (and even then cut with reference to geometric design, rather then to dishes), instead of toy tea things with which the child outside of the kindergarten plays. Dolls, toy locomotives, and trains of cars, etc., are tabooed as altogether too grossly real —and hence not cultivating the child's imagination.

All this is surely mere superstition. The imaginative play of the child's mind comes through the cluster of suggestions, reminiscences, and anticipations that gather about the things he uses. The more natural and straightforward these are,


(119) the more definite basis there is for calling up and holding together all the allied suggestions which make his imaginative play really representative. The simple cooking, dishwashing, dusting, etc., which children do are no more prosaic or utilitarian to them than would be, say, the game of the Five Knights. To the children these occupations are surcharged with a sense of the mysterious values that attach to whatever their elders are concerned with. The materials, then, must be as "real," as direct and straightforward, as opportunity permits.

But the principle does not end here— the reality symbolized must also lie within the capacities of the child's own appreciation. It is sometimes thought the use of the imagination is profitable in the degree it stands for very remote metaphysical and spiritual principles. In the great majority of such cases it is safe to say that the adult deceives himself. He is conscious of both the reality and the symbol, and hence of the relation between them. But since the truth or reality represented is far beyond the reach of the child, the supposed symbol is not a symbol to him at all. It is simply a positive thing on its own account. Practically about all he gets out of it is its own physical and sensational meaning, plus, very often, a glib facility in phrases and attitudes that he learns are expected of him by the teacher —without, however, any


( 120) mental counterpart. We often teach insincerity, and instil sentimentalism, and foster sensationalism when we think we are teaching spiritual truths by means of symbols. The realities reproduced, therefore, by the child should be of as familiar, direct, and real a character as possible. It is largely for this reason that in the kindergarten of our School the work centers so much about the reproduction of home and neighborhood life This brings us to the topic of

SUBJECT-MATTER

The home life in its setting of house, furniture, utensils, etc., together with the occupations carried on in the home, offers, accordingly, material which is in a direct and real relationship to the child, and which he naturally tends to reproduce in imaginative form. It is also sufficiently full of ethical relations and suggestive of moral duties to afford plenty of food for the child on his moral side. The program is comparatively unambitious compared with that of many kindergartens, but it may be questioned whether there are not certain positive advantages in this limitation of the subject-matter. When much ground is covered (the work going over, say, industrial society, army, church, state, etc.), there is a tendency for the work to become over symbolic. So much of this material lies beyond the experience and capacities of the child of four and


(121) five that practically all he gets out of it is the physical and emotional reflex—he does not get any real penetration into the material itself. Moreover, there is danger, in these ambitious programs, of an unfavorable reaction upon the child's own intellectual attitude. Having covered pretty much the whole universe in a purely make-believe fashion, he becomes blasť, loses his natural hunger for the simple things of direct experience, and approaches the material of the first grades of the primary school with a feeling that he has had all that already. The later years of a child's life have their own rights, and a superficial, merely emotional anticipation is likely to do the child serious injury.

Moreover, there is danger that a mental habit of jumping rapidly from one topic to another be induced. The little child has a good deal of patience and endurance of a certain type. It is true that he has a liking for novelty and variety; that he soon wearies of an activity that does not lead out into new fields and open up new paths for exploration. My plea, however, is not for monotony. There is sufficient variety in the activities, furnishings, and instrumentalities of the homes from which the children come to give continual diversity! It touches the civic and the industrial life at this and that point; these concerns can be brought in, when desirable, without going


(122) beyond the unity of the main topic. Thus there is an opportunity to foster that sense which is at the basis of attention and of all intellectual growth—a sense of continuity.

This continuity is often interfered with by the very methods that aim at securing it. From the child's standpoint unity lies in the subject-matter—the present case, in the fact that he is always dealing with one thing: home life. Emphasis is continually passing from one phase of this life to another; one occupation after another, one piece of furniture after another, one relation after another, etc., receive attention; but they all fall into building up one and the same mode of living, although bringing now this feature, now that, into prominence. The child is working all the time within a unity, giving different phases of its clearness and definiteness, and bringing them into coherent connection with each other. When there is a great diversity of subject-matter, continuity is apt to be sought simply on the formal side; that is, in schemes of sequence, "schools of work," a rigid program of development followed with every topic, a "thought for the day" from which the work is not supposed to stray. As a rule such sequence is purely intellectual, hence is grasped only by the teacher, quite passing over the head of the child. Hence the program for the year, term, month, week, etc., should be made out on the basis


( 123) of estimating how much of the common subject-matter can be covered in that time, not on the basis of intellectual or ethical principles. This will give both definiteness and elasticity.

METHOD

The peculiar problem of the early grades is, of course, to get hold of the child's natural impulses and instincts, and to utilize them so that the child is carried on to a higher plane of perception and judgment, and equipped with more efficient habits; so that he has an enlarged and deepened consciousness and increased control of powers of action. Wherever this result is not reached, play results in mere amusement and not in educative growth.

Upon the whole, constructive or "built up" work (with, of course, the proper alternation of story, song, and game which may be connected, so far as is desirable, with the ideas involved in the construction) seems better fitted than anything else to secure these two factors-initiation in the child's own impulse and termination upon a higher plane. It brings the child in contact with a great variety of material: wood, tin, leather, yarn, etc.; it supplies a motive for using these materials in real ways instead of going through exercises having no meaning except a remote symbolic one; it calls into play alertness of the senses and acuteness of observation; it demands clear-cut imagery


(124) of the ends to be accomplished, and requires ingenuity and invention in planning; it makes necessary concentrated attention and personal responsibility in execution, while the results are in such tangible form that the child may be led to judge his own work and improve his standards.

A word should be said regarding the psychology of imitation and suggestion in relation to kindergarten work. There is no doubt that the little child is highly imitative and open to suggestions; there is no doubt that his crude powers and immature consciousness need to be continually enriched and directed through these channels. But on this account it is imperative to discriminate between a use of imitation and suggestion which is so external as to be thoroughly non-psychological, and a use which is justified through its organic relation to the child's own activities. As a general principle no activity should be originated by imitation. The start must come from the child; the model or copy may then be supplied in order to assist the child in imaging more definitely what it is that he really wants —in bringing him to consciousness. Its value is not as model to copy in action, but as guide to clearness and adequacy of conception. Unless the child can get away from it to his own imagery when it comes to execution, he is rendered servile sand dependent, not developed. Imitation comes in to reinforce and help out, not to initiate.


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There is no ground for holding that the teacher should not suggest anything to the child until he has consciously expressed a want in that direction. A sympathetic teacher is quite likely to know more clearly than the child himself what his own instincts are and mean. But the suggestion must fit in with the dominant mode of growth in the child; it must serve simply as stimulus to bring forth more adequately what the child is already blindly striving to do. Only by watching the child and seeing the attitude that he assumes toward suggestions can we tell whether they are operating as factors in furthering the child's growth, or whether they are external, arbitrary impositions interfering with normal growth.

The same principle applies even more strongly to so-called dictation work. Nothing is more absurd than to suppose that there is no middle term between leaving a child to his own unguided fancies and likes or controlling his activities by a formal succession of dictated directions. As just intimated, it is the teacher's business to know what powers are striving for utterance at a given period in the child's development, and what sorts of activity will bring these to helpful expression, in order then to supply the requisite stimuli and needed materials. The suggestion, for instance, of a playhouse, the suggestion that comes from seeing objects that have already been made to furnish it,


(126) from seeing other children at work, is quite sufficient definitely to direct the activities of a normal child of five. Imitation and suggestion come in naturally and inevitably, but only as instruments to help him carry out his own wishes and ideas. They serve to make him realize, to bring to consciousness, what he already is striving for in a vague, confused, and therefore ineffective way. From the psychological standpoint it may safely be said that when a teacher has to rely upon a series of dictated directions, it is just because the child has no image of his own of what is to be done or why it is to be done. Instead, therefore, of gaining power of control by conforming to directions, he is really losing it —made dependent upon an external source.

In conclusion, it may be pointed out that such subject-matter and the method connect directly with the work of the six-year-old children (corresponding to the first grade of primary work). The play reproduction of the home life passes naturally on into a more extended and serious study of the larger social occupations upon which the home is dependent; while the continually increasing demands made upon the child's own ability to plan and execute carry him over into more controlled use of attention upon more distinctively intellectual topics. It must not be forgotten that the readjustment needed to secure continuity between "kindergarten" and "first-


( 127) grade" work cannot be brought about wholly from the side of the latter. The school change must be as gradual and insensible as that in the growth of the child. This is impossible unless the subprimary work surrenders whatever isolates it, and hospitably welcomes whatever materials and resources will keep pace with the full development of the child's powers, and thus keep him always prepared, ready, for the next work he has to do.

Notes

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