In Word & Print:
COMMUNITY (Selected): “Everything I Knew about Canada I Learned from Gordon Lightfoot.” Niagara Current (Spring 2004), forthcoming Cast Member, Lies and Legends: The Musical Stories of Harry Chapin, Niagara Falls Music Theatre Society, Firehall Theatre, Niagara Falls (February-March, 2004) “Local Music From The Fringe: Big Noise From NOTL.” Niagara Current (Winter 2004) “Unsung Hero(es): Remembering Stan Rogers.” Niagara Current (Fall 2003): 40-44 “The Sounds of Niagara : Researching Local Music History.” Presentation to The Ulyssean Society, Niagara-on-the-Lake (October 22, 2003) “Minorities in Music: Songs of Sexual Identity.” Invited public lecture presented as part of “Diversity Days,” sponsored by Brock University Student Development Centre ( March 14, 2003) “Niagara Sounds and Scenes,” workshop presentation (with Terrance Cox and Barry K. Grant), Popular Culture Niagara Colloquium, Brock University (April 2002) “Of Turtlebacks and Tiny Fish: The Trials and Tribulations of Interviewing.” Brown Bag Seminar, Department of Political Science, Brock University (March 6, 2002) “Can a Song Change the Way we Think?” Political Science Students Association Speakers' Series, Brock University (November 2001) Review of Oh What A Feeling 2: A Vital Collection of Canadian Music (4 CD box set, Universal Music Group Canada for CARAS, 2003), Downtowner: The Magazine for Contemporary Niagara (May/June 2001): 53. “Rock & Pol –– Exploring Popular Music, Education and Citizenship.” Downtowner (March/April 2001): 43.
“Capturing the Mood(s) of the Nation: Country Music, 9/11 and GWII.” Annual Conference of the Mid-Atlantic Popular/American Culture Association Wilmington , DE (November 2003). “Niagara Sounds and Scenes: Popular Musics and Their Mediation” ( with Terrance Cox and Barry K. Grant). “Revisioning Boundaries: New Directions in Communications Studies in Canada.” Wilfred Laurier University, Waterloo (April 2003). “The Winnipeg Aspers vs. the Toronto Media Establishment: Discourses of ‘Centre' and ‘Periphery' in the Canadian Newspaper Wars.” Annual Conference of the British Association for Canadian Studies, University of Leeds , UK (April 2003) “‘ Land of Hope and Dreams?' Class and Nation in the Songs of Bruce Springsteen.” Annual Conference of the Mid-Atlantic Popular/American Culture Association, Pittsburgh, PA (November 2002). “‘A New England ?' Class and Nation in the Songs of Billy Bragg.” Annual Conference of the Mid West Popular/American Culture Association, Milwaukee, WI (October 2002 ) “(Un)sung Heroes: Recording the War of 1812.” Annual Conference of the Popular Culture Association/American Culture Association, Toronto (March 2002 ) “Stan Rogers' ‘Tiny Fish for Japan ': A Personal Odyssey in Search of the Story Behind the Song.” Conference on “Odysseys: Past, Present and Future,” Annual Conference of the British Association for Canadian Studies, University of York, York, England (April 2001) “Sounds Political: An Introduction to Politics and Popular Music.” Huron College , London, ON (March 2001) “‘Making A Noise In This World': New Sounds From Canada's First Peoples.” Annual Conference of the British Association for Canadian Studies, University of Edinburgh, Edinburgh, Scotland (April 2000 ) “Girl Power: Gender and Genre in Popular Music from the Girl Groups to the Spice Girls.” Annual Conference of IASPM- Canada (Canadian Chapter of the International Association for the Study of Popular Music), Université de Montréal (March 1998) “Reelin' and Rockin': Genre-bending and Boundary-crossing in Canadian Popular Music.” Conference on “Boundaries,” Centre for Canadian Studies/International Social Sciences Institute, University of Edinburgh, Edinburgh, Scotland (May 1996) “‘The Craftsman': Populism, Myth and Metaphor in the Songs of Stan Rogers.” Two Days of Canada conference on “ Media, Myth and Method: Communicating Canada,” Brock University (November 1995) “Popular Music, Myth-Making and Identities: The Songs of Stan Rogers.” Conference of the British Association for Canadian Studies, University of Hull, Hull, England (March 1995)
Baxter-Moore, Nick. Review of Street Protests and Fantasy Parks : Globalization, Culture and the State (eds., David R. Cameron & Janice Gross Stein), Canadian Journal of Political Science (March 2004), in press. Baxter-Moore, Nick. “Reelin' & Rockin': Genre-bending and Boundary-crossing in Canada's East Coast Sound.” In Slippery Pastimes: A Canadian Popular Culture Reader, ed. Joan Nicks and Jeannette Sloniowski. Waterloo , ON : Wilfred Laurier University Press, 2002: 217-242. Baxter-Moore, Nick. “‘Making A Noise In This World': New Sounds From Canada's First Peoples.” London Journal of Canadian Studies , vol. 16 (2000/2001): 22-47. Baxter-Moore, Nick. “Popular Music, Myth-Making and Identities: The Songs of Stan Rogers.” British Journal of Canadian Studies 10, no. 2 (1995): 306-329. COMMUNITY: Associate Editor, Music Editor, The Niagara Current (since August 2003). Arts and culture columnist, St. Catharines Standard (December 1997-June 2003). A series of columns in a widely-distributed, regional general interest magazine, under the rubric “Hear-abouts”:
CONFERENCES: “Niagara Sounds and Scenes: Popular Musics and Their Mediation,” (with Nick Baxter-Moore and Barry Keith Grant). “Revisioning Boundaries: New Directions in Communications Studies in Canada” conference, Wilfrid Laurier University, Waterloo, ON (April 2003). “The Crossing of Borders in Niagara’s Popular Musics.” Popular Culture Association conference, Toronto (March 2002). “‘Cowboyography’: Myth and Metaphor in the Songs of Ian Tyson.” “Two Days of Canada” Conference, Brock University, St. Catharines (September 1995). “Speculations on Some Voyageurs Songs.” “Two Days of Canada” Conference, Brock University, St. Catharines (November 1991). Canadian popular music, plenary session, (with Barry Keith Grant), Popular Culture Association annual conference, Toronto (April 1984). PUBLICATIONS: Cox, Terrance. Radio & Other Miracles . Winnipeg : Signature Editions, 2001. 1 Gathers over two decades of poems with shared themes of music, technology and culture. Cox, Terrance. Local Scores . Winnipeg : Cyclops Press, 2000. A spoken word with music CD, 63 mins. An innovative collaboration with several composers and musicians, exploring new concepts in "scoring" poetry. Cox, Terrance. “‘Cowboyography': Matter and Manner in the Songs of Ian Tyson.” In Slippery Pastimes: A Canadian Popular Culture Reader , ed. Joan Nicks and Jeannette Sloniowski. Waterloo , ON : Wilfred Laurier University Press, 2002. Cox, Terrance. Review of Mondo Canuck , by Geoff Pevere. Post Script , Vol. 18, no. 2 (Winter/Spring 1999): 87-90. COMMUNITY: Interviewed expert, Sex TV (October 2002). Topic: Gender and Horror. (Broadcast March 2003) Chair, organizer and presenter, “Popular Culture in Niagara.” Ulyssean Society, Niagara-on-the- Lake , ON (October 2003) Guest Speaker, Plato Seminars, “Movies and Society.” St. Catharines Public Library, St. Catharines , ON (January 2002) “Popular Cinema.” Ulyssean Society, Niagara-on-the- Lake , ON (March 2000) Host, Niagara Independent Film Festival (since 2000) Film Critic, St. Catharines Standard (since 1997) Interviewed expert, Studio Two (TVO Ontario). Topic: Culture and Fear. (Broadcast December 1997) Interview expert, Horseman-Leiderman Show (Talkradio 640-AM, Toronto ). Topic: Violence in the Media and Real Crime (June 1996) Musical programming, “The Petrified Forest” (Robert E. Sherwood). Shaw Festival, Niagara-on-the-Lake , Ontario (Summer 1995) Interviewed expert, Standards (dir: Jeremy Podowska, 1992, 60 min.), a documentary film about popular song. (First broadcast on CBC-TV, Toronto, March 1992) Workshop on “ Media Literacy” for teachers of secondary English. Lincoln County Board of Education, St. Catharines (November 1990) Musical programming, “Never Let Go: A Tribute to the 50s.” Garden City Productions, St. Catharines (March 1990) Studio guest, Connecting (teen talk show). CHCH, Hamilton , ON . Topic: Horror Films. (December 1989) Musical programming, “Potato People.” Theatre Beyond Words, Shaw Festival Winter Season, Niagara-on-the Lake, Ontario (February 1988) Musical programming, “ Marathon 33" (June Havoc). Shaw Festival, Niagara-on-the-Lake, Ontario (Summer 1987) Musical programming, “Up Against the Wallpaper.” The Clichettes, Factory Theatre Lab, Toronto, Ontario (February 1988) Studio guest, Saturday Night at the Movies (TV Ontario). Topic: Death in the Cinema. (Broadcast March 1986) Guest reviewer, Rough Cuts (TV Ontario). (Broadcast December 1982) Film Critic, “Variety Tonight,” CBC-AM (with Vicky Gabreau). (December 1984-September 1985) Weekly film critic, CJQR-FM and CKTB-AM, St. Catharines . (September 1981-September 1984) Studio guest, Saturday Night at the Movies (TV Ontario). Topic: Science Fiction Cinema. (Broadcast November 1980) Co-Host, Kino-Ear , a twice-weekly radio program on WBFO-FM (National Public Radio), Buffalo , NY , devoted to film/video analysis and interviews (1974-1975) Saturday Night at the Movies . TV Ontario. Commissioned script on horror films for Elwy Jost (December 1980)
“ Red River and the Western Film.” University of Tennessee , Knoxville (March 2004) “‘ America This is Quite Serious': 1956 and Hollywood.” Workshop on American Cinema in the 1950s.” Society for Cinema and Media Studies (SCMS) annual conference, Atlanta, GA (March 2004) “ 2001: A Space Odyssey , Feminism, and Science Fiction.” Popular Culture Association (PCA) annual conference, San Antonio, TX (April 2004) “Where Very Few Men Have Gone Before: Science Fiction, Gender, and 2001: A Space Odyssey .” Chancellor's Chair Lecture, Brock University (January 2004) “Professionalism and Modern Chivalry in the Western: Howard Hawks' Red River .” Columbia University Film Seminar, New York (October 2003) Chair and organizer, “Canadian Popular Culture” panel, Popular Culture Association (PCA) annual conference, Toronto, ON (March 2001) “The Meaning of Paul Anka : Lonely Boy , Nation and Culture.” Film Studies Association annual conference (FSAC), University of Toronto, Toronto (May 2002) “The Humanities and the Study of Popular Culture.” Humanities Research Institute annual symposium, Brock University, St. Catharines, ON (April 2002) “ Lonely Boy , Popular Music and Cross Border Culture.” Popular Culture Association (PCA) annual conference, Toronto, ON (March 2002) “Genre Film and Cultural Myths.” John R. Adams Lecture in the Humanities, Department of Classics and Humanities, San Diego State University, San Diego, CA (October 2001) (annual by invitation) “Lonely Boys and Street Fightin' Men: Rock Stars in the Documentary.” Regina Film Theatre, Regina Public Library, Regina, Sask. (September 2001) “New Directions in Genre Films.” Film Studies Program, University of Michigan, Ann Arbor, MI (March 2001) “Where No Man Has Gone Before: Science Fiction, Gender and 2001: A Space Odyssey .” Center for the Study of Women and Men, Hobart & William Smith Colleges , Geneva , NY (January 2001) “Disorder in the Universe: John Carpenter and the Question of Genre.” Popular Culture Association (PCA) annual conference, Philadelphia, PA (April 2001) "The Kaiser of Kiwi Ketchup: Peter Jackson, Genre, and New Zealand National Cinema." Popular Culture Association (PCA) annual conference, New Orleans, LA (April 2000) “On the Heels of Thelma and Louise: Race and Gender in Popular Cinema at the Millennium.” Department of Media Studies, University of Wales, Bangor (November 1999) As above, School of Cultural Studies, Nottingham Trent University, Nottingham, UK (November 1999) Video Critiques and presentations (plenary), Crossing Borders Conference, Brock University (February 1999) “Lost in Space or Local Hero?: The Meaning of Paul Anka.” Two Days of Canada annual conference, Canadian Studies Program, Brock University (November 1999) “‘I Hate it When They Die Like That': Genre, Gender and Violence in the Films of Kathryn Bigelow.” Annual Literature/ Film Conference, Florida State University, Tallahassie (January 1999) “Race and Gender in the New Genre Film.” International Conference on Perspectives on English Studies, American Studies and Cultural Studies in Asia, Srinakharinwirot University, Bangkok, Thailand (January 1998) (invited keynote lecture) Respondent, panel on Genital Sexuality and Representation, Society for Cinema Studies annual conference, San Diego, CA (April 1998) “Marginal Voices in the New Genre Film.” University of Hong Kong, Hong Kong (January 1998) “Sunset, Sunrise : Bram Stoker's Dracula and the Representation of the Vampire in the Cinema.” William Washabaugh III Memorial Lecture, Department of English, Gannon University, Erie, PA (November 1997) (annual by invitation) “Gender, Race and Marginalization in the New Genre Film.” Department of Communication/ Women's Studies Program, Seton Hall University , South Orange , NJ (April 1997) “Capitalism, Cannibalism, and Culture: From Psycho to American Psycho .” Orion Lecture, Department of History in Art, University of Victoria , Victoria , BC (February 1997) (annual by invitation) “Race and Gender in the New Genre Film.” University of Calgary, Calgary , AL (February 1997) “American Cinema, Masculinity, and Broken Blossoms .” Film Studies Program, University of Victoria, Victoria, BC (February 1997) “Cultural Studies at Brock University ” panel, Symposium on Cultural Studies, Brock University (April 1996) “American Psycho/sis: The Pure Products of America Go Crazy.” Annual conference of the Literature/ Film Association, Towson State University, Towson, MD (November 1996) (invited keynote lecture) As above, Conference on Centenary of Cinema in New Zealand, University of Waikato, Hamilton, New Zealand (December 1996) (invited keynote lecture) As above, Massey University, Palmerston North, New Zealand (December 1996) “‘The Pure Products of America Go Crazy': Postmodern Representations of Violence.” Pictures of a Generation on Hold: Youth in Film and Television in the 1990s conference, Ryerson Polytechnic University, Toronto, ON (May 1996) (invited keynote lecture) “Erotic Thrillers and Masculine Criticism.” Film Studies Program, University of Victoria , Victoria , BC (October 1995) “American Psycho/sis: The Pure Products of America Go Crazy.” Canadian Association for American Studies annual conference, “Trash in American Culture,” University of British Columbia, Vancouver, BC (October 1995) “Rich and Strange, or Something Thirty This Way Comes: The Yuppie Horror Film.” “ Hollywood Since the 50s” Conference, University of Canterbury at Kent , UK (July 1995) “Rich and Strange, or Something Thirty This Way Comes.” American Studies Program Speakers Series, Wayne State University, Detroit, MI (October 1994) “Two Rode Together: Fenimore Cooper and John Ford.” Film Studies Association of Canada (FSAC) conference, Learneds, Calgary (June 1994) “The Body Politic: Ken Russell in the Eighties.” Society for Cinema Studies (SCS) annual conference, University of Pittsburgh, PA (May, 1992) “Reality Fictions.” Third Annual Humanities Symposium, “Truth and/or Fiction in the Humanities.” Brock University (December 1991) “George Romero, Feminist of Horror?” Film Studies Association of Canada (FSAC) annual conference, Learneds, Kingston, ON (April 1991) “‘Jungle Nights in Harlem ': Jazz, Animated Cartoons, and Ideology.” Annual Canadian Jazz Collectors Congress, Toronto (April 1991) “The Spiritual Alternative in the Documentaries of Frederick Wiseman.” James A. Beveridge Guest Lecturer, York University, Toronto (November 1991) (annual by invitation) “Cineliteracy.” Symposium on Literacy, Faculty of Education, Brock University (March 1991) “Race, Genre and Authorship in The Cool World .” Film Studies Association of Canada (FSAC) annual conference, Ottawa, ON (May 1990) (invited plenary lecture) “Race and Genre in The Cool World .” Popular Culture Association (PCA) annual conference, Toronto, ON (March 1990) “Canadian Film and Popular Culture.” Lincoln College, Christchurch, New Zealand (June 1989) “Three Types of Metaphor in Film and Literature.” University of Otago, Dunedin, New Zealand (June 1989) “The Motif of the Double in Lang and Murnau.” Massey University, Palmerston North, New Zealand (June 1989) “Science Fiction in the Age of Reagan.” University of Waikato/Waikato Museum of Art, Hamilton, New Zealand (June 1989) “Ideology and the Cult Film.” Dennis Turner Memorial Lecture in Film, Dept. of English, Wayne State University, Detroit , MI (April 1988) (annual by invitation) As above, New Zealand Council for Research in Education, Wellington, New Zealand (June 1989) “Science Fiction: Margin or Mainstream?” As above, Popular Culture Association (PCA) annual conference, New Orleans, LA (March 1988) Chair and organizer, “Historical Approaches to Canadian Popular Culture.” Canadian Historical Association Conference, McMaster University, Hamilton, ON (June 1987) “Fenimore Cooper and John Ford: Innocence and Ideology in the Western.” Popular Culture Association (PCA) annual conference, Louisville, KY (April 1985) “‘Across the Great Divide': Canadian Rock Music and the Ironic Mode.” Third International Conference on Popular Music (IASPM), University of Quebec, Montreal (July 1985) As above, “Where's Canada ?: A Colloquium on the Arts and Media in Canada,” Brock University (November 1984) “Canadian Popular Music,” Popular Culture Association (PCA) annual conference, Toronto (March 1984) (plenary session) “Experience and Meaning in Genre Films.” Society for Cinema Studies (SCS) annual conference, University of Pittsburgh , Pittsburgh, PA (May 1983) “Looking Upwards: H.G. Wells and the Cinema.” Popular Culture Association (PCA) annual conference, Wichita, KS (April 1983) “Censorship, Metaphor and The Tin Drum .” Arts Against Repression event, Brock University (September 1982) “The Classical Musical and the ‘Problem' of Rock ‘n' Roll.” Popular Culture Association (PCA) annual conference, Louisville, KY (April 1982) “Myth and Structure in John Ford's Stagecoach .” Purdue University, Lafayette, IN (February 1980) “Night of the Living Dead : The Horror of the Normal.” West Virginia Wesleyan College, WVa (May 1980) “Film Comedy of the Thirties and the American Comic Tradition.” West Virginia University 3rd Annual Colloquium on Modern Literature, Morgantown, WVa (September 1978) “The Politics of the Science Fiction Film.” Medaille College, Buffalo, NY (April 1975)
Grant, Barry Keith. Editor-in-Chief, Schirmer Encyclopedia of Film , 4 vols. ( New York : Gale Group), in progress. Grant, Barry Keith. Westerns . New York : Cambridge University Press, in progress. Grant, Barry Keith. Film Genre: Understanding Popular Cinema . London and New York : Wallflower Press, in progress. Grant, Barry Keith, and Christopher Sharrett, eds. Planks of Reason, 2nd. ed. Lanham, MD : Scarecrow Press, forthcoming 2004. Grant, Barry Keith. “1956: American Movies and the American Dream,” in American Cinema of the 1950s: Themes and Variations, ed. Murray Pomerance. New Brunswick, N.J. : Rutgers University Press, in progress. Grant, Barry Keith. “Of Monoliths and Men: Gender and Space in 2001: A Space Odyssey , in Critical Essays on 2001: A Space Odyssey, ed. Robert Kolker (New York: Oxford University Press), forthcoming. Grant, Barry Keith. “Bringing It All Back Home: The Films of Peter Jackson,” in New Zealand Directors, ed. Ian Conrich and Stuart Murray. Detroit : Wayne State University Press, forthcoming. Grant, Barry Keith. “Disorder in the Universe: John Carpenter and the Question of Genre,” in The Films of John Carpenter, ed. Ian Conrich. London : Flicks Books, forthcoming. Grant, Barry Keith. “Once More Without Feeling: The Disaffection of Contemporary Youth.” In Popping Culture , ed. Murray Pomerance and John Sakeris. Boston: Pearson Education, 2004: 155-161. Grant, Barry Keith. “‘Man's Favorite Sport?': Gender and Action in the Films of Kathryn Bigelow.” In The Action Cinema Reader, ed. Yvonne Tasker. London and New York: Routledge, forthcoming. Grant, Barry Keith, ed. Film Genre Reader 3. Austin : University of Texas Press, 2004. Grant, Barry Keith, ed. Fritz Lang: Interviews. Jackson : University Press of Mississippi , 2003. Grant, Barry Keith. “Genre Film and Cultural Myths.” Film International (Sweden), no. 1 (2003): 27-35. Grant, Barry Keith. “Beautiful Losers: Don Shebib's Between Friends.” Take One no. 38 (July/August 2002): 8-11. Grant, Barry Keith, ed. John Ford's Stagecoach . New York and Cambridge: Cambridge University Press (“Film Handbooks” Series), 2002. Grant, Barry Keith. “Hello, Deli!: Schtick Meets Teenpic” in The Delicate Delinquent .” In Enfant Terrible: Jerry Lewis in American Film, ed. Murray Pomerance. New York : NYU Press, 2002: 225-237. Grant, Barry Keith. “ Stagecoach : The Spokes of the Wheel.” In John Ford's Stagecoach , ed. Grant. New York and Cambridge : Cambridge University Press, 2002): 1-20. Grant, Barry Keith. “From Obscurity in Ottawa to Fame in Freedomland: Lonely Boy and the Meaning of Paul Anka.” In Candid Eyes: Canadian Documentary Film, ed. Jim Leach and Jeannette Sloniowski. Toronto: University of Toronto Press, 2002: 48-60. Blandford Steve, Barry Keith Grant, and Jim Hillier. The Film Studies Dictionary. London , UK : Arnold / New York : Oxford University Press, 2001. Grant, Barry Keith. “Two Rode Together: John Ford, Fenimore Cooper, and Generic Cycling.” In John Ford Made Westerns: Filming the Legend in the Sound Era, ed. Gaylyn Studlar and Matthew Bernstein. Bloomington : Indiana University Press, 2001: 193-219. Grant, Barry Keith. “Strange Days: Race and Gender in Contemporary Hollywood Cinema.” In Ladies and Gentlemen, Boys and Girls: Gender in Film at the End of the Twentieth Century, ed. Murray Pomerance. Albany : SUNY Press, 2001: 185-199. Grant, Barry Keith. “Documentary Film.” Essay entry in Encyclopedia of U.S. Popular Culture, ed. Ray Browne and Pat Browne. Bowling Green : Popular Press, 2001: 239-241. “Landmark Films.” Essay entry in Violence in the United States: An Encyclopedia, 3 vols., ed. Ronald Gottesman. New York : Scribners, 2000: Vol. 2, pp. 518-525. Grant, Barry Keith. “Second Thoughts on Double Features.” In Unruly Pleasures: Cult Film and Its Critics, ed. Graeme Harper and Xavier Mendik. London: FAB Press, 2000: 13-27. Grant, Barry Keith. “The Brains are Flying.” Introduction to Closely Watched Brains , ed. Murray Pomerance and John Sakeris. New York : Pearson Education, 2001: 1-4. Grant, Barry Keith. A Cultural Assault: The New Zealand Films of Peter Jackson. (Studies in New Zealand Culture series). Nottingham, UK : Nottingham Trent University / Kakapo Books, 1999. Grant, Barry Keith. “‘Sensuous Elaboration': Speculation and Spectacle in the Science Fiction Film.” In Alien Zone II: Cultural Theory and Contemporary Science Fiction Cinema, ed. Annette Kuhn. London : Verso, 1999: 16-31. Grant, Barry Keith. “American Psycho/sis: The Pure Products of America Go Crazy.” In Mythologies of Violence in Postmodern Media , ed. Christopher Sharrett. Detroit : Wayne State University Press, 1999: 23-40. Grant, Barry Keith. “Rich and Strange: The Yuppie Horror Film.” In Contemporary Hollywood Cinema, ed. Steve Neale and Murray Smith. London : Routledge, 1998: 280-293. Arnzen, Michael. “Interview with Barry Keith Grant.” Paradoxa: Studies in World Literary Genres 3: 3 (1997): 1-9. Grant, Barry Keith. “Violence Without Affect: The Logical End of Human Relations Under Capitalism.” New Zealand Journal of Media Studies 4, no. 1 (1997): 30-35. Grant, Barry Keith. “Pistils and Stamens: Gender and Genre in D.W. Griffith's Broken Blossoms.” Brock Review 6, nos. 1-2 (1997): 27-44. Grant, Barry Keith. “Rich and Strange: The Yuppie Horror Film.” Journal of Film and Video 48, nos. 1-2 (Spring/Summer 1996): 4-16. Grant, Barry Keith and Jeannette Sloniowski, eds. Documenting the Documentary: Close Readings of Documentary Film and Video. Detroit : Wayne State University Press, 1998. Grant, Barry Keith, ed. The Dread of Difference: Gender and the Horror Film . Austin: University of Texas Press, 1996. Grant, Barry Keith. “Taking Back the Night of the Living Dead : George Romero, Feminism and the Horror Film,” in The Dread of Difference: Gender and the Horror Film , ed. Grant. Austin: University of Texas Press, 1996: 200-212. Grant, Barry Keith, ed. Film Genre Reader II. Austin: University of Texas Press, 1995. Grant, Barry Keith. “Representing Jazz with Jazz: The Aesthetics of Vocalese.” In Representing Jazz , ed. Krin Gabbard. Durham , N.C. : Duke University Press, 1995: 285-303. Grant, Barry Keith. “Nature, Culture, Documentary: The Films of Kevin McMahon.” Post Script 15, no.1 (Fall 1995): 58-68. Grant, Barry Keith. “Purple Passages or Fiestas in Blue?: Notes Toward an Aesthetics of Jazz Vocalese.” Popular Music and Society 18, no. 1 (Spring 1994): 125-143. Grant, Barry Keith. “The Body Politic: Ken Russell in the ‘Eighties.” In Fires Were Started: British Cinema in the Thatcher Era , ed. Lester Friedman. Minneapolis: University of Minnesota Press, 1993: 188-203. Grant, Barry Keith. “Looking Upwards: Reason and the Visible in Science Fiction Film.” In Gender, Language and Myth: Essays in Popular Narrative, ed. Glenwood Irons. Toronto: University of Toronto Press, 1992: 185-207. Grant, Barry Keith. “Taking Back the Night of the Living Dead: George Romero, Feminist of Horror.” Wide Angle 14, no. 1 (1992): 4-16. Grant, Barry Keith. 10 entries for Facts Behind the Songs: A Handbook of American Popular Music , ed. Marvin Paymer. NY: Garland , 1992: Cover Song, Doo-Wop, Film Music, Film Musicals, Minstrel Show, Motown, Protest Song, Scat Singing, Top Forty, Vocalese. Grant, Barry Keith. 10 entries for World Film Encyclopedia , ed. James Monaco. New York: Perigee, 1991: Busby Berkeley, John Carpenter, David Cronenberg, Howard Hawks, George Lucas, Ken Russell, Douglas Sirk, Steven Spielberg, Frederick Wiseman. Grant, Barry Keith. “‘Science Fiction Double Feature': Transgression and Recuperation in the Cult Film,” in Beyond All Reason: The Cult Experience , ed. J.P. Telotte. Austin : University of Texas Press, 1991: 122-137. Grant, Barry Keith. “When Worlds Collide: Shirley Clarke's The Cool World .” Literature/Film Quarterly 18, no. 3 (1990): 179-187. Grant, Barry Keith, ed. Film Genre Reader. Austin : University of Texas Press, 1986. Grant, Barry Keith. “‘Jungle Nights in Harlem': Jazz, Ideology, and Animated Cartoons.” Popular Music and Society 13, no. 4 (Winter 1989): 45-57. Grant, Barry Keith. 40 entries for The New Encyclopedia of Science Fiction , ed. Jim Gunn. New York: Viking, 1988: Alphaville , Jack Arnold, The Beast from 20,000 Fathoms, The Birds, The Blob, The Brother from Another Planet , John Carpenter, Close Encounters of the Third Kind, Roger Corman, Dark Star, The Day of the Triffids, Dr. Strangelove, E.T.: The Extra-Terrestrial, Escape from New York, Farenheit 451, The Fly (both versions), Ray Harryhausen, Byron Haskin, The Incredible Shrinking Man, The Incredible Shrinking Woman, Invaders from Mars (both versions), Fritz Lang, Liquid Sky , George Lucas, Mad Max trilogy, The Man Who Fell to Earth, Wiliam Cameron Me nzies, George Pal, Quintet , Steven Spielberg, Star Wars trilogy, Starman, Them!, The Thing (both versions), THX-138, Videodrome, War of the Worlds , Peter Watkins, Robert Wise. Grant, Barry Keith. “ Invaders from Mars and Science Fiction in the Age of Reagan.” CineAction, no. 8 (Spring 1987): 77-83. Grant, Barry Keith. “‘Across the Great Divide': Imitation and Inflection in Canadian Rock Music.” Journal of Canadian Studies 21, no. 1 (Spring 1986): 116-127. Grant, Barry Keith. “The Classic Hollywood Musical and the ‘Problem' of Rock ‘n' Roll.” Journal of Popular Film and Television 13, no. 4 (Winter 1986): 195-205. Grant, Barry Keith. “Experience and Meaning in Genre Films.” Persistence of Vision , nos. 3-4 (Spring 1986): 5-14. Grant, Barry Keith. “Looking Upwards: H.G. Wells, Science Fiction and the Cinema.” Literature/Film Quarterly 14, no. 3 (1986): 154-163. Grant, Barry Keith. “Theories of Authorship.” Jump Cut , no. 31 (1986): 15-17. Grant, Barry Keith, ed. Planks of Reason: Essays on the Horror Film . Metuchen , NJ : Scarecrow Press, 1984. Grant, Barry Keith. “Tradition and the Individual Talent: Poetry in the Genre Film.” In Narrative Strategies: Original Essays in Film and Prose Fiction, ed. Janice Welsch and Cyndy Conger. Macomb: Western Illinois University Press, 1981: 83-103. Grant, Barry Keith. “Frank Zappa and ‘La Guitare-Stylo': Auteur Criticism and Popular Culture.” Sphinx 3, no. 3 (1980): 25-37. Grant, Barry Keith. “Whitman and Eisenstein.” Literature/Film Quarterly 4, no. 3 (Summer 1976): 264-270. |
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